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I wish I had this book when I first plunged into the screenwriting jungle... Michele Rifkin, writer, Bone Chillers, ABC...
An analysis of the fundamental narrative structure, why it works, the meanings of stories, and why we tell them in the first place. The idea of Into the Woods is not to supplant works by Aristotle, Lajos Egri, Robert McKee, David Mamet, or any other writers of guides for screenwriters and playwrights, but to pick up on their cues and take the reader on a historical, philosophical, scientific, and psychological journey to the heart of all storytelling. In this exciting and wholly original book, John Yorke not only shows that there is truly a unifying shape to narrative—one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within—he explains why, too. With examples ranging from The Godfather to True Detective, Mad Men to Macbeth, and fairy tales to Forbrydelsen (The Killing), Yorke utilizes Shakespearean five-act structure as a key to analyzing all storytelling in all narrative forms, from film and television to theatre and novel-writing—a big step from the usual three-act approach. Into the Woods: A Five-Act Journey into Story is destined to sit alongside David Mamet’s Three Uses of the Knife, Robert McKee’s Story, Syd Field’s Screenplay, and Lajos Egri’s The Art of Dramatic Writing as one of the most original, useful, and inspiring books ever on dramatic writing. Praise for Into the Woods “Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive.” —Chris Chibnall, creator/writer, Broadchurch and Gracepoint “Outrageously good and by far and away the best book of its kind I’ve ever read. I recognized so much truth in it. But more than that, I learned a great deal. Time and again, Yorke articulates things I’ve always felt but have never been able to describe. . . . This is a love story to story—erudite, witty and full of practical magic. I struggle to think of the writer who wouldn’t benefit from reading it—even if they don’t notice because they’re too busy enjoying every page.” —Neil Cross, creator/writer, Luther and Crossbones “Part ‘how-to’ manual, part ‘why-to’ celebration, Into the Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises . . . exciting and thought-provoking.” —Emma Frost, screenwriter, The White Queen and Shameless
"I liked it, didn't love it." It's the most often heard line in Hollywood."What happens to your screenplay or novel when it leaves your hands and is submitted to a studio, network or production company? What happens to it after it's optioned or sold? What does "in development" really mean? Rona Edwards and Monika Skerbelis shed light on all of those questions and more for those new to the business, and to those already journeying through the "storied" halls at a film studio, television network, or production company. They tackle how to find new ideas, what it takes to be a development exec or a story analyst, how to work with producers and writers, and tips for pitching.
Writing in Pictures is a refreshingly practical and entertaining guide to screenwriting that provides what is lacking in most such books: a clear, step-by-step demonstration of how to write a screenplay. Seasoned screenwriter and writing teacher Joseph McBride breaks down the process into a series of easy, approachable tasks, focusing on literary adaptation as the best way to learn the basics and avoiding the usual formulaic approach. With its wealth of useful tips, along with colorful insights from master screenwriters past and present, this book is invaluable for anyone who wants to learn the craft of screen storytelling. CONTENTS Introduction: Who Needs Another Book on Screenwriting? Part I: Storytelling 1: So Why Write Screenplays? 2: What Is Screenwriting? 3: Stories: What They Are and How to Find Them 4: Ten Tips for the Road Ahead Part II: Adaptation 5: Breaking the Back of the Book: or, The Art of Adaptation STEP 1: THE STORY OUTLINE 6: Research and Development STEP 2: THE ADAPTATION OUTLINE 7: The Elements of Screenwriting STEP 3: THE CHARACTER BIOGRAPHY 8: Exploring Your Story and How to Tell It STEP 4: THE TREATMENT Part III: Production 9: Who Needs Formatting? 10: Actors Are Your Medium 11: Dialogue as Action STEP 5: THE STEP OUTLINE 12: The Final Script 13: Epilogue: Breaking into Professional Filmmaking Appendix A: The Basic Steps in the Screenwriting Process Appendix B: “To Build A Fire” by Jack London Selected Bibliography Acknowledgments Index
Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.
The Turn & Burn methodology offers practical, real-world advice for quickly turning stories - within any genre - into engaging and authentic movie scripts.
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There's nothing fabulous about 50 for L.A. film critic Jeremy Lerner, who loses his marriage, his job, and the use of his right arm just days after the birthday party he begged his now ex-wife not to throw him. But fate is a sly devil.Jeremy's string of calamities leads to a game-changing emotional and creative rebirth after he meets the intoxicating Annabelle, a beguiling widow who comes to his rescue-and Jeremy to hers. If only their baggage didn't match quite so well. With the added support of his wise and spirited mom, Joyce, his capricious and big-hearted son, Matty, and Matty's steadfast new boyfriend, Gabe, Jeremy begins to change in ways that surprise, inspire, and galvanize him. All of this while his career makes a head-spinning leap. The thing is, can it last?The Last Birthday Party combines wry observation with an everyday wistfulness for a warm, propulsive, humanly funny tale of second chances set against the alluring nuttiness of Hollywood.
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.