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A wild, baroque adventure into the margins of Buenos Aires, where poverty, corruption, and gender identity meet a vision of the Virgin Mary.
From #1 international bestselling author Ami McKay comes The Virgin Cure, the story of a young girl abandoned and forced to fend for herself in the poverty and treachery of post-Civil War New York City. McKay, whose debut novel The Birth House made headlines around the world, returns with a resonant tale inspired by her own great-great-grandmother’s experiences as a pioneer of women’s medicine in nineteenth-century New York. One summer night in Lower Manhattan in 1871, twelve-year-old Moth is pulled from her bed and sold as a servant to a finely dressed woman. Knowing that her mother is so close while she is locked away in servitude, Moth bides her time until she can escape, only to find her old home deserted and her mother gone without a trace. Moth must struggle to survive alone in the murky world of the Bowery, a wild and lawless enclave filled with thieves, beggars, sideshow freaks, and prostitutes. She eventually meets Miss Everett, the proprietress of an "Infant School," a brothel that caters to gentlemen who pay dearly for "willing and clean" companions—desirable young virgins like Moth. She also finds friendship with Dr. Sadie, a female physician struggling against the powerful forces of injustice. The doctor hopes to protect Moth from falling prey to a terrible myth known as the "virgin cure"—the tragic belief that deflowering a "fresh maid" can cleanse the blood and heal men afflicted with syphilis—which has destroyed the lives of other Bowery girls. Ignored by society and unprotected by the law, Moth dreams of independence. But there's a high price to pay for freedom, and no one knows that better than a girl from Chrystie Street. In a powerful novel that recalls the evocative fiction Anita Shreve, Annie Proulx, and Joanne Harris, Ami McKay brings to light the story of early, forward-thinking social warriors, creating a narrative that readers will find inspiring, poignant, adventure-filled, and utterly unforgettable.
Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggests that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
A taut, appealing, and often quite funny exploration of existential angst."—Kirkus Reviews In a nameless suburb in an equally nameless country, every house has a room reserved for the president. No one knows when or why this came to be. It’s simply how things are, and no one seems to question it except for one young boy.The room is kept clean and tidy, nobody talks about it and nobody is allowed to use it. It is for the president and no one else. But what if he doesn’t come? And what if he does? As events unfold, the reader is kept in the dark about what’s really going on. So much so, in fact, that we begin to wonder if even the narrator can be trusted...Ricardo Romero has been compared to Franz Kafka and Italo Calvino, and we see why in this eerie, meditative novel narrated by a shy young boy who seems to be very good at lying about the truth. Following in the footsteps of Julio Cortázar and a certain literary tradition of sinister rooms (such as Dr Jekyll’s laboratory), The President’s Room is a mysterious tale based on the suspicion that a house is never just one single home.
This pioneering work advocates for a shift toward inclusivity in the UK translated literature landscape, investigating and challenging unconscious bias around women in translation and building on existing research highlighting the role of translators as activists and agents and the possibilities for these new theoretical models to contribute to meaningful industry change. The book sets out the context for the new subdiscipline of feminist translator studies, positing this as an essential mechanism to work towards diversity in the translated literature sector of the publishing industry. In a series of five case studies that each exemplify a key component of the feminist translator studies "toolkit", Vassallo draws on exclusive interviews with a range of activist translators and publishers, setting these in dialogue with contemporary perspectives on feminism and translation to propose a new agent-based model of feminist translation practice. In synthesising these perspectives, Vassallo makes a powerful argument for questioning existing structures in the translated literature publishing system which perpetuate bias and connects these conversations to wider social movements towards promoting demonstrable change in the industry. This book will be a valuable resource for students and scholars of translation studies and publishing, as well as for the various agents involved in promoting translated literature in the UK and beyond.
On March 13, the cardinals of the Catholic Church, gathered to elect a successor to a living Pope for the first time in 600 years, announced a dramatic shift. By elevating Cardinal Jorge Mario Bergoglio of Argentina to become Pope Francis the 266th Pontiff, the cardinals were naming the first-ever Pope from the growing New World to take the helm of the church at a crucial moment. It was a stunning move by a 2,000-year-old institution that has immense influence—with 1.2 billion adherents worldwide—and huge problems, including a decade-old sex-abuse scandal that has shattered faith in the institution, a shortage of priests and secular trends that have drained the church of members and challenged its relevancy in a changing world. From the shocking decision by Pope Benedict XVI to retire, to the introduction of Pope Francis, from the back streets of Buenos Aires to the front row at St. Peter's Square, reporters from The Wall Street Journal have chronicled these dramatic weeks in the life of the oldest institution in the world. Now, in a new e-book, Journal reporters will present a detailed, timely and original biography of the new Pope Francis, as well as new insight on the bargaining and drama that surrounded his rise. Pope Francis will present the full, in-depth story of the church's change in direction and the man charged with leading it, and consider how Pope Francis might address the years of scandal and shortcomings while leading Catholics worldwide toward a deeper faith.
An Irish quarterly review.
Hip Pocket Sleaze is an introduction to the world of vintage, lurid adult paperbacks. Charting the rise of sleazy pulp fiction during the 1960s and 1970s and reviewing many of the key titles, the book takes an informed look at the various genres and markets from this enormously prolific era, from groundbreaking gay and lesbian-themed books to the Armed Services Editions. Influential authors, publishers and cover artists are profiled and interviewed, including the "godfather of gore" H. G. Lewis, cult lesbian author Ann Bannon, fetish artist par excellence Bill Ward and many others. A companion to Bad Mags, Headpress' guide to sensationalist magazines of the 1970s, Hip Pocket Sleaze also offers extensive bibliographical information and plenty of outrageous cover art.