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"I glanced up but he'd already jumped, a dark blur plummeting, wings folded against the drag like some starving hawk out of the noon sun, some angel betrayed. He punched through the cab's roof so hard he sent metal shearing into the petrol tank. All it took was one spark. Boom . . ."Harry Rigby is right there, an eye-witness when Finn Hamilton walks out into the big nothing nine stories up, but no one wants to believe Finn is just the latest statistic in Ireland's silent epidemic. Not Finn's mother, Saoirse Hamilton, whose property empire is crumbling around her; and not Finn's pregnant fiancé, Maria, or his sister Grainne; and especially not Detective Tohill, the cop who believes Rigby is a stone-cold killer, a slaughter's hound with a taste for blood . . . Welcome to Harry Rigby's Sligo, where death comes dropping slow. Studded with shards of black humour and mordant wit, Slaughter's Hound is a gripping noir from one of the most innovative voices in Irish crime fiction.
An unseen weapon that drives men mad. A green gas which turns smiling faces into leering skulls. A master criminal who can assume at will any known identity. Add to these separate menaces three big-game hunters sworn to destroy the Spider -- and you have a situation in which the brilliance and courage of Dick Wentworth will thrill you as never before!
Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived. The essays collected here connect their immediate subjects—contemporary Irish crime writers—to Irish culture, literature, and history. Anchored in both canonical and emerging themes, this collection draws on established Irish studies discussions while emphasizing what is new and distinct about Irish crime fiction. Guilt Rules All considers best-sellers like Adrian McKinty and Liz Nugent, as well as other significant writers whose work may fall outside of traditional notions of Irish literature or crime fiction. The essays consider a range of themes—among them globalization, women and violence, and the Troubles—across settings and time frames, allowing readers to trace the patterns that play a meaningful role in this developing genre.
Ittiba', Ijtihad, and Taqlid are three important concepts that affect one’s practice of Islam whether he is a scholar or an ordinary Muslim. Ittiba' is "obedience", or the understanding of whom we should follow and give our obedience to in practicing or living by our religion. Ijtihad is to strive with utmost sincerity in arriving at the truth or the resolution of a problem. And taqlid is "blind imitation" or accepting the opinion or judgment of a person or a group without checking for its validity or evidence, believing that it is always correct. One who engages in taqlid does not consider any contrary opinion even if it may be backed up by authentic evidence from the Sunnah, since he/she believes that his Imam or madhhab is always correct or has the best opinions already. This work shows that Islam teaches us to submit our intellect to none but Allah and accept opinions based on objective evidence regardless of affiliations. It also points out some of the ill effects of taqlid on the ummah.
Some of the greatest hounds in the southwest match wits, courage, and endurance with the elusive cougar, bear, and wildcat. New Mexico and Arizona have produced some truly exceptional hounds and houndsmen over the years, and the Slash Ranch hounds were among the best. Over much of the first half of the 1900’s these hounds with Dub Evans were making a name for themselves all over the southwest. People coming from far and wide to witness them in action as well as for the chance to harvest bear and lion. The Black Range and Gila Wilderness of New Mexico where much of this book takes place, is still as wild and remote today as it was in the previous century. The bottomless labyrinths of canyons and snow-capped peaks a paradise for the sportsman. Home to such famous mountain men and frontiersmen as Ben Lilly, Nat Straw, and Montague Stevens, it is a place that can only be experienced. And what better way to experience it then to follow a pack of great hounds in pursuit? The answer is, there is none. The chase will take you places that few people have seen, and fewer still have tread. A Classic among hound books Slash Ranch hounds details much lion-lore mixed in with great stories of the chase. Much can be learned about the complex workings of the chase, as well as gaining a greater respect for the hounds and houndsmen. Without exaggeration, Evans describes his adventures with truth that can be felt through the pages. From tales of roping lions to catching stock-killing bear and cougar. This is adventure on the western frontier at its finest. So, saddle up, as this is a book for the modern houndsman as well as the armchair adventurer. This is a book to read next the campfire or fireplace, dreaming of hunts bygone and hunts still to come.
When a ten-year-old boy finds an old book of magic in a bookshop in Ireland, the forces of good and evil gather to do battle over it.
In October of 1563, 18-year old Anne Mylner was herding cows near her home when she was suddenly enveloped by a white cloud that precipitated a months-long illness characterized by sleeplessness, loss of appetite, convulsions, and bodily swelling. Mylner's was the first of several cases during the reign of Elizabeth I of England that were interpreted as demon possession, a highly emotional experience in which an afflicted person displays behavior indicating a state of religious distress. To most Elizabethans, belief in Satan was as natural as belief in God, and Satan's affliction of mankind was clearly demonstrated in the physical and spiritual distress displayed by virtually every person at some point in his or her life. This book recounts 11 cases of Elizabethan demon possession, documenting the details of each case and providing the cultural context to explain why the diagnosis made sense at the time. Victims included children and adults, servants and masters, Catholics and Protestants, frauds and the genuinely ill. Edmund Kingesfielde's wife, possessed by a demon who caused her to hate her children and to contemplate suicide, was cured when her husband changed his irreverent tavern sign (depicting a devil) for a more seemly design. Alexander Nyndge, possessed by a Catholic demon that spoke with an Irish accent, was cured by his own brother through physical bondage and violence. Agnes Brigges and Rachel Pindar, whose afflictions included vomiting pins, feathers, and other trash, were revealed as frauds and forced to confess publicly, their parents being imprisoned for complicity in the fraud. All these cases attest to a powerful need to ascribe some moral significance to human suffering. Allowing the sufferer to externalize and ultimately evict the demon as the cause of his or her affliction bestowed some measure of hope—no mean feat in a world with such widespread human distress.