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DIVA sweeping adventure saga in the tradition of White Fang and The Call of the Wild, bringing to vivid life the cold, bleak, unforgiving Alaskan wilderness and the colorful, desperately uncertain lives of both natives and intruders. /div
Recently identified as a killer, tobacco has been the focus of health warnings, lawsuits, and political controversy. Yet many Native Americans continue to view tobacco-when used properly-as a life-affirming and sacramental substance that plays a significant role in Native creation myths and religious ceremonies. This definitive work presents the origins, history, and contemporary use (and misuse) of tobacco by Native Americans. It describes wild and domesticated tobacco species and how their cultivation and use may have led to the domestication of corn, potatoes, beans, and other food plants. It also analyzes many North American Indian practices and beliefs, including the concept that Tobacco is so powerful and sacred that the spirits themselves are addicted to it. The book presents medical data revealing the increasing rates of commercial tobacco use by Native youth and the rising rates of death among Native American elders from lung cancer, heart disease, and other tobacco-related illnesses. Finally, this volume argues for the preservation of traditional tobacco use in a limited, sacramental manner while criticizing the use of commercial tobacco. Contributors are: Mary J. Adair, Karen R. Adams, Carol B. Brandt, Linda Scott Cummings, Glenna Dean, Patricia Diaz-Romo, Jannifer W. Gish, Julia E. Hammett, Robert F. Hill, Richard G. Holloway, Christina M. Pego, Samuel Salinas Alvarez, Lawrence A Shorty, Glenn W. Solomon, Mollie Toll, Suzanne E. Victoria, Alexander von Garnet, Jonathan M. Samet, and Gail E. Wagner.
Smoke Dugan is on the run. A bomb-maker by profession, he dropped out of sight because of a misunderstanding with his employers about an airplane crash and $2.5 million in cash. Unfortunately, they've found out where Smoke's living--a picturesque seaside city in Maine. And Denny Cruz, a highly paid assassin, is on his way from New York to collect him. Smoke's girlfriend, Lola Bell, is unaware of his past. Sexy, smart, and tough, Lola's a weed that grew up through the cracks in an inner-city housing project. Her big eyes belie her secret weapon: she's spent a decade studying the martial arts. The tattoo on her shoulder reads girls kick ass. When Cruz decides to use Lola to get to Smoke, he has no idea what he's taking on. A time bomb is ticking as Smoke, Lola, Cruz, and anyone unlucky enough to come into their orbit are caught up in a drama of abduction, car chases, and triple bluff, where escape or violent death look like the only options. But nothing turns out quite as anyone might expect . . . Patrick Quinlan's fast-paced, edgy, and brilliantly original first novel introduces a cast of characters worthy of Tarantino in their sophistication and resourcefulness, in a stylish thriller that marks the debut of a stunning new talent.
Isaiah Quintabe—an unlicensed detective for all seasons—and his best friend and masterful sidekick, Juanell Dodson, are at a crossroads in this latest installment of the "aggressively entertaining" IQ series (New York Times). This time, their lives may never be the same. Isaiah Quintabe is no longer IQ, the genius of East Long Beach; instead, he’s a man on the road and on the run, hiding in a small Northern California town when his room is broken into by a desperate young man on the trail of the state’s most prolific serial killer. His old partner, Juanell Dodson, must go straight or lose his wife and child. His devil’s bargain? An internship at an LA advertising agency, where it turns out the rules of the street have simply been dressed in business casual, but where the aging company’s fortunes may well rest on their ability to attract a younger demographic. Dodson—”the hustler’s hustler”—just may be the right man for the job. Ide is the crime writer’s crime writer, and he’s filled his best novel yet with desperate souls, courageous outcasts, an ex-stripper who’ll do anything to protect her son, and wild half-brothers who may be the very incarnation of evil. With deft plotting, lacerating humor, and a keen eye for the ways in which characters rise or fall based on their ties to one another, Smoke is Joe Ide’s crowning achievement.
Mob-connected loan shark Chili Palmer is sick of the Miami grind. So when he chases a deadbeat client to Hollywood, he decides to stay. This town of dream makers, glitter, and gorgeous, partially-clad starlets seems ideal for an enterprising criminal with a cinematic taste.
This story takes place in south eastern Alberta about nineteen fifteen (1915), along the western edge of the Cypress hills. Shorty Stout, a drifting cowboy arrives at the A-X ranch, (the AXE), and is given a meal and a bunk. The ranch belongs to Xavier Forrest and his wife Angela, hence the name, A-X. Shorty isnt the kind to lie around so the next morning he is out working and fixing. The first thing he does is to fix the windmill which has been making a racket for weeks. Because he is such a handy person with tools and can do almost any work, he is given a job on the ranch. When spring comes he attends a dance in town with the other hands and on the way back to the ranch he meets up with a widow and her son, Dawn and Matt Ryan. He stops to help them cut some firewood and soon he is working for them every weekend. He fixes fences, builds a log bunkhouse, puts running water in the house and many other jobs that have been neglected because there was no one to do them. When the bunkhouse is completed, a dance is held to show how much everyones help has been appreciated. Meanwhile, out on the range, Shorty and his riding partner Gus, find a hidden valley in the hills, filled with Dawn Ryans cattle. The valley is believed to be the floor of an ancient lake which drained out through the dry gully that is the only entrance. The cattle are separated and some are sold, bringing them some sorely needed cash to help keep the ranch going. Shorty, Dawn and Matt do some exploring and discover a small inner valley that is a small corner of paradise. This small valley is so beautiful that anyone entering it find it hard to even speak until they are back in the main valley. Matt discovers there is fish in the lake in the large valley, and he uses some improvised gear to catch a trout and cook it in the fire after coating it with clay. He and the school teacher, Karen Carter, take a group of students on a survival trip to teach them how to survive if they got lost, and to live off the land. Dawn and Shorty eventually realize they were meant for each other; a fact known to Matt and Angela, Dawns older sister, for some time. Dawn asks Shorty to marry her and he agrees, but before getting married, they ride north to Medicine Hat to file for a homestead, taking in the Lost Valley. The day of the wedding arrives and afterwards, a huge reception and dance is held at the schoolhouse just outside town. About midnight, Matt and the school teacher help the newlyweds escape the party and go off by themselves. The weekend after the wedding, the three homesteaders head for Lost Valley, to get an idea of the land surrounding the valley. This valley has the richest soil and the best grass in Alberta and covers an estimated three hundred acres. Normally, a person is allowed to file on one hundred and sixty acres, but this area , being in the hills is described as waste land and they are allowed to file on a half section , or three hundred and twenty acres each. The government will pay to have the land surveyed, so a surveyor is found to do the job for them. When the land is surveyed and registered in their name, they need to find a way to make a wagon road to the valley, as the only way in is the dry watercourse that had drained the former lake in times long past. Many friends arrive to help with this task, which has to be done before building materials can be hauled into the valley. With much work over a long weekend, a road is made to the valley and the first wagon to ever enter the valley rolls over the newly constructed road. They are now ready to find a site to build a home on the Lost Valley Ranch. Shorty and Dawn spend a night in the Heavenly inner valley and in the morning she tells him he is to be a daddy and that nine months down the road a little girl named Allie will be born, because of one night spent in this enchanted valley.
A Flutter in Eggs is a short story by Jack London. John Griffith "Jack" London (born John Griffith Chaney, January 12, 1876 - November 22, 1916) was an American author, journalist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. He is best remembered as the author of The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire," "An Odyssey of the North," and "Love of Life." He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen," and of the San Francisco Bay area in The Sea Wolf. London was a passionate advocate of unionization, socialism, and the rights of workers and wrote several powerful works dealing with these topics such as his dystopian novel The Iron Heel, his non-fiction expose The People of the Abyss, and The War of the Classes. On July 12, 1897, London (age 21) and his sister's husband Captain Shepard sailed to join the Klondike Gold Rush. This was the setting for some of his first successful stories. London's time in the Klondike, however, was detrimental to his health. Like so many other men who were malnourished in the goldfields, London developed scurvy. His gums became swollen, leading to the loss of his four front teeth. A constant gnawing pain affected his hip and leg muscles, and his face was stricken with marks that always reminded him of the struggles he faced in the Klondike. Father William Judge, "The Saint of Dawson," had a facility in Dawson that provided shelter, food and any available medicine to London and others. His struggles there inspired London's short story, "To Build a Fire" (1902, revised in 1908), which many critics assess as his best.