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There's nothing fabulous about 50 for L.A. film critic Jeremy Lerner, who loses his marriage, his job, and the use of his right arm just days after the birthday party he begged his now ex-wife not to throw him. But fate is a sly devil.Jeremy's string of calamities leads to a game-changing emotional and creative rebirth after he meets the intoxicating Annabelle, a beguiling widow who comes to his rescue-and Jeremy to hers. If only their baggage didn't match quite so well. With the added support of his wise and spirited mom, Joyce, his capricious and big-hearted son, Matty, and Matty's steadfast new boyfriend, Gabe, Jeremy begins to change in ways that surprise, inspire, and galvanize him. All of this while his career makes a head-spinning leap. The thing is, can it last?The Last Birthday Party combines wry observation with an everyday wistfulness for a warm, propulsive, humanly funny tale of second chances set against the alluring nuttiness of Hollywood.
I wish I had this book when I first plunged into the screenwriting jungle... Michele Rifkin, writer, Bone Chillers, ABC...
Tailor your screenplay to sell. Find out what Hollywood script readers, producers, and studio executives want in a screenplay (and why) from someone who’s been there. Discover what it takes to begin a lasting career as a screenwriter. Peppered with interviews from established professionals, Writing for the Green Light: How to Make Your Script the One Hollywood Notices gives you a sharp competitive edge by showcasing dozens of everyday events that go on at the studios but are rarely if ever discussed in most screenwriting books. With his behind-the-scenes perspective, Scott Kirkpatrick shows you why the system works the way it does and how you can use its unwritten rules to your advantage. He answers such questions as: Who actually reads your script? How do you pique the interest of studios and decision makers? What do agents, producers, and production companies need in a script? How much is a script worth? What are the best genres for new writers and why? What are real steps you can take to ‘break in’ to television writing? How do you best present or pitch a project without looking desparate? How do you negotiate a contract without an agent? How do you exude confidence and seal your first deal? These and other insights are sure to give you and your screenplay a leg-up for success in this competitive landscape!
Learn the secrets to writing a GREAT screenplay from a major movie studio Story Analyst who will show you how to BLOW AWAY THE READER! Master the structure and principles used by 95% of commercial movies. This is not a formula or just another structure paradigm -- it is the view from behind the desk of the people evaluating your screenplay, what they want to read and what they will buy. With all the competition in the Hollywood marketplace, your script can't just be good, it must be GREAT.
Inspired by questions from workshops, lectures, and emails, Blake Snyder provides new tips and techniques to help screenwriters create stories that resonate.
Describes the elements of screenwriting, presents examples of the three-act structure and the nontraditional form, discusses writing for television, and describes the working environment and salary of screenwriters.
Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.
Award-winning screenwriter Roslyn Muir offers clear and simple advice for beginners and experts alike on how to master the popular TV movie thriller and rom-com genres. Writing a TV Movie is an exceptional resource for screenwriters.