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Slocum’s on the run—wanted for a killing he didn’t commit. Slocum’s career as a bronc buster for the Circle Z Ranch comes to a sudden end when his boss believes he started a fight among the cowhands, and fires him. After a night of drowning his sorrows in the saloon of the town of Rascality, Slocum finds he’s a wanted man. His ex-employer was found dead from a gunshot wound to the back. Marla Ziglinsky doesn’t think Slocum’s the kind of man who would shoot her father in the back. As new boss of the Circle Z, she engages Slocum’s help in finding the real killer. But when it appears that the murder is only part of a thieving ring involving cattle and the ranch’s mine, Slocum finds himself preparing to bust broncos who deal in lead…
Slocum awakens to a nightmare hangover--he's wanted for murdering his former boss. His career as a bronco buster may be over, but when Slocum catches the real killer, he's going to bust a two-legged bronco that deals in lead. Original.
More information to be announced soon on this forthcoming title from Penguin USA.
Slocum’s on the trail of a different kind of quarry—a wayward husband. After road agents stole the supply wagon train Slocum was riding shotgun on, he tracks the gang to the booming mining town of Orofino, Idaho. There, he makes the acquaintance of Jane Carson, a bartender whose ability at stirring drinks pales in comparison to her ability to stir the fire in men’s souls. Jane wouldn’t be tending bar if it hadn’t been for the husband who abandoned her. She trailed him to Orofino, and now needs Slocum’s help in finding out whether he’s dead or alive. But when the road agents attempt to kill both of them, Slocum suspects Jane knows more than she’s telling about this gang…
This collection of squadron histories has been prepared by the USAF Historical Division to complement the Division's book, Air Force Combat Units of World War II. The 1,226 units covered by this volume are the combat (tactical) squadrons that were active between 7 December 1941 and 2 September 1945. Each squadron is traced from its beginning through 5 March 1963, the fiftieth anniversary of the organization of the 1st Aero (later Bombardment) Squadron, the first Army unit to be equipped with aircraft for tactical operations. For each squadron there is a statement of the official lineage and data on the unit's assignments, stations, aircraft and missiles, operations, service streamers, campaign participation, decorations, and emblem.
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
A Man for All Seasons dramatises the conflict between King Henry VIII and Sir Thomas More. It depicts the confrontation between church and state, theology and politics, absolute power and individual freedom. Throughout the play Sir Thomas More's eloquence and endurance, his purity, saintliness and tenacity in the face of ever-growing threats to his beliefs and family, earn him status as one of modern drama's greatest tragic heroes. The play was first staged in 1960 at the Globe Theatre in London and was voted New York's Best Foreign Play in 1962. In 1966 it was made into an Academy Award-winning film by Fred Zinneman starring Paul Scofield."A Man for All Seasons is a stark play, sparse in its narrative, sinewy in its writing, which confirms Mr Bolt as a genuine and solid playwright, a force in our awakening theatre." (Daily Mail)