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They pissed off the wrong cybernetic, talking, magic, murder kitty. Now, betrayal runs deep, but revenge runs deeper. Skritch isn’t your average cat. She just happens to look a bit like one. Armed with cybernetic limbs, nanites, and a razor-sharp wit, she’s a master thief navigating a dystopian world. When her mentor, Jammer, is murdered in a botched heist, Skritch’s life is torn apart. Framed for a crime she didn’t commit, Skritch has only one choice—track down the real killer before the authorities close in around her and get her revenge by any means possible. As she hunts for answers in the labyrinth of Zhakatal, a city overrun by corrupt corporations, crooked cops, and deadly bounty hunters, Skritch’s small size proves to be her greatest advantage. But uncovering the truth comes with a price—one paid in blood and betrayal. With razor-sharp dialogue, intense action, and a touch of dark humor, Skritch's Revenge delivers a high-octane cyberpunk adventure where even the smallest hero can land a deadly blow.
In Wendy’s Revenge, Scott’s titular heroine returns with a fresh set of awkward misadventures and messy nights out. When the book opens, aspiring artist Wendy has decided to move to the west coast to clear her head. She plans on getting some quality time with her collaborator and friend Winona, only to find Winona packing up to leave, having decided to move back in with her mom on the rez. All alone, Wendy endeavours to foster community in Vancouver’s bleak art scene. When her hope and optimism are all used up, she packs her bags for an artist residency in Japan. Wendy then gallery hops and parties around the globe until she stumbles upon the opportunity to unite with former foe Paloma. Together they enact revenge on VVURST, the German publication that once tore her performance art to shreds. Young artists struggle with mental health issues, they get wasted and hook up with men with gross piercings, and they’re afflicted with an insatiable longing for a stable identity—stability they themselves undermine. Scott’s deceptively simple, inky character drawings evoke millennial culture with such Jungian accuracy that you can’t help but stare and giggle in equal measure. Praised by The New Yorker, Guardian, Globe and Mail, and with an appearance in the Best American Comics anthology, it’s clear why Walter Scott’s Wendy comics have taken critics by storm.
A week after the first nightmare, Shun begs his classmates not to go anywhere near the abandoned mansion on the outskirts of town ever again, but the gears of fate seem to be turning against his will. They find themselves in the Jailhouse once more, and the man-eating monster that lives inside is happy to welcome them. Will they have the power to change anything? The game is the same, and the rules are simple: get caught and you're dead. It's time for round two in this lethal game of tag!
Collects Fantastic Four (1961) #334-336; Incredible Hulk (1968) #363; Punisher (1987) #28-29; Punisher War Journal (1988) #12-13; Marc Spector: Moon Knight (1989) #8-10; Daredevil (1964) #275-276; Power Pack (1984) #53; Damage Control (1989B) #1-4; material from Doctor Strange, Sorcerer Supreme (1988) #11-13. Loki’s schemes play out as an array of heroes face unfamiliar enemies! The Fantastic Four take on an army of foes during a congressional hearing! The gray Hulk battles the Grey Gargoyle! The Punisher takes aim at Bushwhacker and Doctor Doom — then joins Moon Knight to face Flag-Smasher and Ultimatum! Daredevil fights outside his weight class against Ultron while Power Pack grapples with Typhoid Mary! And Hobgoblin, the Enchantress and Arkon spell trouble for Doctor Strange! Luckily, Damage Control is around to pick up the pieces!
It's 1940 and a phony body on exhibit in a carnival sideshow suddenly springs to life and shambles away. Not so phony after all, he is John Doe, radio commentator and archenemy of Detroit's notorious Purple Gang. But why did he disappear in 1930, and why did the mayor, the mob, and the cops all want him dead?
As Madame Cansino helps John Doe to uncover the mystery of his bizarre resurrection, a new menace is revealed in the form of her jealous would-be lover! * A noir horror story by Bill Morrison (_The Simpsons_)!
Gunma goes all out in his attempt to place first, and has to deal with the consequences. Meanwhile, Junko is faced with shadows from the past, and Tamotsu has to make a decision that could jeopardize the future of the Morioka Racing Team! With tensions rising between teammates, can Gunma navigate family rivalry and find the money the team needs to survive?
Yokoi can’t seem to stop Seki’s increasingly creative contraptions from grabbing her attention and making her own imagination wander away in the middle of class. And at one point, Yokoi find herself in a very unexpected place indeed...
"Unvarnished. Punk."–The New York Times King-Cat Classix collects material from the first fifty issues of John Porcellino’s King-Cat Comics as they appeared in self-published, handmade zines throughout the 1990s. These strips span Porcellino’s dynamic evolution from saturated, punk drawings to his characteristic refined minimalism, revealing his work as nothing short of a catalyst that has inspired artists like Chris Ware in the emerging literary comics scene. In the inky drawings featuring beloved pets, awkward teenage one-night-stands, and everyday blunders, we see a nascent style steeped in truth and transparency—one that continues to ring true today. Porcellino’s mind is spread out on the page, with an uninhibited id running wildly about dreams and sexual fantasies, not unlike the gritty, stabbing pen strokes of Julie Doucet. He sketches fragmented moments and glimpses of interaction that seem to reflect the very manner in which we process memory: we are made up of a stream of consciousness, captured in fleeting mental images, and Porcellino externalizes that messy internal reality. Follow along the path of Porcellino’s dynamic evolution and relish in the inspirational power of this groundbreaking collection.