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In his works, from Oliver Twist to Our Mutual Friend, Charles Dickens reveals a continuum of artistic as well as social development over a period of four decades. In this highly original study, Badri Raina relates Dickens' novels thoroughly to one another, illuminating the works by seeing them in terms of the author's changing social outlook, personal attitudes, and aesthetic practice. Raina's book will fascinate readers of Dickens, and will serve social historians as well. The unifying point of Raina's study is Dickens' ambivalence toward respectable Victorian bourgeois society; he criticized the bourgeois myths of unbridled success and achievement through aggressive individualism, yet wished to be a great success himself. Raina argues that Dickens projected this personal ambivalence through the creation of key characters and combinations of characters in his novels, creating also a continual movement toward self-awareness and self-criticism. This personal movement, argues Raina, found expression in a steady improvement in the quality of Dickens' art. Two of the most interesting issues in Dickens studies--that of his development as a novelist and that of his mass appeal in combination with towering aesthetic achievement--are both addressed thoroughly in this lucid and highly readable book. By following common threads of plot and character through the novels, Raina demonstrates how Dickens matured both socially and artistically, until in his last finished novel, Our Mutual Friend, social values that were earlier espoused (for instance, in Oliver Twist) were wholly and willingly rejected. Raina's critical procedure illuminates not just the career of a Victorian novelist, but one who embraces, traverses, and evaluates the social climate of a critical period of the nineteenth century.
"Navigator" is a KS2 reading scheme which covers fiction and non-fiction. It provides material to give pupils a 20-minute guided reading sesson per week during each school year.
THE STORY: Despite its length and large cast, the play requires relatively simple staging, enabling it to move smoothly through its many scenes and related story lines. The sum total is a brilliant recapturing of the sights and sounds of Victorian England
"Nicholas Nickleby" is Charles Dickens's gripping story about a boy's struggle to survive and find happiness in a hostile and unfeeling world. As Nicholas attempts to build a new and unconventional family, he is helped and hindered by a host of colorful characters, from his ruthless uncle to the hilarious and theatrical Crummles family and the cruel-hearted Wackford Squeers.
"David Edgar, like Balzac, seems to be the secretary for our times." - The Guardian This selection of David Edgar's dramatic work features three plays: Ecclesiastes, a late 1970s radio play; his acclaimed stage version of Nicholas Nickleby; and Entertaining Strangers, an English left-wing social drama. Ecclesiastes is a radio play that looks at the rise and fall of a "fundamentalist" Christian clergyman in the US. Nicholas Nickleby: "With uncommon audacity Nicholas Nickleby not only takes on Dickens' sprawling novel, it fractures all the petty limitations we have imposed upon the stage as well ... A landmark." - New Statesman In Entertaining Strangers, a community constructs a nativity play: "English left-wing social drama at its sturdiest and finest: human, argumentative, utterly unafraid of human realities, and seething with indignation and compassion." - The Sunday Times
This book offers a radically new reading of Dickens. It argues that, rather than representing a largely conventional, conservative view of sexuality and gender, his corpus is distinctly queer, displaying a fascination with the diversity of gender roles, the expandability of notions of the family, and the multiplicity of sexual desire.