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Although Egyptian tombs and funerary texts have been intensively studied, attention has been focused on art historical aspects, archaeological documentation and theological content. Attention for the relationship between burial practices and society has been restricted. The symposium of which this volume presents the proceedings is an attempt to show the scientific potential of the sociology of burial. The underlying philosophy is that both archaeological and textual sources are ultimately reflections of one social reality. Therefore, the volume offers contributions by archaeologists and philologists, many of which frequently bridge the gap between the two disciplines. Bourriau studies the evolution of body position in burials dating between the late Middle Kingdom and early New Kingdom. Delrue reviews a recent interpretation of the predynastic cemetery N7000 at Naga ed-Deir. Fitzenreiter studies the sociological background of ritual scenes in Old Kingdom mastabas. Frandsen's analysis touches upon funerary texts touching on substances inside the body which are considered bwt (taboo). The point of departure for Muller's study is a group of offering deposits at Tell el-dab'a which are studied in the light of textual information on ritual practice. Seidlmayer argues that burial contexts of the First Intermediate Period at Elephantine reflect the same underlying ideas as contemporary tomb scenes. Willems' commentary of Coffin Texts spells 30-41 interprets these texts as a coherent mortuary liturgy and discusses the context in which the letters to the dead were transmitted to the deceased.
Historical and Archaeological Aspects of Egyptian Funerary Culture, a thoroughly reworked translation of Les textes des sarcophages et la démocratie published in 2008, challenges the widespread idea that the “royal” Pyramid Texts of the Old Kingdom after a process of “democratisation” became, in the Middle Kingdom, accessible even to the average Egyptian in the form of the Coffin Texts. Rather they remained an element of elite funerary culture, and particularly so in the Upper Egyptian nomes. The author traces the emergence here of the so-called “nomarchs” and their survival in the Middle Kingdom. The site of Dayr al-Barshā, currently under excavation, shows how nomarch cemeteries could even develop into large-scale processional landscapes intended for the cult of the local ruler. This book also provides an updated list of the hundreds of (mostly unpublished) Middle Kingdom coffins and proposes a new reference system for these.
Concepts in Middle Kingdom Funerary Culture presents a collection of archaeological and philological papers discussing how ancient Egyptians thought, and modern scholars may think, about Egyptian funerary practices of the early 2nd millennium BCE. Targeting the concepts used by modern scholars, the papers address both general methodological questions of how concepts should be developed and used and more specific ones about the history and presuppositions behind particular Egyptological concepts. In so doing, the volume brings to the fore occasionally problematic intellectual baggage that have hindered understanding, as well highlighting new promising avenues of research in ancient Egyptian funerary culture in the Middle Kingdom and more broadly. "New and insightful suggestions are made, many of which challenge the basic frames of reference of Western Egyptological study, from funerary practice to issues of identity. The methodological models should be of considerable interest to those studying aspects of the HB and ancient Levant related to funerary culture, where studies have often tended towards the etic." -David Beadle, Journal for the Study of the Old Testament 44.5 (2020)
In this interdisciplinary study, Leire Olabarria examines ancient Egyptian society through the notion of kinship. Drawing on methods from archaeology and sociocultural anthropology, she provides an emic characterisation of ancient kinship that relies on performative aspects of social interaction. Olabarria uses memorial stelae of the First Intermediate Period and the Middle Kingdom (ca.2150–1650 BCE) as her primary evidence. Contextualising these monuments within their social and physical landscapes, she proposes a dynamic way to explore kin groups through sources that have been considered static. The volume offers three case studies of kin groups at the beginning, peak, and decline of their developmental cycles respectively. They demonstrate how ancient Egyptian evidence can be used for cross-cultural comparison of key anthropological topics, such as group formation, patronage, and rites of passage.
What is presented here is a preliminary crystallization of thinking about questions, problems, and aspects that presented themselves during research into the iconography of Old Kingdom elite tombs in the so-called Leiden Mastaba Project (LMP), started in 1980 for teaching advanced students. Since the Egyptian culture has been given shape mainly in connection with the residences of the kings, the elite tombs of the Memphite area only were incorporated into the database. The original paper database consists of individual files on each tomb, giving a plan, wall scheme, a concise description of each sub-theme and its accompanying texts (if present). For details on the set-up, the original questions, the intention and some preliminary results on the partially collected material in 1985, see Van Walsem, Mastaba project. The core of this essay is a combination of and an elaboration of two former lectures by the author entitled: "Some un(der)exposed aspects in the study and interpretation of mastaba scenes" and "Religious iconography of Ancient Egypt: methodological and theoretical problems".
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
The chapters of Middle Kingdom Palace Culture and Its Echoes in the Provinces discuss the degree of influence that provincial developments played in reshaping the Egyptian state and culture during the Middle Kingdom. Contributors to the volume are Egyptologists from around the world who have developed their research following a conference held at the University of Jaén in Spain.
One of the world's oldest treaties provides the backdrop for a new analysis of the Egyptian concept of hetep ("peace"). To understand the full range of meaning of hetep, Peace in Ancient Egypt explores battles against Egypt's enemies, royal offerings to deities, and rituals of communing with the dead. Vanessa Davies argues that hetep is the result of action that is just, true, and in accord with right order (maat). Central to the concept of hetep are the issues of rhetoric and community. Beyond detailing the ancient Egyptian concept of hetep, it is hoped that this book will provide a useful framework that can be considered in relation to concepts of peace in other cultures. Read a recent blog post about the book here.
This groundbreaking, five-volume series offers a comprehensive, fully illustrated history of Egypt and Western Asia (the Levant, Anatolia, Mesopotamia, and Iran), from the emergence of complex states to the conquest of Alexander the Great. Written by a highly diverse, international team of leading scholars, whose expertise brings to life the people, places, and times of the remote past, the volumes in this series focus firmly on the political and social histories of the states and communities of the ancient Near East. Individual chapters present the key textual and material sources underpinning the historical reconstruction, paying particular attention to the most recent archaeological finds and their impact on our historical understanding of the periods surveyed. Commencing with the domestication of plants and animals, and the foundation of the first permanent settlements in the region, Volume I contains ten chapters that provide a masterful survey of the earliest dynasties and territorial states in the ancient Near East, concluding with the rise of the Old Kingdom in Egypt and the Dynasty of Akkad in Mesopotamia. Politics, ideology, religion, art, crafts, economy, military developments, and the built environment are all examined. Uniquely, emphasis is placed upon elucidating both the internal dynamics of these states and communities, as well as their external relationships with their neighbors in the wider region. The result is a thoughtful, critical, and robust survey of the populations that laid the foundation for all future developments in the ancient Near East.
NEW YORK TIMES BESTSELLER • “Magisterial . . . [A] rich portrait of ancient Egypt’s complex evolution over the course of three millenniums.”—Los Angeles Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • Publishers Weekly In this landmark volume, one of the world’s most renowned Egyptologists tells the epic story of this great civilization, from its birth as the first nation-state to its absorption into the Roman Empire. Drawing upon forty years of archaeological research, award-winning scholar Toby Wilkinson takes us inside a tribal society with a pre-monetary economy and decadent, divine kings who ruled with all-too-recognizable human emotions. Here are the legendary leaders: Akhenaten, the “heretic king,” who with his wife Nefertiti brought about a revolution with a bold new religion; Tutankhamun, whose dazzling tomb would remain hidden for three millennia; and eleven pharaohs called Ramesses, the last of whom presided over the militarism, lawlessness, and corruption that caused a political and societal decline. Filled with new information and unique interpretations, The Rise and Fall of Ancient Egypt is a riveting and revelatory work of wild drama, bold spectacle, unforgettable characters, and sweeping history. “With a literary flair and a sense for a story well told, Mr. Wilkinson offers a highly readable, factually up-to-date account.”—The Wall Street Journal “[Wilkinson] writes with considerable verve. . . . [He] is nimble at conveying the sumptuous pageantry and cultural sophistication of pharaonic Egypt.”—The New York Times