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: “Slave to Fashion offers hope of a fairer, more ethical world and gives the reader plenty of tools to navigate a challenging fashion system.”—Livia Firth There are over 35 million people trapped in modern slavery today—the largest number of slaves in modern history. This is fueled by the global demand for cheap labor—which is what makes the fast fashion industry work. Slave to Fashion is a highly accessible book which uses brilliant design, personal stories, and easy-to-grasp infographics to raise awareness among common brand consumers. Fair trade and sustainable fashion expert Safia Minney draws on her extensive knowledge and personal experience to call attention to the human hardship that goes hand-in-hand with producing our clothes, and highlights what governments, business leaders, and consumers can do to call time on this unnecessary suffering. The product of a successful crowdfunding campaign, Slave to Fashion celebrates those fighting for justice and the many initiatives that are taking place. It contains a practical toolkit that all consumers can use to demand change from the companies that produce our clothes. Safia Minney is a pioneer in ethical business. She developed the fashion industry’s first fair trade supply chains and has helped to create social and organic standards to improve the lives of thousands of economically marginalized people in the developing world. Minney now brings her expertise and experience to help businesses embrace sustainability and transparency in their operations and branding. She is the author of several acclaimed books, including Naked Fashion and Slow Fashion.
The "heart-stopping" (The Millions), "richly layered" (Brooklyn Rail), "haunting, beautiful" (BuzzFeed) story of an escaped captive and the killer hound that pursues him "Slave Old Man is a cloudburst of a novel, swift and compressed—but every page pulses, blood-warm. . . . The prose is so electrifyingly synesthetic that, on more than one occasion, I found myself stopping to rub my eyes in disbelief." —Parul Sehgal, The New York Times Shortlisted for the National Book Critics Circle Award for Fiction, Patrick Chamoiseau's Slave Old Man was published to accolades in hardcover in a brilliant translation by Linda Coverdale, winning the French-American Foundation Translation Prize and chosen as a Publishers WeeklyBest Book of 2018. Now in paperback, Slave Old Man is a gripping, profoundly unsettling story of an elderly enslaved person's daring escape into the wild from a plantation in Martinique, with his enslaver and a fearsome hound on his heels. We follow them into a lush rain forest where nature is beyond all human control: sinister, yet entrancing and even exhilarating, because the old man's flight to freedom will transform them all in truly astonishing—even otherworldly—ways, as the overwhelming physical presence of the forest reshapes reality and time itself. Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the Creole culture of early nineteenth-century Martinique, this novel takes us on a unique and moving journey into the heart of Caribbean history.
Winner of the Los Angeles Times Book Prize in History: a bold and searing investigation into the role of white women in the American slave economy “Stunning.”—Rebecca Onion, Slate “Makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times “Bracingly revisionist. . . . [A] startling corrective.”—Nicholas Guyatt, New York Review of Books Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.
The novel opens with Sangora van Java on the block, a 'Mohametan' slave who is being sold for preaching his belief to others. Andries de Villiers, a hard-nosed wine farmer, purchases Sangora, despite his suspicion that the tall slave could spell trouble. On impulse, he also bids for Sangora's 16-year-old stepdaughter, Somiela, but not for the girl's mother ' thereby separating the family. The first days on Zoetewater are traumatic, but both father and stepdaughter survive and find comfort in the unity amongst the slaves on the farm. It is when Harman Kloot, an Afrikaner of mixed blood, arrives from the interior that a second, major crisis develops: Harman is torn between duty to his group and love of a girl who belongs to a different culture and faith. Whatever decision he makes will be seen as betrayal, either of his own people or of the slave community with whom he has found common ground. The Slave Book presents a microcosm of South African society and of the country's past. Without prejudice, it portrays the different traditions, cultures and faiths of the time, and the tension that resulted from their coexistence. This is the first South African novel to portray the introduction of the Muslim faith to the Cape 'from the inside', so to speak. It does it so well that, on publication in 1999, the book was held up to then-Vice President Mbeki as an example of the tolerance and mutual respect needed in 'one city with many cultures'. The novel is informed by thorough historical research and by a study of the effects of slavery on people. Relevant excerpts introduce the different chapters and inform readers of the different views regarding slavery. Jacobs is a born storyteller who keeps the reader turning the pages.
In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded. Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators. Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.
An erotic novel of discipline, love and surrender from master storyteller Anne Rice. This sequel to The Claiming of Sleeping Beauty resumes Beauty's explicit, teasing exploration of the psychology of human desire and seduction. Now Beauty, having indulged in a secret and forbidden infatuation with the rebellious slave Prince Tristan, is sent away. Sold at auction, she will soon experience the tantalizing punishments of 'the village,' as her education in love, cruelty, dominance, submission and tenderness is turned over to the brazenly handsome Captain of the Guard. Once again Anne Rice's classic tale of pleasure and pain dares to explore the most primal and well-hidden desires of the human heart. This is the second of Anne Rice's classic Sleeping Beauty trilogy.
THE FIRST PSY/CHANGELING NOVEL from the New York Times bestselling author of Shards of Hope, Shield of Winter, and Heart of Obsidian... The book that Christine Feehan called "a must-read for all of my fans." In a world that denies emotions, where the ruling Psy punish any sign of desire, Sascha Duncan must conceal the feelings that brand her as flawed. To reveal them would be to sentence herself to the horror of “rehabilitation”—the complete psychic erasure of everything she ever was…Both human and animal, Lucas Hunter is a Changeling hungry for the very sensations the Psy disdain. After centuries of uneasy coexistence, these two races are now on the verge of war over the brutal murders of several Changeling women. Lucas is determined to find the Psy killer who butchered his packmate, and Sascha is his ticket into their closely guarded society. But he soon discovers that this ice-cold Psy is very capable of passion—and that the animal in him is fascinated by her. Caught between their conflicting worlds, Lucas and Sascha must remain bound to their identities—or sacrifice everything for a taste of darkest temptation…
The Experience of a Slave in South Carolina by John Andrew Jackson, first published in 1862, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
After the death of Queen Eleanor, Beauty and Laurent are implored to take the throne and uphold the ways of complete sensual surrender that have made Eleanor's realm a legend.