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Who says legal writing is a dull subject? This collection of lively, offbeat short pieces explores legal style like no book you''ve read before. But be warned: you just might learn something while you''re smiling. Through a colorful cast of characters, learn how legal writers can use plain language and careful syntax to produce clearer, stronger, and more persuasive documents. Will legalese devotee Ebenezer Scribe change his ways after receiving visits from four clarity-minded ghosts? Will Colonel Ketchup''s passive-voice phrasing obscure whodunit? Will Editor Man defeat his most formidable foe yet: a dense block of statutory text containing, among other things, a 142-word sentence? And much more . . . But this book isn''t all fun and games. It weaves in real-world examples and commentary from judges and writing experts, giving fresh insight into how readers--especially judges--view the rote style choices that many legal writers never question. You''ll also find helpful tips and before-and-after comparisons. In short, whether a legal professional, a law student, or a writing fan of any kind, a reader will learn concrete lessons--backed by authority--on the best practices for legal writing. And although this book isn''t intended to replace a traditional textbook, teachers can use these vignettes and essays to reinforce classroom lessons and make challenging concepts more accessible to students. "This is a clever little book. It is a perfect bedtime read; each chapter is just the right length to improve your writing by a single increment between retiring to bed and sleep''s arrival. But it won''t put you to sleep, as most books with ''style'' in the title tend to do. With its whimsical tone, it engages, amuses, and sneakily instructs. And it seems to have been written with the maxim in mind that one of my professors imparted to me when he learned I would be teaching law: ''You can only teach three things in an hour. And three are enough.'' Each chapter focuses on a particular rule or technique of good writing, clearly explaining how to incorporate it into one''s compositional arsenal." -- Frederick Baker Jr., Michigan Bar Journal "I just finished reading Sketches on Legal Style by Mark Cooney, and I loved it. Lots of practical advice in a readable, engaging book. I recommend it." -- Wayne Schiess, Legalwriting.net Blog "[Cooney''s] new book, Sketches on Legal Style, is fun, easy reading. It''s a collection of essays on legal writing, each delivered in a unique, humorous style. Two examples: ''A Legal-Writing Carol'' in the style of Charles Dickens''s A Christmas Carol; ''The Pleading,'' a poetic lament in the style of Edgar Allan Poe''s The Raven. Speaking of Dickens, this little book would be a great stocking stuffer for the law student or legal-writing geek in your life (including yourself!)." -- the (new) legal writer blog "Prof. Cooney''s mantra-like theme is that clarity equals persuasion. He also readily demonstrates the converse; that inflated writing is distracting and easily put down. This lesson in precision should strike a chord with litigators of all flavors. ...What makes Prof. Cooney''s book notable is his use of story to teach these points. As trial lawyers, we know that stories are compelling. Stories are absorbed and remembered. Stories are powerful. And Prof. Cooney is a master of the craft." -- Chad Engelhardt, Michigan State Bar''s Negligence Law Section E-News "[T]hese short, funny pieces aren''t just for academics--they are for all lovers of good writing who just wanna have fun. ...In just 100 pages, Mark Cooney brings to life the world of words and clear sentences. He uses real-world examples (with footnotes!), coupled with witty stories and essays. Sketches on Legal Style makes the case for plain language, and if the medicine goes down with a laugh, so much the better." -- Clarity (Journal of the international association promoting plain legal language) "A Legal-Writing Carol," the book''s first chapter, is a "sure-to-be-classic legal-writing take on Dickens'' holiday favorite." -- Legal Writing Prof Blog
In Point Made, Ross Guberman uses the work of great advocates as the basis of a valuable, step-by-step brief-writing and motion-writing strategy for practitioners. The author takes an empirical approach, drawing heavily on the writings of the nation's 50 most influential lawyers.
"A magnificent book on writing. Drawing on the lessons from psycholinguistics and rhetoric, Judge Bacharach has written a remarkably practical book on how to write effectively. Judge Bacharach illustrates his points with very specific suggestions and countless examples from briefs from top lawyers and opinions of judges. I learned so much from this wonderful book." -- Erwin Chemerinsky, Dean, Berkeley School of Law
Helps law students gain essential skills needed to advance from acceptable to exceptional writing, focusing on organization, sentence structure, word choice, punctuation, and formatting. Includes exercises and reviews for self or group testing. This second edition includes a new chapter on formattin
This book provides a comprehensive guide to the essential rules of legal writing. Unlike most style or grammar guides, it focuses on the special needs of legal writers, answering a wide spectrum of questions about grammar and style -- both rules and exceptions. It also gives detailed, authoritative advice on punctuation, capitalization, spelling, footnotes, and citations, with illustrations in legal context. Designed for law students, law professors, practicing lawyers, and judges, the work emphasizes the ways in which legal writing differs from other styles of technical writing. Its how-to sections deal with editing and proofreading, numbers and symbols, and overall document design. Features: * Cautions on use of 500 stuffy phrases and needless legalisms, along with their everyday English translations * Details rules for 800 words with required prepositions in certain contexts * Explains the correct usage of more than 1,000 words that are often troublesome to legal writers * Gives tips on preparing briefs and other court documents, opinion letters and demand letters, research memos, and contracts * Provides model documents of all types of legal documents and pleadings Reviews 200 terms of art that take on new meanings in legal contexts
If a picture is worth a thousand words, then it's a good bet that at least half of those words relate to the picture's copyright status. Art historians, artists, and anyone who wants to use the images of others will find themselves awash in byzantine legal terms, constantly evolving copyright law, varying interpretations by museums and estates, and despair over the complexity of the whole situation. Here, on a white—not a high—horse, Susan Bielstein offers her decades of experience as an editor working with illustrated books. In doing so, she unsnarls the threads of permissions that have ensnared scholars, critics, and artists for years. Organized as a series of “takes” that range from short sidebars to extended discussions, Permissions, A Survival Guide explores intellectual property law as it pertains to visual imagery. How can you determine whether an artwork is copyrighted? How do you procure a high-quality reproduction of an image? What does “fair use” really mean? Is it ever legitimate to use the work of an artist without permission? Bielstein discusses the many uncertainties that plague writers who work with images in this highly visual age, and she does so based on her years navigating precisely these issues. As an editor who has hired a photographer to shoot an incredibly obscure work in the Italian mountains (a plan that backfired hilariously), who has tried to reason with artists' estates in languages she doesn't speak, and who has spent her time in the archival trenches, she offers a snappy and humane guide to this difficult terrain. Filled with anecdotes, asides, and real courage, Permissions, A Survival Guide is a unique handbook that anyone working in the visual arts will find invaluable, if not indispensable.
This legal writing book is designed to help students learn the basic elements of writing a legal memo.
Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics. This burgeoning interdisciplinary interest in “intellectual property” has also expanded beyond the conventional categories of patent, copyright, and trademark to encompass a diverse array of topics ranging from traditional knowledge to international trade. Though recognition of the central role played by “knowledge economies” has increased, there is a special urgency associated with present-day inquiries into where rights to information come from, how they are justified, and the ways in which they are deployed. Making and Unmaking Intellectual Property, edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee, presents a range of diverse—and even conflicting—contemporary perspectives on intellectual property rights and the contested sources of authority associated with them. Examining fundamental concepts and challenging conventional narratives—including those centered around authorship, invention, and the public domain—this book provides a rich introduction to an important intersection of law, culture, and material production.
In this book, a group of lawyers and legal historians help to identify the new Nordic legal map, which is under construction. This book is a collection of papers addressing legal staging, and most of the articles combine theoretical approaches to the visuality of law with practical experiences and effects. The texts show that law is so much more than law in action and law in books: law is also part of a visual culture. It contributes to that culture and is, in turn, analyzed, maintained, and criticized by that culture. At the same time, the cultural manifestations of law change the way we understand law and, thus, change law itself.