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An explanation of the Muslim phenomenon of slave soldiers, concentrating on the period AD 650-850.
Katherine C. Mooney recaptures the sights, sensations, and illusions of America’s first mass spectator sport. Her central characters are not the elite white owners of slaves and thoroughbreds but the black jockeys, grooms, and horse trainers who called themselves race horse men and made the racetrack run—until Jim Crow drove them from their jobs.
“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review “Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME “A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
In 1864 Kentucky, an enslaved boy dares to pursue his dream of becoming a jockey. Twelve-year-old Gabriel loves to help his father—one of the best horse trainers in Kentucky—care for the thoroughbred racehorses on Master Giles's farm until the violence of war disrupts their familiar daily routine. When Gabriel's father enlists in a Colored Battalion, Gabriel is both proud and worried. But his father's departure brings the arrival of Mr. Newcastle, a white horse trainer with harsh, cruel methods for handling both horses and people. Now it is up to Gabriel to protect the horses he loves from Mr. Newcastle and keep them safely out of the clutches of Confederate raiders. In this first book in the Racing to Freedom trilogy, Alison Hart explores the complex relationships of the Civil War in a gripping work of historical fiction. The result is a gripping story that vividly brings to life the danger and drama of a time when war and issues of race and freedom divided the country. Background historical material and photos are included.
A cruel, sadistic Master, his tortured, broken slave, and a man who will stop at nothing until he holds the key to her freedom in his hand. Rhiannon is 23, and severely traumatised after being abducted and forced to work as a sex slave from the age of four until eight. Although on meds and undergoing therapy, she manages to hold down a job and function relatively normally in daily life, albeit with comical lapses when she utters strings of profanities and exhibits eccentric behaviours. Until she meets and falls hard for the gorgeous, desirable, wealthy Ethan, her boss, and her world is turned upside down again. Because of her disturbing past, she cannot accept that Ethan could possibly have the same feelings for her. Then her past comes back to haunt her and she finally accepts that Ethan loves her and wants to protect her from her powerful and sinister former 'Master'. Just as it seems Ethan and Rhiannon are about to begin a life together, Rhiannon is drugged and kidnapped by a man she trusts. Does this man have connections with her 'Master'? Will Ethan find her in time?The White Horses are coming...
Guided by myths of golden cities and worldly rewards, policy makers, conquistador leaders, and expeditionary aspirants alike came to the new world in the sixteenth century and left it a changed land. Came Men on Horses follows two conquistadors—Francisco Vázquez de Coronado and Don Juan de Oñate—on their journey across the southwest. Driven by their search for gold and silver, both Coronado and Oñate committed atrocious acts of violence against the Native Americans, and fell out of favor with the Spanish monarchy. Examining the legacy of these two conquistadors Hoig attempts to balance their brutal acts and selfish motivations with the historical significance and personal sacrifice of their expeditions. Rich human details and superb story-telling make Came Men on Horses a captivating narrative scholars and general readers alike will appreciate.
This book explores Africa's involvement in the Atlantic world from the fifteenth century to the eighteenth century. It focuses especially on the causes and consequences of the slave trade, in Africa, in Europe, and in the New World. African institutions, political events, and economic structures shaped Africa's voluntary involvement in the Atlantic arena before 1680. Africa's economic and military strength gave African elites the capacity to determine how trade with Europe developed. Thornton examines the dynamics of colonization which made slaves so necessary to European colonizers, and he explains why African slaves were placed in roles of central significance. Estate structure and demography affected the capacity of slaves to form a self-sustaining society and behave as cultural actors, transferring and transforming African culture in the New World.
Bob Lemmons is famous for his ability to track wild horses. He rides his horse, Warrior, picks up the trail of mustangs, then runs with them day and night until they accept his presence. Bob and Warrior must then challenge the stallion for leadership of the wild herd. A victorious Bob leads the mustangs across the wide plains and for one last spectacular run before guiding them into the corral. Bob's job is done, but he dreams of galloping with Warrior forever to where the sky and land meet. This splendid collaboration by an award-winning team captures the beauty and harshness of the frontier, a boundless arena for the struggle between freedom and survival. Based on accounts of Bob Lemmons, a formerly enslaved person, Black Cowboy, Wild Horses has been rewritten as a picture book by Julius Lester from his story "The Man Who Was a Horse" in Long Journey Home, first published by Dial in 1972.
Examines the emergence of Medina as a holy city, focusing on the historical developments of the first three Islamic centuries.