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In 1976 when Punk Rock was born, "Sniffin' Glue" magazine was the genre's very own magazine. Now the original "Sniffin' Glue" team returns with a retrospective of the Punk era, featuring hundreds of original photos and original text.
“1977 is the Queen's jubilee year, well let's make it our year as well. Let's get out and do something. Chuck away the f•••••g stupid safety-pins, think about people's ideas instead of their clothes. This "scene" is not just a thing to do in the evening. It's the only thing around that's honest...” Omnibus Press presents the definitive collection of Sniffin' Glue… And Other Rock ‘n’ Roll Habits, the most vital and cutting edge punk fanzine of its time. This book features both a digital recreation of every issue and all the original prints in their entirety. Danny Baker, who wrote for the original fanzine over four decades ago, provides a full-length interview on its impact. During its brief existence Sniffin' Glue… chronicled the birth, rise and demise of punk rock in the UK. Starting with a print run of a mere 50 copies, by Issue 3 the circulation was into the thousands. Interviews and reviews of all the key punk artists - The Damned, The Ramones, The Sex Pistols, Generation X, Chelsea, Blondie, The Jam, Iggy Pop and more - alongside news, editorials and gig reviews depict the grassroots punk scene from the inside. Its authentic voice made it a cult classic of its time and a much sought-after historical artefact to this day. On the 40th anniversary of the magazine’s final publication, Omnibus Press are providing the definitive edition of Sniffin Glue…. This is the best possible way to experience the counter-cultural revolution of the ‘70s that spread anarchy throughout the UK.
"Along with its long-lasting influence on music, art, fashion and culture, the punk explosion in the late 1970s also fuelled a thriving underground press. A physical representation of punk's DIY attitude, fanzines rebelled against establish forms of expression surviving outside of the mainstream media and providing a voice for a generation. Punkzines features interviews with leading figures from the scene, including fanzine editors, bands, DJs, promoters and journalists, to provide exclusive anecdotes from this momentous period."--From back cover.
Don't Sniff the Glue: A Teacher's Misadventures in Education Reform is the humorous and heartwarming story of one teacher working through idealism and red tape to teach the teens who will soon run the world.
Ripped, torn and cut offers a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin' Glue (1976-77), Mark Perry's iconic punk fanzine, was but the first of many, paving the way for hundreds of home-made magazines to be cut and pasted in bedrooms across the UK. From these, glimpses into provincial cultures, teenage style wars and formative political ideas may be gleaned. An alternative history, away from the often-condescending glare of London's media and music industry, can be formulated, drawn from such titles as Ripped & Torn, Brass Lip, City Fun, Vague, Kill Your Pet Puppy, Toxic Grafity, Hungry Beat and Hard as Nails. The first book of its kind, this collection reveals the contested nature of punk's cultural politics by turning the pages of a vibrant underground press.
This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.
A New York Times Notable Book An NPR Best Book of the Year For readers of Behind the Beautiful Forevers and Nothing to Envy, this is a breathtaking real-life story of four street children in contemporary Zambia whose lives are drawn together and forever altered by the mysterious murder of a fellow street child. Based on years of investigative reporting and unprecedented fieldwork, Walking the Bowl immerses readers in the daily lives of four unforgettable characters: Lusabilo, a determined waste picker; Kapula, a burned-out brothel worker; Moonga, a former rock crusher turned beggar; and Timo, an ambitious gang leader. These children navigate the violent and poverty-stricken underworld of Lusaka, one of Africa’s fastest growing cities. When the dead body of a ten-year-old boy is discovered under a heap of garbage in Lusaka’s largest landfill, a murder investigation quickly heats up due to the influence of the victim’s mother and her far-reaching political connections. The children’s lives become more closely intertwined as each child engages in a desperate bid for survival against forces they could never have imagined. Gripping and fast-paced, the book exposes the perilous aspects of street life through the eyes of the children who survive, endure and dream there, and what emerges is an ultimately hopeful story about human kindness and how one small good deed, passed on to others, can make a difference in the face of seemingly insurmountable odds.
When his cat Koko develops an odd obsession, Jim Qwilleran will have to sniff out the cause in this mystery in the New York Times bestselling Cat Who series. Having inherited millions, Jim Qwilleran and his two feline companions, Koko and Yum Yum, are preparing to settle down into a life of purrfect luxury in Pickax. That is, until the son of a rich banker and his wife are found murdered. To the police it looks like a robbery gone awry. But then Koko develops an odd appetite for glue. Qwill doesn’t spot the clue until his beloved Siamese’s taste for paste tangles them in a web of love, danger, and their stickiest case yet!
"Waksman brings a new understanding to familiar material by treating it in an original and stimulating manner. This book tells 'the other side of the story.'"—Philip Auslander, author of Performing Glam Rock: Gender and Theatricality in Popular Music "While there are a number of histories of punk and metal and numerous biographies of important bands within each genre, there is no comparable book to This Ain't the Summer of Love. The ultimate contribution the book makes is to provoke the reader into rethinking the ongoing fluid relationship between punk, a music that enjoyed considerable critical support, and metal, a music that has been systematically denigrated by critics. This book is the product of superior scholarship; it truly breaks fresh ground and as such it is an important book that will be regularly cited in future work."—Rob Bowman, Professor of Music at York University and author of Soulsville USA: The Story of Stax Records "Debunking simplistic assumptions that punk rebelled and heavy metal conformed, Steve Waksman demonstrates with precisely chosen examples that for decades the two shared strategies and concerns. As a result, this important volume is among the first to extend to rock history the same much-needed revisionism that elsewhere has transformed our understanding of minstrelsy, blues, country music, and pop."—Eric Weisbard, author of Use Your Illusion I & II
Ripped and Torn was one of the first punk fanzines, and continued long after others like Sniffing Glue had stopped. Ripped and Torn began in in Glasgow in November 1976 and carried on into the next wave of punk. It ran for eighteen issues, all of which are faithfully reproduced in this book. By punks and for punks, Ripped and Torn is a fascinating document of the punk subculture and a sacred text of DIY culture.