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On December 1, 1971, the bodies of Robert Gierse, James Barker, and Robert Hinson were found in their blood-spattered Indianapolis home. All three had reputations as prodigious womanizers, hard-drinking bar fighters, and unscrupulous businessmen--the kind of men with more enemies than friends. When detectives searched the home and discovered an address book used as a sex contest scorecard, their new suspect list included jilted one-night stands, jealous boyfriends, and husbands--dozens upon dozens of names. Sensational reports and rumors soon overwhelmed the investigation , and real answers eluded the police and the media alike for three decades, until Roy West, a detective with a reputation for cracking "unsolvable" cases, re-opened the files... INCLUDES PHOTOS
Everyone in the neighborhood thought the Reese family was no good, but it would be twenty-six years before they really learned how bad they were… In July 2008, there were a rash of murders in Indianapolis, three of which occurred during robberies committed by Brian Reese. It turned out he learned his life of crime at home: his father, Paul Sr., who served as his lookout man, had been in and out of prison numerous times, and his mother, Barbara—who was Brian’s getaway driver the day of his arrest (right after he shot a police officer)—had once been convicted of embezzlement. The four Reese brothers had been in and out of prison with more than three dozen convictions among them. It was no wonder parents warned their children to stay away from the Reeses. But soon they would learn that the family’s secrets were darker than they ever imagined… INCLUDES PHOTOS
How do seemingly "normal" or "ordinary" citizens suddenly find themselves committed to a group whose leader promotes criminal activities and isolation from families and friends? What should you do if a loved one becomes indoctrinated by a potentially dangerous cult? By providing specific accounts of dangerous cults and their destructive acts, Snow illustrates how seemingly innocent groups can turn pernicious when under the sway of a charismatic leader with an agenda, or when members take things too far. He offers advice on how to identify cults, how to protect yourself and your family, and what to do if a loved one is ensnared by such a group. Annotation. Snow, a veteran Indianapolis police officer in the homicide branch, does not bother with groups that are demonized as cults merely because they diverge from someone else's idea of truth or proper deportment, but focuses on those that are responsible for major crimes such as murder and torture. They include religious, occult, millennial, new-age, UFO, doomsday, and suicide cults. He also discusses their danger, appeal, recruitment, and indoctrination and how to combat them.
Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity. In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation. And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, taken up by the rest of the nation as a way of enforcing a new social hierarchy while at the same time creating the illusion of a national, egalitarian, consumerist democracy. By showing the very recent historical "making" of contemporary American whiteness and by examining how the culture of segregation, in all its murderous contradictions, was lived, Hale makes it possible to imagine a future outside it. Her vision holds out the difficult promise of a truly democratic American identity whose possibilities are no longer limited and disfigured by race.
In December 1958, Ken Martin, his wife Barbara, and their three young daughters left their home in Northeast Portland to search for Christmas greens in the Columbia River Gorge—and never returned. The Martins' disappearance spurred the largest missing persons search in Oregon history and the mystery has remained perplexingly unsolved to this day. For the past six years, JB Fisher (Portland on the Take) has pored over the case after finding in his garage a stack of old Oregon Journal newspaper articles about the story. Through a series of serendipitous encounters, Fisher obtained a wealth of first-hand and never-before publicized information about the case including police reports from several agencies, materials and photos belonging to the Martin family, and the personal notebooks and papers of Multnomah County Sheriff's Detective Walter E. Graven, who was always convinced the case was a homicide and worked tirelessly to prove it. Graven, however, faced real resistance from his superiors to bring his findings to light. Used as a trail left behind after his 1988 death to guide future researchers, Graven's personal documents provide fascinating insight into the question of what happened to the Martins—a path leading to abduction and murder, an intimate family secret, and civic corruption going all the way to the Kennedys in Washington, DC.
Every politics is an aesthetic. If necropolitics is the (accelerated) politics of what is usually referred to as the ‘apolitical age’, what are its manoeuvres, temporalities, intensities, textures, and tipping points? Bypassing revelatory and reconstructionist approaches – the tendency of which is to show that a particular site or practice is necropolitical by bringing its genealogy into evidence – this collection of essays by artist-philosophers and theorist curators articulates the pre-perceptual working of necropolitics through a focus on the senses, assignments of energy, attitudes, cognitive processes, and discursive frameworks. Drawing on different yet complementary methodologies (visual, performance, affect, and network analysis; historiography and ethnography), the contributors analyse cultural fetishes, taboos, sensorial and relational processes anchored in everyday practices, or cued by specific artworks. By mapping the necropolitics’ affective cartography, they expand the concept beyond its teleological, anthropocentric, and reductive horizon of ‘making and letting die’ to include posthuman and posthumous actants, effectively arguing for the necropolitics’ transformatory, political potential.
"Explores Ferdinand Magellan's life from his childhood to his travels to his death, his discoveries and accomplishments, and his impact on world history"--Provided by publisher.
The nurse's voice on the phone is desperate, but young Dr. Peters, in his first weeks of internship, is only bone-tired and a little afraid. He has forgotten when he last slept. Yet he knows that in the coming hours he will have to make life-or-death decisions regarding patients, assist contemptuous surgeons in the operating room, deal with nurses who may know more than he does, cope with worried relatives and friends of the injured and ill, and pretend at all times to be what he has not yet become--a fully qualified doctor. This book is about what happens to a young intern as he goes through the year that promises to make him into a doctor, and threatens to destroy him as a human being--
SLAUGHTERHOUSE BLUES: THE MEAT AND POULTRY INDUSTRY IN NORTH AMERICA draws on more than 15 years of research by the authors, a cultural anthropologist and a social geographer, to present a detailed look at the meat and poultry industry in the United States and Canada. Following chapters on today's beef, poultry, and pork industries, SLAUGHTERHOUSE BLUES examines industry impacts on workers and on the communities that host its plants. The book details the authors' efforts to help communities plan for and mitigate the negative consequences of meat and poultry plants as well as community opposition to confined animal feeding operations. The book concludes by exploring alternatives to North America's model of industrialized meat production.