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Snow White runs away from the huntsman who has been ordered to kill her and follows the forest animals to a cottage, where she meets seven dwarfs
From the New York Times bestselling author of Rump, comes the true story behind another unlikely hero: a grumpy dwarf who gets tangled up in Snow White's feud with the wicked queen. Ever since he was a dwarfling, Borlen (nicknamed "Grump") has dreamed of visiting The Surface, so when opportunity knocks, he leaves his cavern home behind. At first, life aboveground is a dream come true. Queen Elfrieda Veronika Ingrid Lenore (E.V.I.L.) is the best friend Grump always wanted, feeding him all the rubies he can eat and allowing him to rule at her side in exchange for magic and information. But as time goes on, Grump starts to suspect that Queen E.V.I.L. may not be as nice as she seems. . . . When the queen commands him to carry out a horrible task against her stepdaughter Snow White, Grump is in over his head. He's bound by magic to help the queen, but also to protect Snow White. As if that wasn't stressful enough, the queen keeps bugging him for updates through her magic mirror! He'll have to dig deep to find a way out of this pickle, and that's enough to make any dwarf Grumpy indeed. "Liesl Shurtliff writes the perfect middle-grade page-turners that fourth graders can gobble down on the plane, train, and automobile trips ahead this summer. . . . [she] excels at turning familiar worlds on their heads. --The New York Times Book Review "Hilarious and heartfelt . . . Lovable Borlen's grumpy first-person narration explores themes of belonging, friendship, and doing the right thing. Sure to please fans of reimagined fairy tales." --Kirkus "A hilarious reimagining of its origin story with a wonderfully detailed world and interesting twists on classic characters. Sure to be a hit with fantasy fans looking for comedy." --Booklist "The story moves at a fast pace and deftly balances lighthearted humor with emotional weight. . . .a sure hit for Shurtliff's fans." --School Library Journal
Retells the tale of the beautiful princess and her adventures with the seven dwarfs she finds living in the forest.
Harmless camp pranks can quickly spiral out of control, but they also provide a perfect opportunity for two social outcasts to overcome and triumph. A boy and a girl are stripped and marooned on a small island for the night. They are the "goats." The kids at camp think it's a great joke, just a harmless old tradition. But the goats don't see it that way. Instead of trying to get back to camp, they decide to call home. But no one can come and get them. So they're on their own, wandering through a small town trying to find clothing, food, and shelter, all while avoiding suspicious adults—especially the police. The boy and the girl find they rather like life on their own. If their parents ever do show up to rescue them, the boy and the girl might be long gone. . . . The Goats is a 1987 New York Times Book Review Notable Children's Book of the Year.
Featuring gorgeous vintage artwork from the 1950s and 1960s, Walt Disney's Classic Storybook pays homage to the storybooks of yesteryear. We've taken eighteen of Disney's classic stories -- including Sleeping Beauty, Snow White, and Dumbo -- and paired them with the stunning and detailed art that was published with these stories decades ago. Parents will recognize this artwork from the beloved Disney storybooks of their youth, and will delight in sharing these timeless treasures with their own children.
A breathtaking new vision of a legendary tale. Snow White is the only person in the land fairer than the evil queen who is out to destroy her. But what the wicked ruler never imagined is that the young woman threatening her reign has been training in the art of war with a huntsman who was dispatched to kill her.
Pulitzer Prize–winning poet Anne Sexton morphs classic fairy tales into dark critiques of the cultural myths underpinning modern society Anne Sexton breathes new life into sixteen age-old Brothers Grimm fairy tales, reimagining them as poems infused with contemporary references, feminist ideals, and morbid humor. Grounded by nods to the ordinary—a witch’s blood “began to boil up/like Coca-Cola” and Snow White’s bodice is “as tight as an Ace bandage”—Sexton brings the stories out of the realm of the fantastical and into the everyday world. Stripping away their magical sheen, she exposes the flawed notions of family, gender, and morality within the stories that continue to pervade our collective psyche. Sexton is especially critical of what follows these tales’ happily-ever-after endings, noting that Cinderella never has to face the mundane struggles of marriage and growing old, such as “diapers and dust,” “telling the same story twice,” or “getting a middle-aged spread,” and that after being awakened Sleeping Beauty would likely be plagued by insomnia, taking “knock-out drops” behind the prince’s back. Deconstructed into vivid, visceral, and often highly amusing poems, these fairy tales reflect themes that have long fascinated Sexton—the claustrophobic anxiety of domestic life, the limited role of women in society, and a psychological strife more dangerous than any wicked witch or poisoned apple.
The reader may choose from a variety of adventures in the Enchanted Forest where the evil Queen is searching for Snow White.
List of illustrations -- Acknowledgements -- Introduction -- Into the Burning Coals(Christopher Holliday and Chris Pallant) -- Part 1: Innovation, Technology, and Style -- Chapter One -- From Caligari to Disney: The Legacy of German Expressionist Cinema in Snow White and the Seven Dwarfs (Victoria Mullins) -- Chapter Two -- From Terrible Toreadors to Dwarfs and Princesses: Forging Disney's Style of Animation (Stéphane Collignon and Ian Friend) -- Chapter Three -- The Depth Deception: Landscape, Technology and the Manipulation of Disney's Multiplane Camera in Snow White and the Seven Dwarfs (1937) (Christopher Holliday and Chris Pallant) -- Chapter Four -- Character costume portrayal and the multi-layered process of costume design in Snow White and the Seven Dwarfs (1937) (Maarit Kalmakurki) -- Chapter Five -- Making it Disney's Snow White (Amy M. Davis) -- Part 2: Snow White in HollywoodChapter Six -- With a Smile and a Song: Snow White and the Seven Dwarfs as the first Integrated Film Musical (Sadeen Elyas) -- Chapter Seven -- Dwarfland: Marketing Disney's Folly (Pamela O'Brien) -- Chapter Eight -- Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s (Jane Batkin) -- Chapter Nine -- Recasting Snow White: Parodic Animated Homages to the Disney Feature (Terry Lindvall) -- Part 3: International Legacies -- Chapter Ten -- The Indigenisation of Disney's Snow White and the Seven Dwarfs (1937) in China: From 'Snow Sister' and 'Dolly Girl' to Chinese Snow White (1940) and Princess Iron Fan (1941) (Yuanyuan Chen) -- Chapter Eleven -- Unearthing Blanche-Neige: the making of the first made-in-Hollywood French version of Snow White and its critical reception. (Greg Philip and Sébastien Roffat) -- Chapter Twelve -- From Disney to LGBTQ tales: the South-American Snow White in Over the Rainbow: Um Livro de Contos de Fadxs (Priscila Mana Vaz, Thaiane de Oliveira Moreira and Janderson Pereira Toth) -- Chapter Thirteen -- Snow White's censors: The non-domestic reception and censorship of Snow White and the Seven Dwarfs with a case study on the Low Countries (Daniël Biltereyst) -- Chapter Fourteen -- Snow White in the Spanish cultural tradition: analysis of the contemporary audiovisual adaptations of the tale (Irene Raya Bravo and María del Mar Rubio-Hernández) -- Chapter Fifteen -- The Adventures of Snow White in Turkish Cinema' (Zeynep Gültekin Akçay) -- Index.