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The inside story of a uniquely influential horror comic publisher from the 1970s.
Two attractive young girls are kidnapped and relentlessly tormented by scalding water, sandstorms and dead Nazi storm troopers - that's just in one episode... Created by Alan Hewetson and illustrated by Suso Rego, The Saga of the Victims first appeared in the early 1970s in Scream, one of the Skywald line of horror comics. Skywald folded before the sixth and final episode could be printed and readers never learnt what fate had in store for the two girls. Printed in its entirety for the first time ever, including the never-before-seen final episode.
The first collection of Wulf and Batsy stories by Bryan Baugh. Nominated "Best Horror Comic Book of 2008" by the online Rondo Hatton Awards. Wulf and Batsy chronicles the adventures of a ferocious werewolf and his sexy female vampire companion, as they wander the earth in search of a quiet place to call home. Unfortunately, all Wulf and Batsy seem to find are angry villagers out to destroy them, mad scientists out to exploit them, and creepy undead zombies begging them for help. This volume features the first two complete stories: "We Have No Home", and "Bizarre Experiments".
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.
Welcome to the nightmare! How far will one woman go for the salvation of her beloved? Mercy Barlowe¡¯s love for Sarah brings down Hell when her puritanical father discovers them together ¨C and has his own daughter burnt at the stake. But death is not the end. A modern take on the horror classics of the pas from Rachel Deering (Womanthology), Chris Mooneyham (Five Ghosts) and Wesley St. Claire.
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.
For Josh, falling in love does not fit in with his rock and roll lifestyle. And falling for someone who believes in mermaids? Who wants to be one? Well, he wasn't expecting that, either. But the sea is deep with mysteries. Sometimes they wash ashore, whispered in the hush of a quiet tide, and all you have to do is listen. Other times you have to explore the dark beneath the surface yourself, unsure of what you might find... Bonus content Special introduction about the genesis of Water For Drowning by Ray Cluley Bonus story: the British Fantasy Award winning story 'Shark! Shark!'
Systematic reprint of the periodical that began in Fall 1948.
Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.