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It's time to reclaim poetry. Collected by international poetry sensation Nikita Gill, SLAM! You're Gonna Wanna Hear This is a joyful celebration of the ground-breaking poets making their voices heard in the spoken word scene. Empowering, inspiring and often hilarious, SLAMs are a platform for well-known and emerging talent from all walks of life where every style of poetry has a home. With poets such as Raymond Antrobus, Sophia Thakur and Dean Atta guest starring alongside up-and-coming poets, this is the perfect introduction to the world of modern poetry. Each poet will introduce their poem, tell you a little bit about themselves and give you a tip for preparing brilliant performance poetry.
Spoken word poetry has a long history both in the United States and far beyond its borders. Oral traditions have been part of numerous cultures. Today, some people make a living as slam poets. Competing in poetry slams can be a rewarding experience. It may even lead some poets to full-time careers as poets, authors, or teachers. Part of the series They Do That for a Living?, Slam Poets explores the history of this unusual career, what it takes to join it, and where it can take participants in the future.
Bestselling poet, writer, and Instagram sensation Nikita Gill returns with an innovative novel in verse, exploring Hindu mythology and legend. Let her be a little less human, a little more divine Give her heart armor so it doesn't break as easily as mine Meet Paro. A girl with a strong will, a full heart, and much to learn. Born into a family reeling from the ruptures of Partition in India, we follow her as she crosses the precarious lines between childhood, teenage discovery, and realizing her adult self. In the process, Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment. Nikita Gill's vivid poetry and beautiful illustrations have captured hearts and imaginations--but in The Girl and the Goddess, she offers us her most personal and deeply felt writing to date: an intimate coming-of-age story told in linked poems that offers a look into the Hindu mythology and rich cultural influences that helped her become the woman she is today.
Learning in the arts does not fit in with simple, conventional methodologies for teaching and assessing in the traditional sense, but it has an immense power to transform children’s understanding of the world around them, and their lives. Many jobs, currently and of the future, will demand the skills that learning in the arts will develop. This book brings Arts Education sharply into focus as a meaningful, learning experience for children of pre-school and primary age (3-11 years). It reinforces the potential for the wide range of physical, mental and emotional development, through learning opportunities that engagement in arts practice facilitates. Provides insight into how teachers can support children to consider contemporary challenges that face their generation. Includes expert voices from the world of education to demonstrate an expansive, and perhaps surprising, view of where and how the Arts can be found. Shows how we can bring the arts so easily into our curriculum, and into our classrooms.
LONGLISTED FOR THE JHALAK PRIZE 2024. "This is an anthology to contemplate, revisit and relish" - LoveReading4Kids 'It's time we told our story too. The melanin speaks for itself.' - George the Poet Part of a Story That Started Before Me is an extraordinary collection of poems chosen by acclaimed spoken-word performer and social commentator George the Poet. Taking readers on an inspiring poetical journey through Black British history, the anthology brings together some of the most exciting wordsmiths from across the diaspora and fascinating era-by-era notes from historian Dr Christienna Fryar. From Africans in Roman Britannia to the first Black actor to play Othello on stage, from Malcolm X's visit to the West Midlands to highlighting an organizer of the UK's first Gay Pride, this important collection reveals unsung people and events from our past to recognize the intrinsic impact they've had on Britain today. Featuring: Abi Simms, Adesayo Talabi, AFLO. the poet, Amina Jama, Anu Balofin, Ashley Hickson-Lovence, Becksy Becks, Benjamin Zephaniah, Bridget Minamore, Cara Thompson, Casey Bailey, Deanna Rodger, Derek Walcott, Dorothea Smartt, Dzifa Benson, Edward Kamau Brathwaite, Eno Mfon, Evan the Poet, Fred D'Aguiar, FULAANI onda 3s, George The Poet, Grace Nichols, Henry Stone, Highwater Ell aka Elliott Henry, Ife Grillo, Inua Ellams, Irenosen Okojie, Isaiah Hull, Jade LB, Jeffrey Boakye, Jenny Mitchell, Jeremiah Brown, John Agard, Joseph Coelho, Jude Yawson, Kat Francois, Keith Jarrett, Kelechi Okafor, M. NourbeSe Philip, Malika Booker, Michael Groce, Miles Chambers, Muneera Pilgrim, Nick Makoha, Nii Ayikwei Parkes, Nile Faure-Bryan, Olaudah Equiano, Olivette Otele, Patience Agbabi, Peter deGraft-Johnson aka The Repeat Beat Poet, Phillis Wheatley, Priss Nash, Rakaya Fetuga, Raymond Antrobus, Reece Williams, Safiya Kamaria Kinshasha, Samuel King, Sophia Thakur, Stretch the Top Boy, Thembe Mvula, Theresa Lola, Tré Ventour, Vanessa Kisuule, Wretch 32 and Zena Edwards.
An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world. Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.
Roshni Goyate, Sharan Hunjan, Sheena Patel and Sunnah Khan are four writers that make up the talented collective 4 BROWN GIRLS WHO WRITE and bring their radical, polyphonic performance style to bear on a series of individual pamphlets that still resonate with their collaborative force. Each author's discreet publication is a stand-alone work, published as a set of poetry and prose pamphlets, highlighting the daring, brilliant writing that characterises both the group and each individual author.
Written in 2010, "Touchscreen" has been embraced by the tech community as a conversation starter and jumping point to explore technology's role in our lives. Whereas the question used to be, "What CAN technology do for us?," the real question has become, "What SHOULD technology do for us?" How do we balance our expanding online connections with our innate desire for authentic human interaction? Poet, spoken-word artist, and songwriter Marshall Davis Jones challenges us to ask these questions. Marshall Davis Jones found his voice in 2006 at the renowned Nuyorican Poet's Cafe. From there, he has been on a mission to touch the world and inspire others to believe in being human. His original works have been featured on the BBC World News Network, in two TEDx programs, and in the internationally renowned Musical Instrument Museum in Phoenix Arizona.
A young group of space-bowling friends get transported thirty years into the future. They go on a strange adventure/mission to recover items for the city people. They take life into their own hands, experiencing strange difficulties along the way on their journey.
Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. “Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation “An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!