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Presenting a multifaceted portrait of modernist culture in Russia, an array of distinguished scholars shows how artists and writers in the early twentieth century engaged with politics, science, and religion. At a time when many Russian social institutions looked to the past, modernist arts powerfully amplified a gamut of new ideas about individual and collective transformation. Expanding upon prior studies that focus more specifically on literary manifestations of the movement, Reframing Russian Modernism features original research that ranges broadly, from political aesthetics to Darwinism to yoga. These unique complementary perspectives counter reductionism of any kind, integrating the study of Russian modernism into the larger body of humanistic scholarship devoted to modernity.
This book offers an alternative approach to the problem of Slavic ethnicity in south-eastern Europe between c. 500 and c. 700, from the perspective of current anthropological theories. The conceptual emphasis here is on the relation between material culture and ethnicity. The author demonstrates that the history of the Sclavenes and the Antes begins only at around 500 AD. He also points to the significance of the archaeological evidence, which suggests that specific artefacts may have been used as identity markers. This evidence also indicates the role of local leaders in building group boundaries and in leading successful raids across the Danube. Because of these military and political developments, Byzantine authors began employing names such as Sclavines and Antes in order to make sense of the process of group identification that was taking place north of the Danube frontier. Slavic ethnicity is therefore shown to be a Byzantine invention.
An overriding assumption has long directed scholarship in both European and Slavic history: that Kievan Rus' in the tenth through twelfth centuries was part of a Byzantine commonwealth separate from Europe. Christian Raffensperger refutes this conception and offers a new frame for two hundred years of history, one in which Rus' is understood as part of medieval Europe and East is not so neatly divided from West. With the aid of Latin sources, the author brings to light the considerable political, religious, marital, and economic ties among European kingdoms, including Rus', restoring a historical record rendered blank by Russian monastic chroniclers as well as modern scholars ideologically motivated to build barriers between East and West. Further, Raffensperger revises the concept of a Byzantine commonwealth that stood in opposition to Europe-and under which Rus' was subsumed-toward that of a Byzantine Ideal esteemed and emulated by all the states of Europe. In this new context, appropriation of Byzantine customs, law, coinage, art, and architecture in both Rus' and Europe can be understood as an attempt to gain legitimacy and prestige by association with the surviving remnant of the Roman Empire. Reimagining Europe initiates an expansion of history that is sure to challenge ideas of Russian exceptionalism and influence the course of European medieval studies.
Masked and costume balls thrived in Russia in the late nineteenth and early twentieth centuries during a period of rich literary and theatrical experimentation. The first study of its kind, The Modernist Masquerade examines the cultural history of masquerades in Russia and their representations in influential literary works. The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.
The Bolshevik takeover of Russia created an alternative Russia in exile that never laid down its arms. For two decades, expelled White Russians sought ways to retaliate against the Soviet Union and return home. Their irreconcilability was galvanized by a superstructure, the dominant military organization, the Russian All-Military Union (ROVS). Eventually, militant anti-Bolshevism led the exiled Russians into alliance with Nazi Germany, despite the latter’s anti-Slavic stance. For Russia with Hitler tells the story of how thousands of White Russian émigrés joined the German invasion of the Soviet Union as soldiers, translators, and civilian workers. Oleg Beyda investigates and contextualizes émigré collaboration with National Socialist Germany, explaining how it was possible for Russians to fight against the Russians. The book reveals that the exiles, although united ideologically by Russian nationalism in a general sense, did not establish one single, clear-cut political solution for a future “liberated Russia.” Drawing on wide archival material, For Russia with Hitler details the background and ideological framework of the émigrés, how they rationalized their support for Nazism, and what they did on the Eastern Front, including their reactions to life in occupation, war crimes, and the Holocaust.
Translated by Cynthia Klohr After crushing the Polish Uprising in 1863–1864,Russia established a new system of administration and control. Imperial Russian Rule in the Kingdom of Poland, 1864–1915 investigates in detail the imperial bureaucracy’s highly variable relationship with Polish society over the next half century. It portrays the personnel and policies of Russian domination and describes the numerous layers of conflict and cooperation between the Tsarist officialdom and the local population. Presenting case studies of both modes of conflict and cooperation, Malte Rolf replaces the old, unambiguous “freedom-loving Poles vs. oppressive Russians” narrative with a more nuanced account and does justice to the complexity and diversity of encounters among Poles, Jews, and Russians in this contested geopolitical space. At the same time, he highlights the process of “provincializing the center,” the process by which the erosion of imperial rule in the Polish Kingdom facilitated the demise of the Romanov dynasty itself.
This collection of thirteen essays examines reactions in Eastern Europe to the Prague Spring and Warsaw Pact invasion of Czechoslovakia in 1968. Countries covered include the Soviet Union and specific Soviet republics (Ukraine, Moldavia, the Baltic States), together with two chapters on Czechoslovakia and one each on East Germany, Poland, Hungary, Bulgaria, Romania, Yugoslavia and Albania. The individual contributions explain why most of these communist regimes opposed Alexander Dubček’s reforms and supported the Soviet-led military intervention in August 1968, and why some stood apart. They also explore public reactions in Eastern Europe to the events of 1968, including instances of popular opposition to the crushing of the Prague Spring, expressions of loyalty to Soviet-style socialism, and cases of indifference or uncertainty. Among the many complex legacies of the East European ‘1968’ was the development of new ways of thinking about regional identity, state borders, de-Stalinisation and the burdens of the past.
This book explores the uncharted territory of the history of archaeology under Communism through the biographies of five women archaeologists from the Soviet Union, Bulgaria, Romania, Hungary, and Poland. They were working in medieval archaeology, with a specific focus on the (early) Slavs. The choice of specialists in medieval archaeology has much to do with the fact that in the five East European countries considered in this book, medieval archaeology began to develop into a serious discipline less than a century ago. The main catalyst for the sudden rise of medieval archaeology was a dramatic shift in emphasis from traditional political and constitutional to social and economic history. In five countries, the rise of medieval archaeology thus coincides in time, and was ultimately caused by the imposition of Communist regimes. The five women were therefore true pioneers in their field, and respective countries.
Tsar and Sultan offers a unique insight into Russian Orientalism as the intellectual force behind Russian-Ottoman encounters. Through war diaries and memoirs, accounts of captivity and diplomatic correspondences, Victor Taki's analysis of military documents demonstrates a crucial aspect of Russia's discovery of the Orient based on its rivalry with the Ottoman Empire. Narratives depicting the brutal realities of Russian-Turkish military conflicts influenced the Orientalisation of the Ottoman Empire. In turn, Russian identity was built as the counter-image to the demonised Turk. This book explains the significance of Russian Orientalism on Russian identity and national policies of westernisation. Students of both European and Middle East studies will appreciate Taki's unique approach to Russian-Turkish relations and their influence on Eurasian history.