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Snapshots of the Soul considers how photography has shaped Russian poetry from the early twentieth century to the present day. Drawing on theories of the lyric and the elegy, the social history of technology, and little-known archival materials, Molly Thomasy Blasing offers close readings of poems by Boris Pasternak, Marina Tsvetaeva, Joseph Brodsky, and Bella Akhmadulina, as well as by the late and post-Soviet poets Andrei Sen-Sen'kov, Arkadii Dragomoshchenko, and Kirill Medvedev, to understand their fascination with the visual language, representational power, and metaphorical possibilities offered by the camera and the photographic image. Within the context of long-standing anxieties about the threat that visual media pose to literary culture, Blasing finds that these poets were attracted to the affinities and tensions that exist between the lyric or elegy and the snapshot. Snapshots of the Soul reveals that at the core of each poet's approach to "writing the photograph" is the urge to demonstrate the superior ability of poetic language to capture and convey human experience. Open Access edition funded by the National Endowment for the Humanities.
Snapshots of the Soul considers how photography has shaped Russian poetry from the early twentieth century to the present day. Drawing on theories of the lyric and the elegy, the social history of technology, and little-known archival materials, Molly Thomasy Blasing offers close readings of poems by Boris Pasternak, Marina Tsvetaeva, Joseph Brodsky, and Bella Akhmadulina, as well as by the late and post-Soviet poets Andrei Sen-Sen'kov, Arkadii Dragomoshchenko, and Kirill Medvedev, to understand their fascination with the visual language, representational power, and metaphorical possibilities offered by the camera and the photographic image. Within the context of long-standing anxieties about the threat that visual media pose to literary culture, Blasing finds that these poets were attracted to the affinities and tensions that exist between the lyric or elegy and the snapshot. Snapshots of the Soul reveals that at the core of each poet's approach to "writing the photograph" is the urge to demonstrate the superior ability of poetic language to capture and convey human experience. Open Access edition funded by the National Endowment for the Humanities.
The Sun in my Palm is a collection of poems born from the depths of contemplation and introspection. The poems explore the ineffable connections that bind souls together,transcending the physical and touching the sublime. Nestled within these verses is anundercurrent of detachment, recognition that the true nature of reality often eludes us when we cling too tightly to the ephemeral. It is within this detachment that the essence of truth begins to reveal itself, like a hidden gem awaiting discovery. The spirituality permeating the poems is not bound by dogma or doctrine, but a transcendent exploration of the connection between the self and the universe.The title encapsulates the radiant core of what lies within. Poetry is our miniature sun- asource of warmth, illumination, and energy within our reach. In the palm of our hands, we hold the capacity to create and experience worlds, emotions, and epiphanies.
Snapshots are everywhere. Walking, talking, and breathing life into the world around us. Everybody has a story to tell - and in a world where everything has a price on it - everybody is always giving out a snapshot of themselves for free. Sometimes we like a snapshot. Sometimes we hate a snapshot. Sometimes people never find a snapshot that suits them and whatever their needs may be. Sometimes we fall in love with a snapshot and we study it, we obsess over it, and eventually...we marry it. In this collection of 60 short stories, explore the ideas of spirituality, faith, and self-discovery from several different perspectives and many walks of life.
Deceptive in their ease of creation, diminutive size, and sheer abundance, snapshots are often thought of as the most innocent type of photography. But snapshots are complex and willful pictures—premeditated, fussed over, and often predetermined. The postures we adopt, the gestures we pantomime, the exaggerated facial expressions we compose and try to hold for a split second are all meant to express the emotional weight of a certain moment. In a time when digital cameras make photography all too easy, it is fascinating to look back on a day when image making was more deliberate. Now is Then features images from the 1920s through the 1960s, the golden age of snapshot photography. The photos—quirky, elegant, heartbreaking, and heart-warming—both celebrate and question the conventions of snapshot photography. Texts by well known visual culture critics offer fresh perspectives on the snapshots and their power over us. Unlike previous explorations of vernacular photography, Now Is Then takes a step forward to look at the broader cultural impact of snapshots—why we make them, how we use them, why they become relics, and, most importantly, what they reveal about us.
Arguing that all Pauline interpretation depends significantly on the ways in which readers formulate their own images of the apostle, Margaret M. Mitchell posits that John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church, exemplifies this phenomenon. Mitchell brings together Chrysostom's copious portraits of Paul--of his body, his soul, and his life circumstances--and for the first time analyzes them as complex rhetorical compositions built on well-known conventions of Greco-Roman rhetoric. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus sancti Pauli and a catalogue of color plates of artistic representations that graphically represent the author/exegete dynamic this study explores.
Taking a unique interdisciplinary approach, this book addresses a range of key theoretical debates in politics in order to advance the frontiers of International Relations (IR) theory. The conclusions drawn illustrate the value of interdisciplinary and global approaches in helping us better understand world politics.
This collection is a sampling of the best of Bill Shipp. Anyone interested in Georgia history or politics will benefit from this assortment of the ideas, thoughts, reflections, and opinions of one of Georgia's most outspoken and most respected figures. Some of the essays have been updated with a "perspective," serving as either a further reflection or added information that relativizes the piece to current events.