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The acclaimed author of There Are No Children Here takes us into the heart of Chicago by introducing us to some of the city’s most interesting, if not always celebrated, people. Chicago is one of America’s most iconic, historic, and fascinating cities, as well as a major travel destination. For Alex Kotlowitz, an accidental Chicagoan, it is the perfect perch from which to peer into America’s heart. It’s a place, as one historian has said, of “messy vitalities,” a stew of contradictions: coarse yet gentle, idealistic yet restrained, grappling with its promise, alternately sure and unsure of itself. Chicago, like America, is a kind of refuge for outsiders. It’s probably why Alex Kotlowitz found comfort there. He’s drawn to people on the outside who are trying to clean up—or at least make sense of—the mess on the inside. Perspective doesn’t come easy if you’re standing in the center. As with There Are No Children Here, Never a City So Real is not so much a tour of a place as a chronicle of its soul, its lifeblood. It is a tour of the people of Chicago, who have been the author’s guides into this city’s—and in a broader sense, this country’s—heart. From the Hardcover edition.
INTERNATIONAL BEST SELLER HEAVEN IS SO REAL! WITH OVER 1 MILLION COPIES SOLD Do you believe heaven really exists? Choo Thomas retells a stunning, personal story of how she saw the living Christ, visited Hell, and walked in Heaven.
“Easily the best biography of the great Nelson Algren, and an extraordinary book in its own right.” —Blake Bailey, author of Cheever: A Life For a time, Nelson Algren was America’s most famous author, lauded by the likes of Richard Wright and Ernest Hemingway. But at the height of his career, he abandoned fiction and fell into obscurity. Colin Asher’s sublime biography of Algren unravels the enigma of his disappearance, explores the richness of his novels and nonfiction writing, and explains how a rash creative decision may have led his enemies to denounce him to the FBI during the Red Scare. Asher tells Algren’s story in rich, novelistic detail, including his long-term affair with Simone de Beauvoir and the emotional breakdown that nearly cost him his life. Drawing from interviews, archival correspondence, and Algren’s 886-page FBI file, Never a Lovely So Real portrays Algren as a dramatic iconoclast and reclaims him as a towering literary figure.
Keeping it real isn't always easy. . . Gia Stokes can't wait for the debutante ball that will help celebrate the end of her junior year. She's been crushing hard on her best friend Ricky?and is hoping he'll ask her to the dance. But her friend Kevin has been looking hot too?and Gia isn't the only one at Longfellow High who's noticed. As if Gia's boy trouble wasn't enough, she's also got to deal with Valerie, who's still bitter about losing the Homecoming Queen crown and has convinced the Hi-Steppers dance squad that it's time for revenge. And then there's Sascha Cohen, who's about to get caught in a scandal that will make Gia and her friends think twice before they let their high school crushes turn into something more. . . "Full of fun-loving, unforgettable characters that readers will love. . ." --ReShonda Tate Billingsley, author of The Good Girlz series on Step to This
"So Real It Hurts is the perfect title for this collection. It's a mission statement. A few bleeding slices straight from the butcher shop. A sampler from an enormous archive of work that will, no doubt, be pored over by grad students, book lovers, film historians, music nerds and straight-up perverts a hundred years from now." —Anthony Bourdain, from the Introduction Through personal essays and interviews, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection. Oscillating between provocative celebrations of her own defiant nature and nearly-tender ruminations on the debilitating effects of poverty, abuse, and environmental pollution, along with a visceral revenge fantasy against misogynistic men, Lydia Lunch presents her exploits without apology, daring the reader to judge her while she details the traumas and trials that have shaped her into the legendary figure she's become. Inserted between these biting personal essays, Lunch thoughtful cultural insights convey a widely-shared desire to forestall inevitable cultural amnesia and solidify a legacy for her predecessors and peers. Her interview with Hubert Selby Jr. and profile of Herbert Hunke, her short unromanticized histories of No Wave and of the late Sixties, and her scathing examination of the monetization of counterculture (thanks, Vivienne Westwood!) all serve to reinforce the notion that, while it may appear that there are no more heroes, we are actually just looking for heroes in the wrong places. The worthy idols of the past have been obscured by more profitable historical narratives, but Lunch challenges us to dig deeper. So Real It Hurts pulls the reader into a world that is entirely hers — one in which she exacts vengeance against predators with an enviable ease and exerts an almost-sexual dominance over authority, never permitting those with power to hold on to it too tightly.
Fake it so Real takes on the fallout from a punk-rock lifestyle--the future of "no future"--and its effect on the subsequent generations of one family. In June of 1983, Gwen, a gnarly Nancy Spungen lookalike, meets Damian, the enigmatic leader of a punk band. Seven years and two unplanned pregnancies later, Damian abandons Gwen, leaving her to raise their two daughters, Sara and Meg, on her own. The fourteen stories that make up this book usher Gwen and her daughters through five decades, haunted by Damian's ghost. Fuelled by vodka and scrappy determination, Gwen balances a responsibility to her daughters with her narcissistic, self-destructive tendencies. Sara and Meg scramble through adolescence and enter adulthood walking the line between selfishness and self-sacrifice, attempting to avoid their parents' mistakes, all the while making a whole new set of mistakes of their own. In the voices of Gwen, Damian, Sara, Meg, Damian's bandmate and Gwen's true love, these stories weave a raw and honest tapestry of family life as told from the underbelly, focused on the grey area between right and wrong, the idea that we are all equally culpable and justified in our actions, and the pain and ecstasy that accompany a life lived authentically.
Thomas, a Korean-American woman of God, has experienced physical manifestations from the Holy Spirit resulting in a series of heavenly journeys that have changed her life and her destiny. In this volume, she provides 90 days of reflections on supernatural encounters.
Let the fireworks begin. . . Now that she's been accepted into a summer enrichment program in New York City, Gia knows she's going to have the flyest summer ever. Especially since her mom and her annoying stepsister won't be around. And best of all? Her best friend, Ricky, is joining her so they're going to spend the entire summer together. Gia hopes Ricky's finally going to make a move on her, but it seems like Ricky's bent on playing it safe--too safe, as far as Gia's concerned. So when Rashad, a cutie from the summer program, starts to get his flirt on with Gia, she's got a new crush--and Ricky's so not cool with that. "Gia makes me want to holler out loud--she knows how to think for herself and she definitely has enough drama to fill a thousand pages!" --Michelle Stimpson, Essence© bestselling author on the So For Real series "Nikki Carter is a fresh, new voice." ? ReShonda Tate Billingsley, Essence? bestselling author
Describes the author's encounters with God and Jesus and the messages they revealed to her about humanity, providing answers to questions about the existence of heaven and hell and whether there will be divine justice.
The new standard in jazz fake books since 1988. Endorsed by McCoy Tyner, Ron Carter, Dave Liebman, and many more. Evenly divided between standards, jazz classics and pop-fusion hits, this is the all-purpose book for jazz gigs, weddings, jam sessions, etc. Like all Sher Music fake books, it features composer-approved transcriptions, easy-to-read calligraphy, and many extras (sample bass lines, chord voicings, drum appendix, etc.) not found in conventional fake books.