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"Across thousand miles away from home, chasing my dreams To have a fairy tale Chalet, to live in solace-- down to Paradise” Social Blues is a collection of poésie winding through woods of struggles and sufferings, but weave hopes of dreams , faith for peace and love for humanity.It is classic connoisseur for social renewal and who are aficionados of timeless piece of literature . The book represents newer type of allegory in form of ballads and blues poem with illuminated visions . The subjects of poems represent common vices and virtues but are sharply satirical of various kinds of modern culture. It adds personal touch to make poems more telling and compelling and each verse speaks a tale of its own …and relates with each of us our life experience.This heart-rending book explores solemn themes of serenity, dark-culture , loss, grief , healing , empowerment , inspiration courage, dreams , encouragement , freedom , peace and on modern chaos.The Balladry composed of 51 verses advocates” Humanity is one kind of magical spell in accomplishing harmony and tranquility in land of conflicts”As a poet , it will remind our obligation towards society and how can we together bring a major improvement in shaping the thoughts of our younger generation without inflicting the emotions.
Across thousand miles away from home, chasing my dreamsTo have a fairy tale Chalet, to live in solace-- down to Paradise"Across thousand miles away from home, chasing my dreamsTo have a fairy tale Chalet, to live in solace-- down to Paradise"Social Blues is a collection of poésie winding through woods of struggles and sufferings, but weave hopes of dreams , faith for peace and love for humanity.It is classic connoisseur for social renewal and who are aficionados of timeless piece of literature . The book represents newer type of allegory in form of ballads and blues poem with illuminated visions . The subjects of poems represent common vices and virtues but are sharply satirical of various kinds of modern culture. It adds personal touch to make poems more telling and compelling and each verse speaks a tale of its own ...and relates with each of us our life experience.This heart-rending book explores solemn themes of serenity, dark-culture , loss, grief , healing , empowerment , inspiration courage, dreams , encouragement , freedom , peace and on modern chaos.The Balladry composed of 51 verses advocates" Humanity is one kind of magical spell in accomplishing harmony and tranquility in land of conflicts"As a poet , it will remind our obligation towards society and how can we together bring a major improvement in shaping the thoughts of our younger generation without inflicting the emotions.
"Throughout his various stages, Dylan's work reveals an affinity with the Zen worldview, where enlightenment can be attained through self-contemplation and intuition rather than through faith and devotion. Much has been made of Dylan's Christian periods, but never before has a book engaged Dylan's deep and rich oeuvre through a Buddhist lens."--Back cover.
The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.
Alan Lomax is a legendary figure in American folk music circles. Although he published many books, hundreds of recordings and dozens of films, his contributions to popular and academic journals have never been collected. This collection of writings, introduced by Lomax's daughter Anna, reintroduces these essential writings. Drawing on the Lomax Archives in New York, this book brings together articles from the 30s onwards. It is divided into four sections, each capturing a distinct period in the development of Lomax's life and career: the original years as a collector and promoter; the period from 1950-58 when Lomax was recording thorughout Europe; the folk music revival years; and finally his work in academia.
"World Music: Traditions and Transformations, fourth edition, is an introductory-level survey of diverse musics from around the world. It assumes no prior formal training or education in music, and with one brief exception avoids the use of Western music notation entirely. It is written primarily for undergraduate nonmusic majors but is equally appropriate for music majors, and is therefore ideal for courses enrolling music and nonmusic stu-dents alike"--
Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.
The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.
From Jewish publishers to Appalachian poets, Green s cultural study reveals the role of "Mountain Whites" in American racial history. Part One (1880-1935) explores the networks that created American pluralism, revealing Appalachia s essential role in shaping America s understanding of African Americans, Anglos, Jews, Southerners, and Immigrants. Drawing upon archival research and deft close readings of poems, Part Two (1934-1946) delves into the inner-workings of literary history and shows how diverse alliances used four books of poetry about Appalachia to change America s notion of race, region, and pluralism. Green starts with how Jesse Stuart and the Agrarians defended Southern whiteness, follows how James Still appealed to liberals, shows how Muriel Rukeyser put Appalachia at the center of anti-fascism, and ends with how Don West and the Progressives struggled to form interracial labor unions in the South.