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"What's your company's social media policy? Probably shortsighted. Business social media, or, social networking, has become more than a global phenomenon. When combined with your online presence and online outreach, it's a global business phenomenon and a revenue generating phenomenon..."--Dust jacket flap.
Wedding trip of Rudder Granger's maid through Scotland and England is told with dry humor.
"Pomona's Travels: A Series of Letters to the Mistress of Rudder Grange from her Former Handmaiden" by Frank Richard Stockton is the beloved sequel of Rudder Grange that follows a young couple on the hunt for a rental home. In this book, instead, the young lady and former maid of the Rudder Grange home, Pomona, finds herself able to travel. While experiencing the world, she sends her former employers letters of her adventures in exotic new lands.
The Politics of Farce in Contemporary Spanish American Theatre is the first book-length study of the role of farce in Spanish American theatre. Spanish American playwrights have realized that farce's "lack of power" and marginality can become a res
"Arranged chronologically, this updated and revised edition covers the scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic context of the times. Appendices offer selected filmographies and useful addresses"--Provided by publisher.
The female image has been an ambiguous one in Mexican culture, and the place of women in Mexican cinema is no less tenuous--yielding in the films of Luis Buñuel and others a range of characterizations from virgin to whore, mother to femme fatale. Mexican Cinema/Mexican Woman, 1940-1950 examines a singular moment in the history of Mexican film to investigate the ways in which the cinematic figures of woman functioned to mediate narrative and social debates. The book raises new questions about the relations between woman and cinema. It will have broad appeal among students and scholars of film, feminist studies, and Latin American studies, as well as those interested in the popular culture of Mexico. Considering the historical and cultural representations of sexual difference as well as race and class, Hershfield closely examines the portrayal of women and gender identity in six films: María Candelaria (Emilio Fernández, 1943), Río Escondido (Emilio Fernández, 1947), Distinto amanecer (Julio Bracho, 1943), Salón México (Emilio Fernández, 1948), Doña Bárbara (Fernando de Fuentes, 1943), and Susana (Carne y demonio) (Luis Buñuel, 1950).
Transnational mobility in the EU has become a key factor for supranational integration, equal life chances and socioeconomic prosperity. This book explores the cultural and social patterns that shape people’s migration, the historical and contemporary patterns of their movement, and the manifold consequences of their migration for themselves and their families. Exploring the links between social and spatial mobility, the book draws attention to the complexity of moving and staying, as ways in which social inequalities are shaped and reinforced. Grounded in research conducted in Germany and Poland, the book develops the concept of "cultures of transnationality" to analytically frame the variety of expectations involved in migration, and how they shape migration dispositions, opportunities, and outcomes. Cultures of Transnationality in European Migration will be of broad interest to scholars and students of transnational migration, European development, cultural sociology, intersectionality and subjectivity. Specifically, it will appeal to scholars interested in the cultural ramifications of moving and staying as well as those interested in the interplay of gender, ethnicity and class, in the making of social inequality.