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Details the life of Charley Chase—a major force in the shaping of motion picture comedy.
A gentle rhyming picture book that shows how color can be found all around us, whether there are raindrops falling or a bright rainbow high above. Raindrops are falling outside, but there's still a world of color to experience! Delightful rhymes and brilliant illustrations detail how a gloomy, rainy day might not actually be so gloomy after all when you get to spend time with Mom, Brown Bear, and the colors around you. And when a "beaming rainbow, bold and bright" cuts through the sky, everyone gets to experience the joy of all the colors that can only come after the rain.
Charley Chase began his film career in early 1913 working as a comedian, writer, and director at the Al Christie studios under his real name, Charles Parrott. Chase then joined Mack Sennett's Keystone studio in 1914, costarring in early films of Charlie Chaplin and Roscoe “Fatty” Arbuckle, as well as directing the frenetic Keystone Cops. By 1924 he was starring in a series of one-reel comedies at Hal Roach studios, graduating to two-reel films the following year. In 1929, he made the transition to sound films. Along with the continuing popularity of his own short comedies, Chase often directed the films of others, including several popular Three Stooges efforts. In The Charley Chase Talkies: 1929-1940, James L. Neibaur examines, film-by-film, the comedian's seventy-nine short subjects at Roach and Columbia studios. The first book to examine any portion of Chase’s filmography, this volume discusses the various methods Chase employed in his earliest sound films, his variations on common themes, his use of music, and the modification of his character as he reached the age of forty. Neibaur also acknowledges the handful of feature film appearances Chase made during this period. A filmmaker whom Time magazine once declared was receiving the most fan mail of any comedian in movies, Charley Chase remains quite popular among classic film buffs, as well as historians and scholars. A detailed look into the work of an artist whose career straddled the silent and sound eras, The Charley Chase Talkies will be appreciated by those interested in film comedy of the 1920s and 30s.
This is a story of love. Love, which is the same no matter the soul's shell. No one should have to be ashamed of the people they love as we are all human. I love you. Who would have ever thought the words which caused me such dread in the past could ever come to sound so beautiful and feel so very wonderful? Returning to Japan after the loss of his mother, Hitori hopes to start anew. He enters school and longs to make new friends. Quickly, he realizes that friendship will not be the only thing he finds. Befriending a quiet classmate, Hitori finds himself falling hopelessly in love. Akaya is a shy, quiet boy who finds himself stumbling through life, afraid of many things. At first, he is bothered by the outrageous look of the new student. Before long, however, he comes to enjoy the company of the blue haired man and wonders how he made it so long without a friend like Hitori. As their friendship blossoms then turns to love, the boys have to learn to ignore harsh words from school, society and family alike. Despite this, their love grows and soon they realize soul mates really do exist. The sun shines brighter than ever before and the nights aren't nearly as cold as they once were. Love has finally warmed the two distraught souls and created an illusion of serenity. As seasons change, the boys continue to defy society and become something magical. But upon receiving horrible news from his mother, everything in Akaya's life changes. When a time limit is placed on their love, the boys fight to make their remaining time together something meaningful. Love becomes their whole life as they realize they may not get the fairytale ending to their relationship. Without him I am like a book ripped in half. Without the beginning, you would surely be confused and without the end you will never be fulfilled. What could tear these two apart? After fighting past societal norms, school bullying, and angry parents, what could finally break them apart?
A biography of Laurel and Hardy describes their original teaming in the 1927 short, "Duck Soup, " their considerable innovations, and their ongoing influence.
This study of early sound shorts begins with an explanation of the development of sound motion pictures in Hollywood by such influential companies as Warner Bros. and Fox, with an emphasis on short subjects, leading up to the first few months when all of the major studios were capable of producing them. The next chapters discuss the impact on other mass entertainments, the development of audible news reels and other non-fiction shorts, as well as the origins of animated sound subjects. A comprehensive list of pre-1932 American-made shorts completes the volume.
Orange Smiles and Simple Truths is a collection of free verse poetry about life and matters of the heart. It is not so much mushy as it is reflective. This book has a hopeful tone and would be a fine edition to any poetry collection.
They don't make comedy like they used to . . . From the slapstick comedy of Charlie Chaplin and Stan Laurel, the surrealism of Spike Milligan and Monty Python, and the golden age of political incorrectness helmed by Benny Hill, to the alternative scene that burst forth following the punk movement, the hedonistic joy of Absolutely Fabulous, the lacerating scorn of Jimmy Carr, Ricky Gervais, and Jo Brand and the meteoric rise of socially conscious stand up today: comedy can be many things, and it is a cultural phenomenon has come to define Britain like few others. In Different Times, David Stubbs charts the superstars that were in on the gags, the unsung heroes hiding in the wings and the people who ended up being the butt of the joke. Comedians and their work speak to and of their time, drawing upon and moulding Britons' relationship with their national history, reflecting us as a people, and, simply, providing raucous laughs for millions of people around the world. Different Times is a joyous, witty and insightful paean to British comedy.
They say, our siblings are the friends chosen by us through blood. We can’t live with them, can’t live without them. They’re a pain in the neck and you want to smack them, but if anyone else does they’ve had it. Milleanials and their lives are often complicated. Heartbreaks, career goals, society, etc., they just don’t make it easy. ‘Ten fireflies’ covers the journey of three imperfect siblings, distinct in nature but similar in their love for each other. For when life happens, siblings help. A story about sisters and brothers, in this book I take you to explore the lives of the Kapur siblings. That’s right. Kapur with a ‘U’. Just like their surname, these three have never done things conventionally. A story set in Delhi’s posh Vasant Vihar, with the eldest sibling, Gayatri, an accomplished gynecologist, who is now on the verge of a divorce, the middle child Rohan torn between following his passion for music or his high paying corporate job to the youngest one, Sheena, an aspiring actress trying to make her life in the tough world of films in Mumbai. What happens when these three plan a siblings trip to Goa? A riot of adventure and unforgettable experiences! So, I invite you to this journey of madness, and by the end of this book I guarantee you’re going to pick up the phone and call your sibling right away.