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The author presents his views on the connections between art and society in a series of essays.
This volume re-evaluates the position of William Morris regarding contemporary perspectives on his artistic and political endeavours. Special emphasis is placed on the concepts and territories that lie in-between, both literally and metaphorically. This “in-between-ess” is the most remarkable quality of Morris, and secures him a unique position among his contemporaries, as well as inspiring new generations of scholars. Paradoxically, however, this aspect also contributes to a certain marginalization of Morris in studies devoted to “Eminent Victorians”. Instead of speaking of ruptures, gaps or lacunas, the point of view adopted here explores the undefined terrenes situated between art and politics, viewing them as vantage points and departure planes which cement Morris’s universe. At the same time, the book also argues that this universe has always existed in its specific shape and form, while the “poetic upholster”, as Morris was ironically labelled, only discovered and explored different points on the map of a space that could have no limits and boundaries. The book offers new insights and avenues to supplement existing scholarship on Morris, including spatiotemporal aspects of his work and the relationship between art and politics.
The definitive collection of political writings from William Morris William Morris is famous as a designer, poet and artist, but his work as a political thinker and activist is little known. This collection, the first of his political writings published for nearly 50 years, shows Morris as one of the most original and inspiring socialist intellectuals of his generation. Covering essays and lectures ranging through the relation between art and politics, to his visions for a socialist society and his strident anti-imperialism, this is an essential volume which shows Morris at his engaged and dazzling best.
A tireless champion of her father William, and a gifted designer and craftswoman in her own right, Mary (May) Morris (1862-1938) had a unique insight into his extraordinary career and creativity. It was she who undertook the exacting task of editing the twenty-four volumes of her father's collected works (also reissued in the Cambridge Library Collection). In 1936, towards the end of her life, she published this supplementary two-volume work, which includes further writings and sympathetic commentary, revealing 'the development of a mind which was singularly of one piece, however many-sided'. Volume 2 addresses William Morris' political aims and ideals. Opening with the essay 'Morris as I Knew Him' by George Bernard Shaw, it includes May's substantial assessment of her father's socialism, along with many previously unpublished examples of his output of lectures, articles and letters on the subject. Also included is the index to the entire collected works.
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,3, Humboldt-University of Berlin (Institut für Anglistik und Amerikanistik), course: Seminar: Pre-Raphaelite Sensualities, language: English, abstract: William Morris was a poet, a political activist, a designer and a craftsman of the 19th century. As a part of the Arts and Crafts Movement, he is mainly known today for the last two categories due to his major influence on various artists. [...] In the following, Morris’ notion of art in connection with his political thinking shall be outlined. It will be analysed how he imagined art to be in the future. It is only possible to explain his socialist ideal of art in contrast to the contemporary role of art in society. Therefore, a description of the circumstances in Morris’ time will follow his definition of art. His own work as an artist will be assessed roughly in terms of his socialist ideal. In line with this, the limits of his work caused by the social circumstances at his time will be mentioned.
This 24-volume set, published 1910-15, reveals the development and scope of a Victorian polymath's literary, aesthetic and political passions.
The life and works of William Morris continue to excite the imaginations of fresh generations of scholars working in many traditions, from the history of art and design to literary criticism and the history of socialism and socialist thought. This book concentrates on Morris's social and political acheivements as well as his artistic talents.