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On Peter Kravitz' first day as a teacher, a veteran principal taught him the mantra that would carry him through thirty-two years in front of classes: Treat the children as if they were your own. A memoir.
When I began teaching in the early seventies, I knew I was in it for the long haul. I knew this was my career, my calling, the fulfillment of a childhood dream. From as far back as my memory will take me, I had a longing to be a teacher. It never entered my mind to spend my life in any other way than in front of a classroom. This was cemented with I entered the first grade and loved my teacher so much I wanted to be just like her. Im sure I lost no time telling this teacher what I wanted to be when I grew up. So she gave me little opportunities to practice teaching. When someone couldnt tie his shoes, she would ask me to teach him how. If a student was struggling, shed place me beside him to help. I was so proud! Any opportunity to teach was just taking me one inch nearer my destination. As I progressed through my school years, being assigned to help one of the slower students was an honor for me. I was fortunate that those were the years teachers were absolutely dedicated to their calling and to their students. Those were the days when teaching was one of the few professions women could enter. And to get there usually meant someone was sacrificing for them to attend school. Completing their education was a culmination of hard work and determination. Teachers were respected and highly regarded by the public. All that combined, produced good teachers who were extremely proud to stand before children and be the planters of knowledge. As a child, to be like any one of them was my burning desire. Never losing sight of my goal, I progressed through the grades. I may not have been the most academic kid on the block, but I was responsible. Teachers entrusted me with duties, jobs, and tutoring. In twelfth grade I was put in charge of a study hall! Upon graduation, I was one step closer to being a teacher. I finished college early, and finally was a teacher. From the beginning of my days in the classroom, I wrote down funny things kids would say and do, because I just didnt want to forget them. As I moved from pre-school to kindergarten, then middle or high school, I had quite a treasure trove. After retiring, I reflected upon my time in the classroom and decided maybe my friends were right in telling me I should write a book. I knew it would be fun to share my stories and experiences. From time to time, I would get out my old brown tattered notebook and write. And as I got older and older, I decided if I am going to ever write a book, I need to get moving. I knew Id rather write it myself, than to die and have someone run across my notebook and try to write my story. Thus, a book was born! I delight in telling my story. Some pages will make you cry. Others will make you laugh. I dont begin to pretend I was the perfect teacher. This book does not allude to that. It paints a portrait of the inner workings of a classroom in todays world. It conveys the fact that when teaching children with special needs, subject matter sometimes takes a back seat. They came to us with such baggage. When I stop and think about the troubles those children carried on their shoulders, I marvel at how they managed to rise in the mornings and get to school. As teachers, we had to look beyond the language and behavior in order to help these people. Our role as teachers extended way beyond our training. These were not the children of yesteryear. Most of them were products of drug-ridden homes and streets, absentee parents, video games, violence on television and movies, and absolute poverty. These influences rode on the bus with them and traveled right into the classroom where we were expected to teach, counsel, and police. That may not have been the teaching of my childhood dreams, but somehow I saw the need to know what my priorities had to be each and every day. Given all the things I saw, heard, and dealt with, I dont believe I could ever have returned to a regular classroom. It woul
What's it like to start a revolution? How do you build the biggest tech company in the world? And why do you walk away from it all? Paul Allen co-founded Microsoft. Together he and Bill Gates turned an idea - writing software - into a company and then an entire industry. This is the story of how it came about: two young mavericks who turned technology on its head, the bitter battles as each tried to stamp his vision on the future and the ruthless brilliance and fierce commitment.
The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.
Young Adult literature, from The Outsiders to Harry Potter, has helped shape the cultural landscape for adolescents perhaps more than any other form of consumable media in the twentieth and twenty-first century. With the rise of mega blockbuster films based on these books in recent years, the young adult genre is being co-opted by curious adult readers and by Hollywood producers. However, while the genre may be getting more readers than ever before, Young Adult literature remains exclusionary and problematic: few titles feature historically marginalized individuals, the books present heteronormative perspectives, and gender stereotypes continue to persist. Taking a critical approach, Young Adult Literature: Challenging Genres offers educators, youth librarians, and students a set of strategies for unpacking, challenging, and transforming the assumptions of some of the genre's most popular titles. Pushing the genre forward, Antero Garcia builds on his experiences as a former high school teacher to offer strategies for integrating Young Adult literature in a contemporary critical pedagogy through the use of participatory media.
Sheff's story tells of his teenage son's addiction to meth, in this real-time chronicle of the shocking descent into substance abuse and the family's gradual emergence into hope.
As a young girl in Bangalore, Gayathri was surrounded by the fragrance of jasmine and flickering oil lamps, her family protected by gods and goddesses. But as she grew older, demons came forth from dark corners of her idyllic kingdom—with the scariest creatures lurking within her tortured mind. Shadows in the Sun traces Gayathri’s courageous battle with debilitating depression that consumed her from adolescence through marriage and a move to the United States. Her inspiring memoir provides a first-of-its-kind cross-cultural view of mental illness—how it is regarded in India and in America, and how she drew on both her rich Hindu heritage and Western medicine to find healing.
"This updated edition of Bornstein's formative My Gender Workbook (1997) provides an invigorating introduction to contemporary theory around gender, sexuality, and power. The original is a classic of modern transgender theory and literature and, alongside Bornstein's other work, has influenced an entire generation of trans writers and artists. This revised and expanded edition extends that legacy, offering an accessible foundation for examining gender in the reader's life and in the broader culture while arguing for the dismantling of all forms of oppression. For fans of the original, Bornstein's new material merits a fresh read..."--Publishers Weekly, starred review Cultural theorists have written loads of smart but difficult-to-fathom texts on gender theory, but most fail to provide a hands-on, accessible guide for those trying to sort out their own sexual identities. In My Gender Workbook, transgender activist Kate Bornstein brings theory down to Earth and provides a practical approach to living with or without a gender. Bornstein starts from the premise that there are not just two genders performed in today's world, but countless genders lumped under the two-gender framework. Using a unique, deceptively simple and always entertaining workbook format, complete with quizzes, exercises, and puzzles, Bornstein gently but firmly guides readers toward discovering their own unique gender identity. Since its first publication in 1997, My Gender Workbook has been challenging, encouraging, questioning, and helping those trying to figure out how to become a "real man," a "real woman," or "something else entirely." In this exciting new edition of her classic text, Bornstein re-examines gender in light of issues like race, class, sexuality, and language. With new quizzes, new puzzles, new exercises, and plenty of Kate's playful and provocative style, My New Gender Workbook promises to help a new generation create their own unique place on the gender spectrum.
Showing that Southern Baptist women are more complex and rebellious than outsiders might think, the author presents the views of more than 150 women, often using their own words, and finds in them an unshakable belief that God speaks as directly to them as to any pastor.
For anyone who dreams of sailing away, here's an engrossing, gritty memoir of a 15,000-mile solo expedition in a tiny, hand-made boat. Bent on discovery, Ladd ranges from Montana to a harrowing sail along the pirate-ridden coast of Panama and Colombia, across the Andes, down a 600-mile river by night to avoid guerrillas, to the Antilles and the Caribbean. Robbed, capsized, arrested and befriended, he sails and rows through a tumult of uncharted adventures. The cast of characters: Dieter, mad ex-Nazi on a desert island; Hans, the smuggler who disappears at sea; castaways, prostitutes, and fortune seekers. Stow away with a poetic storyteller on a stormy, soulful voyage through nineteen countries, on the razor's edge between freedom and fear, loneliness and love.