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In Slaughter in the Streets, Don Stradley masterfully unfolds the story of how Boston became "boxing's murder capital." From the early days of Boston's Mafia, to the era of Whitey Bulger, Stradley tells the fascinating stories of men who were drawn to the dual shady worlds of boxing and the mob.
On December 1, 1971, the bodies of Robert Gierse, James Barker, and Robert Hinson were found in their blood-spattered Indianapolis home. All three had reputations as prodigious womanizers, hard-drinking bar fighters, and unscrupulous businessmen--the kind of men with more enemies than friends. When detectives searched the home and discovered an address book used as a sex contest scorecard, their new suspect list included jilted one-night stands, jealous boyfriends, and husbands--dozens upon dozens of names. Sensational reports and rumors soon overwhelmed the investigation , and real answers eluded the police and the media alike for three decades, until Roy West, a detective with a reputation for cracking "unsolvable" cases, re-opened the files... INCLUDES PHOTOS
"I glanced up but he'd already jumped, a dark blur plummeting, wings folded against the drag like some starving hawk out of the noon sun, some angel betrayed. He punched through the cab's roof so hard he sent metal shearing into the petrol tank. All it took was one spark. Boom . . ."Harry Rigby is right there, an eye-witness when Finn Hamilton walks out into the big nothing nine stories up, but no one wants to believe Finn is just the latest statistic in Ireland's silent epidemic. Not Finn's mother, Saoirse Hamilton, whose property empire is crumbling around her; and not Finn's pregnant fiancé, Maria, or his sister Grainne; and especially not Detective Tohill, the cop who believes Rigby is a stone-cold killer, a slaughter's hound with a taste for blood . . . Welcome to Harry Rigby's Sligo, where death comes dropping slow. Studded with shards of black humour and mordant wit, Slaughter's Hound is a gripping noir from one of the most innovative voices in Irish crime fiction.
"If I wake up, I know I'm a success. The day I don't wake up, I know I'll be home. I have one foot on this earth and one foot has crossed over. I didn’t just die, I lived.”—Johnny Tapia ...the ghost of Johnny Tapia lives on. “Mi Vida Loca” (My Crazy Life) was Johnny Tapia’s nickname and his reason for being. Haunted by the brutal murder of his beloved mother when he was a child, fighting and drugs gave him the escape he craved—and he did both with gusto. In The Ghost Of Johnny Tapia, Paul Zanon, with the help of Tapia’s widow Teresa, tells the harrowing and unforgettable story of a boxing genius who couldn’t, in the end, defeat his demons. The Ghost of Johnny Tapia is the second in the Hamilcar Noir series. Hamilcar Noir is "Hard-Hitting True Crime" that blends boxing and true crime, featuring riveting stories captured in high-quality prose, with cover art inspired by classic pulp novels. From the Foreword: "Johnny had incredible heart, was such a sweet man, but was also tormented. He had two sides to him. The sweetest, nicest guy, but then the other side which could probably kill you. He was tortured with his addictions, but Johnny was always pure emotion in that ring."—Sammy ‘The Red Rocker’ Hagar, Musician
NEW YORK TIMES BESTSELLER • “A superior crime novel.”—The Washington Post WATCH WILL TRENT ON ABC Ansley Park is one of Atlanta’s most upscale neighborhoods—but in one gleaming mansion, in a teenager’s lavish bedroom, a girl has been savagely murdered. And in the hallway, her mother stands amid shattered glass, having killed her daughter’s attacker with her bare hands. Detective Will Trent of the Georgia Bureau of Investigation is one of the first on the scene. Trent soon sees something that the Atlanta cops are missing, something in the trail of blood, in a matrix of forensic evidence, and in the eyes of the stunned mother. When another teenage girl goes missing, Trent knows that this case, which started in the best of homes, is about to cut quick and deep through the ruins of perfect lives broken wide-open: where human demons emerge with a vengeance.
Filled with firsthand accounts from the men who trained Valero and the reporters who covered him, as well as insights from psychologists and forensic experts, Berserk is a hell-ride of a book.
NEW YORK TIMES BESTSELLER • “A complex, gripping, and deadly serious novel that reflects anew [Karin] Slaughter’s abundant talent.”—The Washington Post WATCH WILL TRENT ON ABC • “An absolute master . . . Slaughter creates some wonderfully complex and mature female characters, a distinctive achievement in the world of thrillers.”—Chicago Tribune “You know what we’re here for. Hand it over, and we’ll let her go.” There’s no police training stronger than a cop’s instinct. Faith Mitchell’s mother isn’t answering her phone. Her front door is open. There’s a bloodstain above the knob. Her infant daughter is hidden in a shed behind the house. All that the Georgia Bureau of Investigations taught Faith Mitchell goes out the window when she charges into her mother’s house, gun drawn. She sees a man dead in the laundry room. She sees a hostage situation in the bedroom. What she doesn’t see is her mother. . . . Faith is left with too many questions and not enough answers. To find her mother, she’ll need the help of her partner, Will Trent, and they’ll both need the help of trauma doctor Sara Linton. But Faith isn’t just a cop anymore—she’s a witness. She’s also a suspect. The thin blue line hides police corruption, bribery, even murder. Faith will have to go up against the people she respects the most in order to find her mother and bring the truth to light—or bury it forever.