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Slocum’s in the middle of a blood feud—over bones. For three squares a day, Slocum’s putting his shooting skills to use guarding cattle on the Triple Cross Ranch. His other talents are being spent on a certain buxom beauty from back East, who has some strange ideas about how to keep Slocum entertained… Seems her boss—a lily-livered bone-doctor—has set his sights on some nearby dinosaur fossils. Problem is, his colleague has staked his claim to the find. And unless Slocum can finagle some kind of bone-a-fide deal, these Yanks will drive each other into extinction…
Slocum wrangles with a rose that’s red—with blood! Isabel is out to avenge her husband’s murder. Riding a stolen horse, she will no longer place her trust in God, but in the .44 Colt she now carries. Under the guise of Tequila Rosa—a woman of notorious ill-repute—she will ride the vengeance trail until the last rites have been said over the murderous butcher who executed her beloved. Slocum is running a load of guns to Mexico, where firearms are more precious than gold. After riding through a raging sand storm, he meets the beautiful Tequila Rosa—who clearly has eyes for this knight of the desert. So, when Rosa is taken hostage by some very tough outlaws, Slocum heads out to rescue her—even though he may get lost in the blinding clouds of dust. But what those kidnappers don’t realize is that an even fiercer storm is approaching—named Slocum…
Hired to escort David Trask and John Redwater, two deranged and dangerous killers, to jail in Tombstone, the Gunsmith soon discovers that the deadly duo still have some sneaky tricks up their sleeves.
Clint Adams is after a maniac who skins young girls to death. He's partnered with the sister of one victim, a tough gunfighter who won't stop until she looks the wily killer in the eye--down the barrel of a gun. Original.
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
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The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.