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J.W. Gregorys Skinhead Girl is based on the true story of a white supremacist skinhead girl who is involved in a murder. This book examines the actual hate crime while illustrating the secret interworkings of several authentic white supremacist groups including the Ku Klux Klan, the National Alliance and Volksfront. While the crime story evolves so does the narrative of the institutional racism that permeates society in the United States, in both past and present eras, and alarmingly through insitutions such as Planned Parenthood. This deeply documented book includes academic footnotes for readers that would like to follow the reality of American racism today. This work contains an in depth look at the life of a young Skinhead girl from various perspectives inluding her beliefs on religion, politics and race. Skinhead Girl tells the story of a devoutly religious white supremacist family which is using newfound tactics and technology to reign terror on those that they consider members of inferior races. J.W. Gregory provides a realistic version of racism and argues that although Americans may assume that because the U.S. has an African-American in the White House that racism is no longer a problem, while in reality the number of white supremacist groups grow in number year after year. White supremacist groups continue to use their system of the secretive cellular divide while permeating into the very fabric of America. Skinhead girl believes that every individual action makes a difference in what she sees as Americas white power race war. The current events in Egypt clearly reflect how individuals can utilize the power of the Internet to make change happen. Think about it. Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has. Margaret Meade -
This book provides a fascinating examination of one of the most notorious countercultures in the United States. Skinheads: A Guide to An American Subculture is an insider's look at the history of skinheads in the United States, from their emergence from the U.S. hardcore underground in the 1980s in New York City, Chicago, Washington, DC, and Los Angeles, to the current scene that thrives in many major metropolitan areas today. What makes this revelatory book so compelling is its one-of-a-kind view of skinhead culture from the inside out. Coauthor Perry Hardy is a skinhead, bass player for the band, The Templars, and veteran member of the American skinhead scene since the onset of the movement. Based on his experiences, plus interviews with dozens of skinheads of all kinds, Skinheads draws back the curtain to reveal a world that more often is simply a haven for those disaffected from society, rather than a subculture of hatred or violence.
Skinheads go beyond the societal stereotype of hate mongers, bigots, and Neo-Nazis. The community of skins also includes traditional skins (those that adhere to the original philosophy of the British movement in 1969), Skinheads Against Racial prejudice (SHARPS), and gay skins, female skins and Neo-Nazi or Racist/Nationalist skins. Skinhead History, Identity, and Culture covers the history, identity, and culture of the skinhead movement in Europe and America, looking at the total culture of the skins through a cross-sectional analysis of skinheads in various countries. Authors Borgeson and Valeri provide original research data to cast new light into the skinhead community. Some of the data is ethnographic, drawing on face-to-face interviews with skins of all kinds, while other data is compiled from the Internet and social media about various skinhead groups within the United States, Europe, and Australia. The book covers the history of the subculture; explores the unique cultures of female, gay, and Neo-Nazi skins; and explores manifestations of the culture as represented on the Internet and in music. The work discusses how skinheads derive their values and morals and how they fit into the larger social structure.
Moore emphasizes throughout the American identity of skinheadism.
They wanted a romantic weekend by the sea ... They weren't looking for a fight ... But you have to defend yourself ... Right? A ska festival draws thousands of skinheads from across the country to the sleepy seaside town of Cleethorpes. Local residents and day-trippers look on in horror as the town is taken over by shaven-headed masses wearing boots and braces. But much to their surprise, the weekend unfolds peacefully. That is, until a group of drunken bikers think it would be a good laugh to smash up a few scooters, thinking they must belong to mods. Revenge is swift and vicious, but the bikers have friends too. Friends who are more than eager to settle the score.
Girl Gangs, Biker Boys, and Real Cool Cats is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves. Girl Gangs features approximately 400 full-color covers, many of them never reprinted before. With 70 in-depth author interviews, illustrated biographies, and previously unpublished articles from more than 20 popular culture critics and scholars from the US, UK, and Australia, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and—often overlooked—the actual words they wrote. Books by well-known authors such as Harlan Ellison and Lawrence Block are discussed alongside neglected obscurities and former bestsellers ripe for rediscovery. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture. Contributors include Nicolas Tredell, Alwyn W. Turner, Mike Stax, Clinton Walker, Bill Osgerby, David Rife, J.F. Norris, Stewart Home, James Cockington, Joe Blevins, Brian Coffey, James Doig, David James Foster, Matthew Asprey Gear, Molly Grattan, Brian Greene, John Harrison, David Kiersh, Austin Matthews, and Robert Baker.
When Feral House first published the award-winning Lords of Chaos: The Bloody Rise of the Satanic Metal Underground, little was known about the "black metal" genre of music, or how many of its members were involved in the murder of citizens, the torching of churches, or its link to Fascist ideas. We've all heard about the racist form of skinhead punk music, but little do we know of the groups involved, and how they got involved in right-wing political movements. The White Nationalist Skinhead Movement is the first book to provide much more than mere photographs of the scene, documenting the bands, their members, the releases, shows, and infamous events. Robert Forbes and Eddie Stampton can authoritatively speak of the movement, obtaining first-hand material from members of the scene. This book covers both British and American bands, and even if you revile the movement, its ideas, and its music, this is an important piece of pop culture history. Feral House's controversial Lords of Chaos has sold over one hundred thousand copies.