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A gritty collection of graphic short stories by a Japanese manga master depicting life on the streets among punks, gangsters, and vagrants. Tadao Tsuge is one of the pioneers of alternative manga, and one of the world’s great artists of the down-and-out. Slum Wolf is a new selection of his stories from the late Sixties and Seventies, never before available in English: a vision of Japan as a world of bleary bars and rundown flophouses, vicious street fights and strange late-night visions. In assured, elegantly gritty art, Tsuge depicts a legendary, aging brawler, a slowly unraveling businessman, a group of damaged veterans uniting to form a shantytown, and an array of punks, pimps, and drunks, all struggling for freedom, meaning, or just survival. With an extensive introduction by translator and comics historian Ryan Holmberg, this collection brings together some of Tsuge’s most powerful work—raucous, lyrical, and unforgettable.
A Japanese manga legend's autobiographical graphic novel about a struggling artist and the first full-length work by the great Yoshiharu Tsuge available in the English language. Yoshiharu Tsuge is one of comics' most celebrated and influential artists, but his work has been almost entirely unavailable to English-speaking audiences. The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs -- used camera salesman, ferryman, and stone collector -- hoping to find success among the hucksters, speculators, and deadbeats he does business with. Instead, he fails again and again, unable to provide for his family, earning only their contempt and his own. The result is a dryly funny look at the pitfalls of the creative life, and an off-kilter portrait of modern Japan. Accompanied by an essay from translator Ryan Holmberg that discusses Tsuge's importance in comics and Japanese literature, The Man Without Talent is one of the great works of comics literature.
An extraordinary epic, set a million years in the future, in the time of a dying sun, when our present culture is no longer even a memory. Severian, a torturer's apprentice, is exiled from his guild after falling in love with one of his prisoners. Ordered to the distant city of Thrax, armed with his ancient executioner's sword, Terminus Est, Severian must make his way across the perilous, ruined landscape of this far-future Urth. But is his finding of the mystical gem, the Claw of the Conciliator, merely an accident, or does Fate have a grander plans for Severian the torturer . . . ? This edition contains the first two volumes of this four volume novel, The Shadow of the Torturer and The Claw of the Conciliator.
A touching graphic memoir about brotherhood, coming of age, and artistic inspiration by one of France's most celebrated graphic novelists. Edmond Baudoin is one of the most revered and influential figures in European comics, renowned for his slashing, expressive brushwork and narrative experimentation. New York Review Comics is proud to present the first English translation of his most intimate and inviting book, his graphic memoir of growing up with his beloved brother, Piero. Whether stuck in bed with whooping cough or out exploring in the woods, the two brothers draw together endlessly. They confront Martians, battle octopuses, stage epic battles between medieval castles, and fly high over the earth. Inevitably, they begin to grow apart, and their shared artistic life is replaced by schoolwork, romance, dances, motorcycles, and the struggle to decide what sort of people they want to be. Piero is a delicate, exuberant testament to the joys of childhood and a bittersweet account of what it means to become an adult—and an artist.
"These essays recount Tom Sleigh's experiences working as a journalist during several tours in Africa and in the Middle Eastern region once called Mesopotamia, "the land between two rivers." Sleigh asks three central questions: What did I see? How could I write about it? Why did I write about it? The first essays focus on the lives of refugees in Syria, Lebanon, Jordan, Kenya, Somalia, and Iraq. Under the conditions of military occupation, famine, and war, their stories can be harrowing, even desperate. But unlike their depiction in mass media, their stories are often laced with an undeluded hopefulness. The second part of this book explores how writing might be capable of honoring the texture of these individuals' experiences while remaining faithful to political emotions, rather than political convictions. The final essays meditate on youth, restlessness, illness, and Sleigh's motivations for writing his own experiences in order to move out into the world."--Back cover.
'Intimate and epic' Evan Winter 'An action-packed plot and deep, vivid world-building' Melissa Caruso 'Intricate, intimate and intensely plotted' Nicholas Eames 'They called me the Bitch Queen, the she-wolf, because I murdered a man and exiled my king the night before they crowned me.' Born under the towers of Oren-yaro, Queen Talyien inherited a deeply divided kingdom, devastated by years of war. Her marriage to the son of a rival clan was meant to herald peace, yet her fiancé disappeared before their reign could even begin. Now, years later, Talyien receives a message that will send her across on the sea. Yet what was meant as an effort to reconcile the past leaves her stranded in a land she doesn't know, with assassins at her back and no idea who she can trust. If Talyien is to survive, she must embrace her namesake. A wolf of Oren-yaro is not tamed. Further praise for The Wolf of Oren-Yaro: 'Deeply compelling and wonderfully entertaining' Josiah Bancroft 'A powerful new voice in epic fantasy' Kameron Hurley '[A] remarkable tale of non-stop tension, action and betrayal' Publishers Weekly (starred review) 'Balanced on a blade's edge between intrigue and action' Gareth Hanrahan
The problem of how, where, and on what terms to house the urban masses in an industrial society remains unresolved to this day. In nineteenth-century Victorian England, overcrowding was the most obvious characteristic of urban housing and, despite constant agitation, it remained widespread and persistent in London and other great cities such as Manchester, Glasgow, and Liverpool well into the twentieth century. The Eternal Slum is the first full-length examination of working-class housing issues in a British town. The city investigated not only provided the context for the development of a national policy but also, in scale and variety of response, stood in the vanguard of housing reform. The failure of traditional methods of social amelioration in mid-century, the mounting storm of public protest, the efforts of individual philanthropists, and then the gradual formulation and application of new remedies, constituted a major theme: the need for municipal enterprise and state intervention. Meanwhile, the concept of overcrowding, never precisely defined in law but based on middle-class notions of decency and privacy, slowly gave way to the positive idea of adequate living space, with comfort, as much as health or morals, the criterion.Not just dwellings but people were at issue. There is little evidence in this period of the attitude of the worker himself to his housing. Wohl has extensively researched local archives and, in particular, drawn on the vestry reports which have been relatively neglected. Profusely illustrated with contemporary photographs and drawings, this book is the definitive study of the housing reform movement in Victorian and Edwardian London and suggests what it was really like to live under such appalling conditions. This important study will be of interest to social historians, British historians, urban planners, and those interested in how social policies developed in previous eras.
Yoshiharu Tsuge leaves early genre trappings behind, taking a light, humorous approach in these stories based on his own travels. Red Flowers ranges from deep character studies to personal reflections to ensemble comedies set in the hotels and bathhouses of rural Japan. There are irascible old men, drunken gangsters, reflective psychiatric-hospital escapees, and mysterious dogs. Tsuge’s stories are mischievous and tender even as they explore complex relationships and heartache. It’s a world of extreme poverty, tradition, secret fishing holes, and top-dollar koi farming. The title story highlights the nuance and empathy that made Tsuge’s work stand out from that of his peers. A nameless traveler comes across a young girl running an inn. While showing the traveler where the best fishing hole is, a bratty schoolmate reveals the girl must run the business because her alcoholic father is incapable. At the story’s end, the traveler witnesses an unusual act of kindness from the boy as the girl suffers her first menstrual cramps — and a simple travelogue takes on unexpected depth. Red Flowers affirms why Tsuge went on to become one of the most important cartoonists in Japan. These vital comics inspired a wealth of fictionalized memoir from his peers and a desire within the postwar generation to document and understand the diversity of their country’s culture.