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Socialist Cowboy is a political biography detailing the life and activism of longtime New Democrat MPP Peter Kormos, one of the most colourful and controversial political personalities in the history of Ontario politics. Throughout his illustrious twenty-three year career as a member of the Ontario legislature, Kormos's unapologetic commitment to democratic socialism and his shoot-from-the-hip brand of small-town populism won him strong accolades back in his blue-collar hometown of Welland, while raising eyebrows at Queen's Park and within his own party. From his days as a student strike leader, to his short-lived time in Bob Rae's cabinet, to his run for the Ontario NDP leadership and his epic battles with the province's political establishment, the book chronicles Kormos's political trajectory, through interviews and archival research, with a view to unpacking the ideas and traits that have made him a New Democrat icon.
One more journey to the universe of Roberto Bolaño, an essential voice of contemporary Latin American literature Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In "Cowboy Graves," Arturo Belano--Bolaño's alter ego--returns to Chile after the coup to fight with his comrades for socialism. "French Comedy of Horrors" takes the reader to French Guiana on the night after an eclipse where a seventeen year old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in "Fatherland," a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead. These three fiercely original tales bear the signatures of Bolaño's extraordinary body of work, echoing the strange characters and uncanny scenes of his triumphs, while deepening our reverence for his gifts.
A Texas Cow Boy' (A Western Classic) stands as a seminal anthology, capturing the rugged essence and the adventurous spirit of the American West through a compilation of vivid narratives and personal accounts. This collection embodies the diversity of the Western experience, showcasing a range of literary styles from raw, unvarnished tales to meticulously detailed accounts of cowboy life. The anthology serves not only as a historical document but also as a literary mosaic, weaving together stories that highlight the resilience, bravery, and spirit of exploration that defined the era. The inclusion of pieces by Charles A. Siringo and Charlie Siringo adds a unique authenticity and depth, drawing readers into the dusty trails and sun-soaked landscapes of a bygone America. The contributing authors, Charles A. Siringo and Charlie Siringo, anchor the anthology with their firsthand experiences of the frontier. Their backgrounds as cowboys who transitioned to authors allow them to capture the essence of the Western frontier with unparalleled authenticity. These narratives stand at the intersection of history, culture, and mythology, evidencing how personal accounts can elevate understanding and appreciation of the American West. The collection aligns with and contributes to the discourse on America's frontier period, offering insights into the challenges and triumphs faced by those who ventured into unknown territories. 'A Texas Cow Boy' offers readers an unprecedented opportunity to immerse themselves in the diversity of Western life and lore. It beckons enthusiasts of history, literature, and the American frontier to explore the myriad stories that paint a comprehensive picture of the cowboy era. Each narrative invites the reader into a world marked by stark realities and boundless dreams, fostering a deeper appreciation for the complex tapestry that the American West represents. This anthology is a must-read for anyone eager to explore the depth and breadth of the Western experience, providing a rich educational journey through the eyes of those who lived it.
Although later made an icon of "rugged individualism," the American cowboy was a grossly exploited and underpaid seasonal worker, who waged a series of militant strikes in the generally isolated and neglected corners of the Old West. Mark Lause examines those neglected labour conflicts, couching them in the context of the bitter and violent "range wars" that broke out periodically across the region, and locating both among the political insurgencies endemic to the American West in the so-called Gilded Age.
A New York Times Notable Book of 2020 A Bloomberg Best Non-Fiction Book of 2020 A Behavioral Scientist Notable Book of 2020 A Human Behavior & Evolution Society Must-Read Popular Evolution Book of 2020 A bold, epic account of how the co-evolution of psychology and culture created the peculiar Western mind that has profoundly shaped the modern world. Perhaps you are WEIRD: raised in a society that is Western, Educated, Industrialized, Rich, and Democratic. If so, you’re rather psychologically peculiar. Unlike much of the world today, and most people who have ever lived, WEIRD people are highly individualistic, self-obsessed, control-oriented, nonconformist, and analytical. They focus on themselves—their attributes, accomplishments, and aspirations—over their relationships and social roles. How did WEIRD populations become so psychologically distinct? What role did these psychological differences play in the industrial revolution and the global expansion of Europe during the last few centuries? In The WEIRDest People in the World, Joseph Henrich draws on cutting-edge research in anthropology, psychology, economics, and evolutionary biology to explore these questions and more. He illuminates the origins and evolution of family structures, marriage, and religion, and the profound impact these cultural transformations had on human psychology. Mapping these shifts through ancient history and late antiquity, Henrich reveals that the most fundamental institutions of kinship and marriage changed dramatically under pressure from the Roman Catholic Church. It was these changes that gave rise to the WEIRD psychology that would coevolve with impersonal markets, occupational specialization, and free competition—laying the foundation for the modern world. Provocative and engaging in both its broad scope and its surprising details, The WEIRDest People in the World explores how culture, institutions, and psychology shape one another, and explains what this means for both our most personal sense of who we are as individuals and also the large-scale social, political, and economic forces that drive human history. Includes black-and-white illustrations.
Will Wright explores the continuing popularity of the myth of the Wild West, demonstrating how, as a cultural icon, it speaks deeply to a desire for individualism and liberty. The author discusses the myth through market and social theory.
This book, written by the author of the celebrated volume Six Guns and Society, explains why the myth of the Wild West is popular around the world. It shows how the cultural icon of the Wild West speaks to deep desires of individualism and liberty and offers a vision of social contract theory in which a free and equal individual (the cowboy) emerges from the state of nature (the wilderness) to build a civil society (the frontier community). The metaphor of the Wild West retained a commitment to some limited government (law and order) but rejected the notion of the fully codified state as too oppressive (the corrupt sheriff). Compelling and magnificently suggestive, the book unpacks one of the core icons of our time.
The politics of popular westerns are surprising in substance and significance, especially of late. Cowboy Politics shows how westerns in literature, cinema, and television face the challenges of Western Civilization even more than the perils of American frontiers. Its strategy is to compare key westerns with major theories of modern and postmodern politics. So it analyzes novels from Owen Wister to Zane Grey and Larry McMurtry. It focuses on films from the western revival beginning in the 1990s and featuring Clint Eastwood’s Unforgiven, while its interest in TV stretches from singing cowboys and Gunsmoke to David Milch’s Deadwood. Critics are apt to find in westerns the modern politics of Thomas Hobbes and John Locke. They tap devices of individuality, rationality, contract, sovereign enforcement, and representation to overcome the chaotic violence of a wild zone. Cowboy Politics examines how westerns often find such measures insufficient to tame the West as a culture of honor and anger that deteriorates into feud-al vengeance. Instead westerns see the West as the sunset land that is already growing old and moving on. So westerns seek fresh starts informed by comparing civilizations more than demonizing savages. Westerns worry that modern politics devolve into exploitation, oppression, spectacle, and terror. So they pursue supplements in such postmodern politics as republicanism, perfectionism, populism, feminism, and environmentalism. Especially westerns explore politics of persuasive speech-in-action-in-public, doing beauty, and self-reliance in the modes of Hannah Arendt and Ralph Waldo Emerson. The first two chapters of Cowboy Politics explain how westerns do political theory for popular audiences by making many of our myths: the symbolic stories of individuals and communities which we live daily. The next three chapters trace the initially modern theories of government in many westerns. Then western turns to republican honor, rhetoric, response-ability, and character tracking occupy the following four chapters. And these set the stage for another four chapters on western attention to postmodern terror, mythmaking, celebrity, spectacle, and forgiveness. The final two chapters analyze how “late,” “satirical,” and “transformative” westerns develop realist defenses for their surprisingly postmodern politics.