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The Small Hours is about a young girl who takes a one-month vacation to Goa after she has a relapse. While in Goa, she meets a gay couple, and her story gets entwined with theirs. The story talks about her experience there and how she overcomes depression.
Richard Russo meets Tom Perrotta in this gripping, suspenseful, and gorgeous debut novel about family secrets come to light; "a tinderbox waiting to explode" (Matthew Thomas, New York Times Bestselling author of We Are Not Ourselves. On a day of rising tension, Tom, a news editor, will confront the consequences of an indiscretion that he has tried desperately to hide and that now threatens to undo his family. Helen, a graphic designer who works from home, will be drawn into an escalating conflict with two street-smart teenage girls. Told hour-by-hour over the course of a single day, a husband and wife try to outrun long-buried secrets, sending their lives into chaos.
From the bestselling author of Isaac and the Egg... 'I devoured this... my very favourite reading topic: dysfunctional families and the many ways in which they can both fracture and heal' Jennie Godfrey 'One to turn to if you want to laugh and cry on alternating pages' Lottie Hazell --- There is a fox, roaming in the early hours, watching, waiting on the edge of things. He sees a family thrown together for the first time in years. A man with wild hair, growing older and confused; his son, lost and unconnected; a daughter denied her dreams; and a wife and mother about to leave them all. He sees the moments - big and small - that have divided them. The nighttime disappearances, the angry footsteps on the stairs, the silence at the dinner table. But why has the fox followed them here? And can they find their way back to each other, before it's too late? ***READER REVIEWS*** 'Such a beautiful, emotional read' 'I was swept away in the story and yes I may have shed a tear or two' 'Bobby Palmer takes every raw human emotion that we aren't always good at voicing, and manages to describe them 100% correctly... he voices the words in your heart' 'Like nothing I've experienced before and I can't get enough' 'I promise you, this is novel that will stay with you a long time' PRAISE FOR ISAAC AND THE EGG 'A tender story of love, grief and the transformative power of friendship' Guardian 'Truly one of the most beautiful stories you will ever read' Joanna Cannon 'Will linger longer after the final page' Independent 'Unique, tender and funny' Pandora Sykes 'A future classic' Clare Mackintosh 'Like nothing I've ever read before' Stylist 'An arresting debut novel about grief in the most wonderfully oblique way' Reverend Richard Coles 'Just magic' Kate Sawyer
In this, his first collection of poems in fifteen years, Aidan Mathews brings together the sacred and the profane, playful and profound, the iconic and the everyday - illuminating the variousness and commonality of human experience. These poems wear their erudition lightly: dazzling us with their fresh observations, the strangely intimate details ('mice among the breadcrumbs of the Last Supper') and a fluid, metaphysical wit that can link a saint's matyrdom to a Sunday roast. Mercurial, passionate and always surprising, According to the Small Hours is a triumphant return to the form.
Life just keeps getting more complicated for Annie Baker. Her sister Lizzie's pregnant and wants Annie to be her birth-partner - she's planning an active labour, in water, with lots of candles and music. Her partner Matt isn't too sure, although he's bought some new swimming trunks just in case. Annie's friend Leila has got a new man, Tor, and she's getting heavily into yoga, while Kate from the village has somehow ended up having an affair with her own ex-husband. And as for the men in Annie's own life, it just gets worse. Her seven-year-old son Charlie is now officially Pagan, and desperate for his own pet pheasant. Boss Barney is building a bit of a reputation for TV commercials involving stunts, so if she's not lurching around the North Sea in a trawler, she's stuck up a crane. Then there's Uncle Monty to keep an eye on, a retired mole-catcher who collects bric-a-brac. He's eighty-three and a few sandwiches short of a picnic, and has just threatened the Meals on Wheels lady with a shotgun and refuses to leave the farm where he's lived all his life. And as if all that wasn't difficult enough, Mack comes back from New York, just when Annie was beginning to think she might be able to cope without him ... For everyone who fell in love with Annie Baker and her Only Boy for Me, here's what happened next. And for anyone who's ever wondered how to combine motherhood, the country life and a career in town, and why pheasants make that weird clicking noise, this is essential reading.
From Charles Finch, the critically acclaimed author of A Beautiful Blue Death and A Burial at Sea, comes A Death in the Small Hours--an intriguing installment in the Charles Lenox Mysteries, deemed "a beguiling series" by The New York Times. Charles Lenox is at the pinnacle of his political career and is a delighted new father. His days of regularly investigating the crimes of Victorian London now some years behind him, he plans a trip to his uncle's estate, Somerset, in the expectation of a few calm weeks to write an important speech. When he arrives in the quiet village of Plumley, however, what greets him is a series of strange vandalisms upon the local shops: broken windows, minor thefts, threatening scrawls. Only when a far more serious crime is committed does he begin to understand the great stakes of those events, and the complex and sinister mind that is wreaking fear and suspicion in Plumley. Now, with his protege, John Dallington, at his side, the race is on for Lenox to find the culprit before he strikes again. And this time his victim may be someone that Lenox loves.
Fresh and objective-and not obsessed with mafia allegations--it is a book about Sinatra the good guy as well as the bad. From his himble beginnings in working class Hoboken, to his start in the business singing with Harry and James and Tommy Dorsey.
Reprint of the original, first published in 1874.