Download Free Slicing The Silence Book in PDF and EPUB Free Download. You can read online Slicing The Silence and write the review.

The author reflects on his experiences exploring Antarctica, the last true wilderness.
Few books tell such a broad global history using an interdisciplinary approach that blends historical and cultural scholarship. Author based at UTS.
Antarctica is, and has always been, very much “for sale.” Whales, seals, and ice have all been marketed as valuable commodities, but so have the stories of explorers. The modern media industry developed in parallel with land-based Antarctic exploration, and early expedition leaders needed publicity to generate support for their endeavors. Their lectures, narratives, photographs, and films were essentially advertisements for their adventures. At the same time, popular media began to use the newly encountered continent to draw attention to commercial products. These advertisements both trace the commercialization of Antarctica and reveal how commercial settings have shaped the dominant imaginaries of the place. By contextualizing and analyzing Antarctic advertisements from the late nineteenth century to the present, Brand Antarctica identifies five key framings of the South Polar continent: a place for heroes, a place of extremity, a place of purity, a place to protect, and a place that transforms. Demonstrating how these conceptual framings of Antarctica in turn circulate through our culture, Hanne Elliot Fønss Nielsen challenges common assumptions about Antarctica’s past and present, encouraging readers to rethink their own relationship with the Far South.
The hundreds of tips and tricks included in this guide describe how to perform standard studio techniques such as drum editing and replacement and parallel compression as well as tips to improve workflow.
Making Music With Samples is packed with creative, hands-on tips - aimed at getting the reader actively enjoying the art of sampling as quickly and easily as possible - interspersed with snippets of essential theoretical stuff: whether it's the science of sound, or copyright legalities. Starting with the absolute basics of what sampling is, author Dan Duffell progresses from simpler, widely-used tools like small loop-based samplers, through the various platforms available to the sample user - the different methods and equipment required to create and manipulate samples, including: hardware samplers, sampling/keyboard workstations, computer setups, software samplers, drum samplers, etc. He then describes the setting up procedures needed to get you started - connections and installation, signal levels and so on - at the same time providing some relevant background information on how a sampler actually works. Next: choosing source material - whether created you, or from sample CDs like the one attached, or from other people's recordings - which inevitably also raises the thorny subject of copyright and licensing: sampling and the law.Then there's a section depicting the basic layout and operation of some well-known software and hardware samplers, and a look at Sampling & Synthesis and Modular Systems...
A renegade wolfpack of Soviet combat veterans has seized a cache of nuclear, biological, and chemical weapons and is selling them to hostile nations. It's up to Derek Evans, commander of U.S. Navy SEAL Team FIVE to stop the madness--before it explodes into global cataclysm.
An interrogation of the often-unexamined assumption that silence is oppressive, to consider the multiple possibilities silence enables. The volume features diverse feminist reflections on the nuanced relationship between silence and voice to foreground the creative, meditative, generative and resistive power our silences engender.
Her whole life, Lai was told that she’d only live to see eighteen years. In the seemingly utopian community she grew up in, scientists calculated residents’ life expectancies at birth, and that number defined their place within their society. When Lai was given the number eighteen in a community where numbers over one hundred are the norm, her life was considered all but meaningless. As her eighteenth birthday approached, Lai became determined not to be defined by her death date, and then everything started to unravel. After escaping the only life she’d ever known, in a community that she had been taught was all that was left of humanity, Lai is now faced with something even more terrifying: the truth. The Silent Spaces picks up where The Quiet Limit left off, following Lai as she navigates past losses, present confusion, and future uncertainties. She must find a way to survive, all while refusing to give up on those she left behind.
‘The guys would come into the glider like a bunch of piss-ants, skittering around, real cocky like. But they settled down in the glider. Some got airsick and they began thinking about what was ahead. One time we were fired on just as we were landing and exiting the glider and one of the boys was hit. His friends dragged him to cover beneath a tree. He looked up at me and said, “Take my rifle, I’m dying.” I reached down and took his weapon, and he slumped back and died. That was pretty tough...’ Combat gliders were called by some as ‘Death Crates’, ‘Purple Heart Boxes’, ‘Flying Coffins’ and ‘Tow Targets’. They were not pretty and had no graceful lines. Viewed from the front, they had a pug nose and a sloping Neanderthal forehead. Their wings looked like the heavily-starched ears of a jackrabbit placed at right angles on a canvas-covered frame. Twice the length of the body, these wings were eighty-four feet in length, 70 per cent as long as the Wright Brothers’ first powered flight at Kitty Hawk. They could not become airborne, let alone fly, unless assisted by an engine-powered tow plane. And for those riding in the back, it was like flying ‘through the gates of hell’. The men who were trained and assigned to guide gliders into battle were said to be the only pilots who had no motors, armament, parachutes and no second chances. Like the aircraft they commanded, they were called inglorious names such as The Bastards Nobody Wanted, Glider Gladiators in Wooden Chariots; Hybrid Jackasses and Glory Boys. Beautifully written, profoundly illustrated and researched, Silent Invaders: Combat Gliders of the Second World War is a work that is dedicated to those brave men under impossible odds from the British and American servicemen on D-Day, the doomed Operation Market Garden in Holland and Hitler’s radical commando raid to rescue Mussolini. Illustrations: 80 black-and-white photographs