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SO THAT THE POEM REMAINS is published by Agio Publishing House in cooperation with the New Pen League. "Youssef Abdul Samad's poetry is animated by extravagant lyricism that is both intense and disarming. His poetry delves deep into the human condition, the mundane, sublime, and political; all with precision and pleasing detail. Life's issues are couched in an elegant and eloquent style that is simultaneously profound and accessible. Ghada Alatrash's translation is informed and compassionate. It is a faithful, elegant, and poetic interpretation of Samad's soaring emotions and observations.The resonant poetic voice that she has transmitted into English is as melodious and clear as the Arabic original." -- Dr. Mansour Ajami, poet and literary critic "Then again, poetry will never be defeated this easily -- for as long as there is a man like you who gargles with its water day and night, poetry will forever remain the king of kings." -- from world-renowned Syrian poet Nizar Qabbani's letter to the poet About the Poet: Born in Ras al Maten, Lebanon, YOUSSEF ABDUL SAMAD immigrated to the USA in 1969. He says, "I am made of a blend of the two worlds; when I am in one place, I always find myself longing for the other." Abdul Samad is a businessman in New York City and has published five volumes of Arabic poetry. About the Translator: Daughter of former Syrian Ambassador Jabr Al-Atrash, GHADA ALATRASH immigrated with her family from Syria to the United States in 1986. She holds a Master of Arts in English from University of Oklahoma, USA. She is an op/ed columnist for Gulf News, UAE, and was previously op/ed columnist for the Cranbrook Daily Townsman. She taught English at Abu Dhabi Women's College, UAE, and was an Adjunct Lecturer of Arabic at University of Oklahoma. She has served as a board member for the Multicultural Advisory Board of British Columbia, Canada. She is a member of the New Pen League, New York. She currently resides in Alberta, Canada. ...Like a rose in a poem, you do not wither; recited a thousand times, it always remains new. If Earth were to return to water, to water we would also return, and the poem remains. -- Youssef Abdul Samad And it is so that the poem remains, so that the young can better understand the old, and so that there is universal harmony and connectedness between East and West, I present my readers with this work of translation. -- Ghada Alatrash
'The Not Dead' is a short collection of poems originally aired on a Channel 4 documentary film of the same name, shown in the winter of 2007. They are featured here alongside an introduction from Armitage and press reviews of the film, which is due for re-screening at the South Bank, London, in November 2008.
In 'John Keats - The Man Behind The Lyrics: Life, letters, and literary remains', readers are given an in-depth look into the life, works, and literary context of one of the most influential Romantic poets in English literature. This book delves into Keats' poetic style, exploring themes of beauty, love, and mortality in his iconic works such as 'Ode to a Nightingale' and 'To Autumn'. The author meticulously examines Keats' letters and literary remains, shedding light on the poet's personal struggles and creative process. The book also explores the influence of Romanticism on Keats' writing, as well as his impact on future generations of poets. Keats' lyrical and emotional writing style is praised for its depth and richness, making this book a must-read for poetry enthusiasts and literary scholars alike.
A New York Times Notable Book and a San Francisco Chronicle Book of the Year: A look at the pleasures and surprises of rereading. Compared with reading, the act of rereading is far more personal—it involves a complex interaction of our past selves, our present selves, and literature. With candor and humor, this “inspired intellectual romp, part memoir, part criticism” takes us on a guided tour of the author’s own return to books she once knew—from the plays of Shakespeare to twentieth-century novels by Kingsley Amis and Ian McEwan, from the childhood favorite I Capture the Castle to classic novels such as Anna Karenina and Huckleberry Finn, from nonfiction by Henry Adams to poetry by Wordsworth—as she reflects on how the passage of time and the experience of aging has affected her perceptions of them (Lawrence Weschler). A cultural critic and the acclaimed author of Why I Read, Wendy Lesser conveys an infectious love of reading and inspires us all to take another look at the books we’ve read to find the unexpected treasures they might offer. “Delightful.” —Diane Johnson, author of Le Divorce “Anyone who has ever approached a once favorite book later in life . . . will find in this memoir moments of bittersweet recognition.” —The New York Times Book Review “Reflect[s] deeply and candidly on how a reader’s life experiences alter her perceptions of literature . . . [Lesser] has truly fascinating and original things to say about a compelling assortment of writers, including George Orwell, George Eliot, D. H. Lawrence, Dostoyevsky, and Shakespeare.” —Booklist
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.