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This is a different kind of book about psychedelics. Rather than describing psychedelic experiences, it presents four future-oriented ideas 'coming over the psychedelic horizon', which illustrate the potential benefits of psychedelics for humanity: * Stanislav Grof's view of our minds as a way to understand works of art (looking at Disney's Snow White). * The evidence that psychedelic-occasioned mystical experiences can boost our immune systems. * Psychedelics as a way of adding new cognitive programmes to our thinking skills. * Applying the ideas from Part 3 to learning.
Mit der Societas Privata Europaea (SPE) wird eine europäische Rechtsform eingeführt, auf die der exportorientierte Mittelstand seit vielen Jahren wartet. Die SPE kann schnell und kostengünstig für die Neugründung einer Auslandsaktivität eingesetzt werden oder durch Formwechsel aus einer nationalen Gesellschaft entstehen. Sie erlaubt außerdem die Bildung eines Netzes von ausländischen Vertriebs- und Servicegesellschaften in einer europaweit einheitlich anerkannten Rechtsform. Rechtsberater und Rechtswissenschaftler müssen für die Betrachtung der rechtlichen Einzelfragen in der SPE eine europäische Perspektive einnehmen. In dem ECFR-Sonderheft beleuchtet daher ein internationales Autorenteam die praktisch wichtigen Grundfragen der neuen Rechtsform aus wissenschaftlich vertiefter Perspektive: Gründung und Registerverfahren, anwendbares Recht, praktische Einsatzmöglichkeiten der SPE, Gläubigerschutz, innere Ordnung, Geschäftsleiterpflichten, Schutz von Minderheitengesellschaftern, Anfechtungsklagen gegen Gesellschafterbeschlüsse, Mitbestimmung der Arbeitnehmer, Steuerrecht. Die Autoren aus Dänemark, Deutschland, England, den Niederlanden, Polen und Spanien sind langjährige Spezialisten auf ihrem Gebiet und sowohl wissenschaftlich als auch praktisch ausgewiesen.
The Theatre of Socìetas Raffaello Sanzio chronicles four years in the life of an extraordinary Italian theatre company whose work is widely recognized as some of the most exciting theatre currently being made in Europe. In the first English-language book to document their work, company founders, Claudia Castellucci, Romeo Castellucci and Chiara Guidi, discuss their approach to theatre making with Joe Kelleher and Nicholas Ridout. At the centre of the book is a detailed exploration of the company's eleven episode cycle of tragic theatre, Tragedia Endogonida (2002–2004,) including: production notes and extensive correspondence giving insights into the creative process essays by and conversations with company members alongside critical responses by their two co-authors seventy-two photographs of the company's work. This is a significant collection of theoretical and practical reflections on the subject of theatre in the twenty-first century, and an indispensible written and visual document of the company's work.
From Islamist terror to feminist equal pay campaigns and the apparent Brexit hate crime epidemic, identity politics seems to be everywhere nowadays. This is not entirely an accident. The progressive liberal-left, which dominates our public life, has taken on the politics of race, gender, religion and sexuality as a key part of its own group identity - and has used its dominance to embed them into our state and society. In The Tribe, Ben Cobley guides us around the 'system of diversity' which has resulted, exploring the consequences of offering favour and protection to some people but not others based on things like skin colour and gender. He looks at how this system has almost totally captured the Labour Party and is spreading relentlessly around our other major institutions. He also looks at how it is capturing our language, appropriating key terms like 'equality', 'tolerance' and 'inclusion', while denying a voice to those who do not play along. The system of diversity makes a challenge to us all: submit, or risk exclusion from society itself.
A comprehensive reference that includes a useful English-Latin law glossary and an extensive bibliography (centered on English-language publications) that covers all of the dictionary's topics. A formidable research tool. Originally published: Philadelphia: The American Philosophical Society, [1953] (Transactions of the American Philosophical Society; New Series, Volume 43, Part 2, 1953). [ii], 333-808 pp. "This dictionary is intended to meet the needs of the student with little or no knowledge of Roman law or indeed of Latin. It seeks to provide a brief picture of Roman legal institutions and sources as a sort of first introduction to them. A very large number of brief-usually very brief-entries provide explanations of Roman legal terms, civil and criminal, and summary accounts of the sources. This is a formidable task to undertake single-handed, and Dr. Berger is to be congratulated on the great learning and thoroughness with which he has carried it through. ... The work ends with a remarkable general bibliography listing some fifteen hundred works under headings ranging from the main divisions of the law to 'Christianity and Roman Law' and 'Roman law in non-juristic sources.' This last is particularly valuable."--BARRY NICHOLAS 44 Journal of Roman Studies 160 (1954) "The publication of Mr. Adolf Berger's encyclopedic dictionary of Roman law is a very important accomplishment in the recent history of American legal scholarship. The American legal world owes him homage for putting at its disposal the scholarship of twentieth-century European Romanism, or indicating the entrances thereto." --MITCHELL FRANKLIN 28 Tulane Law Review 412 (1953-1954)
This book is widely regarded as one of the most remarkable achievements in Roman Law and Comparative Law scholarship this century - a fact attested to by the universal acclaim with which it has been received throughout Europe, America, and beyond. As a work of Roman Law scholarship it fusesthe vast volume of 20th century scholarship on the Roman law of obligations into a clear and very readable (and in many ways original) account of the law. As a work of comparative law it traces the transformation of the Roman law of obligations over the centuries into what is now modern German,English and South African law, presenting the reader with a contrast between these legal systems which is unique both in its scope and its depth. As a whole the book is written with a deep understanding of human nature and of many social, economic, and other forces that determine the face of thelaw.
The Theatre of Socìetas Raffaello Sanzio chronicles four years in the life of an extraordinary Italian theatre company whose work is widely recognized as some of the most exciting theatre currently being made in Europe. In the first English-language book to document their work, company founders, Claudia Castellucci, Romeo Castellucci and Chiara Guidi, discuss their approach to theatre making with Joe Kelleher and Nicholas Ridout. At the centre of the book is a detailed exploration of the company's eleven episode cycle of tragic theatre, Tragedia Endogonida (2002–2004,) including: production notes and extensive correspondence giving insights into the creative process essays by and conversations with company members alongside critical responses by their two co-authors seventy-two photographs of the company's work. This is a significant collection of theoretical and practical reflections on the subject of theatre in the twenty-first century, and an indispensible written and visual document of the company's work.