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Australia's greatest country singer-songwriter Slim Dusty's own story, written with Joy McKean, his wife for 50 years - now updated. 'It seems I've done most things I wanted to do, but of all things, I think I most enjoy finding good songs and recording them. There are so many songs I want to record that I will be kept busy for as long as I can keep it up ... It is the people you meet along the road of life who make the travelling easier. No wonder I loved it all.' - Slim Dusty Slim Dusty was Australia's most well-loved and best known country music performer. A legend in the bush, his famous hit 'A Pub With No Beer' made him a household name in the towns and cities too. This is the story of the life that Slim Dusty and Joy McKean shared for their fifty years of marriage and touring together - their love for each other, their family and their music - and their determination to bring country music to the whole of Australia. Slim died in 2003, but throughout Australia, and around the world, people are still playing his songs and passing them on to new generations of fans. In this updated edition of the classic autobiography, Joy McKean writes about her family's commitment to honouring his memory and their work to keep his name alive. If you love today's Australian country music, this is the story of where it all started. '... just like his lyrics, the prose is perfect. Here he is talking about the early Dusty days. It's just like listening to a bright spark in the bush.' - The Age 'Slim blazed the red-dirt trail for Australian singer/songwriters, allowing us to remain unashamedly ourselves.' - Missy Higgins
Autobiography of Australian country music performer Slim Dusty (1927-2003). Written by Slim Dusty and his partner, Joy McKean, describes the couple's love for each other, their love for music, and their determination to bring country music to Australia. Revised edition updates Slim and Joy's careers. Foreword by their daughter and Australian singer and songwriter, Anne Kirkpatrick. Includes photos, album discography and index. Both authors have been awarded the Order of Australia, and Slim is winner of numerous gold and platinum record awards.
This is a complete handbook of information and opinion about the history of country music. Based on the Encyclopedia of Popular Music, the book contains over 1000 entries covering musicians, bands, songwriters, producers and record labels which have made a significant impact on the development of country music. It brings together people such as Dolly Parton, Garth Brooks and Jimmie Rogers and the influence of Patsy Cline and Hank Williams and more recent figures such as Mary-Chapin Carpenter and LeAnn Rimes. Each entry offers information such as dates, career facts, discography and album ratings.
All the facts and informed opinion that you need on the artists who made the history of this decade are contained in this single volume, distilled from The Virgin Encyclopedia of Popular Music, universally acclaimed as the world's leading source of reference on rock and pop history.
"...excellent coverage...essential to worldwide bibliographic coverage."--AMERICAN REFERENCE BOOKS ANNUAL. This comprehensive reference provides current finding & ordering information on more than 75,000 in-print books published in or about Australia, or written by Australian authors, organized by title, author, & keyword. You'll also find brief profiles of more than 7,000 publishers & distributors whose titles are represented, as well as information on trade associations, local agents of overseas publishers, literary awards, & more. From D.W. Thorpe.
"EPMOW lives music. Put another way, it does for popular music what Grove has done for classical" David Brackett ‘Excellent, readable and thoroughly useful...While some previous single-volume and multivolume works have addressed the development and current state of popular music, none has done so with this work's depth of scholarship and global reach. Scholarly, clearly written, and well indexed, it is an ideal reference set.' Library Journal Continuum Encyclopedia of Popular Music of the World's five-volume work ‘Locations' is the most authoritative reference work on the history and current practice of popular music ever published. The five volumes on ‘Locations' that form Part 2 of this multi-volume work follow on from the two volumes of Part 1: Media, Industry and Society (Volume I) and Performance and Production (Volume II) . They cover over 200 nation states and are organized according to continental regions: Volume III: Caribbean and Latin America Volume IV: North America Volume V: Asia and Oceania Volume VI: Africa and the Middle East Volume VII: Europe Each discusses the history, development and current practice of popular music in cities, districts, cross-border regions, nation states and diasporic communities around the world. Includes coverage of:- The historical, geographical, demographical, political, economic and cultural context- Genres for which the location is known or which have been important to the development and current practice of its popular music- Significant venues such as theatres, dance halls, clubs and bars- The role of the industry: music publishers, record companies/labels, recording studios, radio and TV- The role of the state and government regulatory bodies- The teaching and research of popular music in educational institutions- Songs associated with the location- Notable performers and other practitioners such as producers, engineers, technological innovators, record company heads, journalists, critics and scholars, songwriters, composers and lyricists. 250 leading popular music scholars and practitioners have contributed over 500 entries. They include Rafael José de Menezes Bastos on Brazil, Peter Manuel on India and the Caribbean Islands, John Collins on Ghana, Moya Aliya Malamusi on Malawi, Tôru Mitsui on Japan, Motti Regev on Israel, Martin Stokes on Turkey, Richard Peterson on Nashville, Amy Ku'uleialoha Stillman on Hawai'I, Bruce Johnson on Australia, Paolo Prato on Italy, Svanibor Pettan on Croatia and Alf Björnberg on Sweden. For more information please visit: www.continuumpopmusic.com
This landmark book tells the story of one of the most enduring forms of popular culture in Australia. Prior to the 1950s, country music was called hillbilly music. Hillbilly was the rock ‘n’ roll of its day. The latest craze, straight from America, it was young, exciting and glamorous. This book traces the journey hillbilly took to become country: the rural nationalistic form it is known as today. Yodelling Boundary Riders is the first book to contextualise country music into a broader story about Australian history. Not just concerned with the development of music itself, it is also a history of the ways in which Australians have responded to the rapid rate of change in the twentieth century and the global fascination with “authenticity”. True to its subject matter, the writing is colourful and entertaining. Along the way Martin introduces some wonderful characters and events: yodelling stockmen, singing cowgirls, sentimental cowboys, coo-ees in Nashville, hobos on the mail train, the Sheik of Scrubby Creek and Australia’s craziest hillbillies.