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It tells the story of a young man struggling to understand his turbulent past, his place in a family of farm workers in California, and his identity.
Lewis Grizzard got his first newspaper job when he was ten years old. Thirty-odd years later (thirty-very-odd years) he's still in the newspaper business--and he's still infuriated by it, still tickled by it, and still very much in love with it. If I Ever Get Back to Georgia, I'm Gonna Nail My Feet to the Ground is all about that anger, that great humor and that even greater passion for something that affects every single one of us: the daily newspaper. Grizzard begins with his first writing job (covering a Boy's Church League team in Newman, Georgia), and continues through his college years in Athens, Georgia, where he learned how to do such things as prepare a front-page headline and layout in case Jesus Christ ever returned to earth. (Headline: HE'S BACK!) He examines the great Atlanta years and the cold Chicago winters--as sports editor of the Sun-Times, during which Grizzard lost his second wife, his cool, and very nearly his sanity, but also learned an awful lot about life, liberty, and the pursuit of happiness. This is Grizzard's funniest--and his best--book yet.
The stories written in and about the Imperial Valley, both romantic and real, are the subject of this unique comparative study of both literature and the land.
Tim Bradford is growing up in a small town in Lincolnshire in the 1970s. Market Rasen is not the most exciting place, but to his teenage mind it was the centre of the universe. Tim is at that in-between phase between childhood and adolescence, where you are trying to be grown up and get your first snogs whilst at the same time still playing with airfix models and making dens. Tim takes us through his first crushes, falling in love with the local beauty queen and an elusive Gallic beauty on a French exchange. His first attempts at getting drunk and trying to impress girls, forming bands which churned out endless numbers of rubbish songs and trying to avoid deckings by the local hards. Tim and his equally hapless friends are gradually working towards breaking free of their childhoods and moving away from their roots. Life in this small town was a rollercoaster of mundane happenings. Small Town paints a portrait of the energy and melancholy at the heart of our generation, the inability to live for now and the feeling that something better is just around the corner. Too young (just) to be baby boomers and too English and uncool to call itself Generation X. It's a universal tale about dreams, ambitions, brass bands, cubs, rugby songs, football stickers, tractors, young love and valve amplifiers connected up to cheap distortion pedals, set at a time of political change and pudding basin hair.
A guide to Latino literature for young readers by literature professor Alma Flor Ada.
The Routledge Handbook of Small Towns addresses the theoretical, methodical, and practical issues related to the development of small towns and neighbouring countryside. Small towns play a very important role in spatial structure by performing numerous significant developmental functions for rural areas. At the local scale, they act as engines for economic growth of rural regions and as a link in the system of connections between large urban centres and the countryside. The book addresses the role of small towns in the local development of regions in countries with different levels of development and economic systems, including those in Europe, Africa, South America, Asia, and Australia. Chapters address the functional structure of small towns, relations between small towns and rural areas, and the challenges of spatial planning in the context of shaping the development of small towns. Students and scholars of urban planning, urban geography, rural geography, political geography, historical geography, and population geography will learn about the role of small towns in the local development of countries representing different economic systems and developmental conditions.
Once upon a time three little horses grazed together in a meadow full of lovely, thick grass. Wherever one went, the other two followed. One day they met an artist named Peter, who was so happy to have found them. "We shall have good times together, you'll see," he told the three little horses. First introduced in 1958, these dear characters were Piet Worm's neighbors. The three little horses played all day long in a meadow near his house. Watching them and learning to know and love them sparked the idea for this book.