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Examines the many reasons and motivations for the destruction of books throughout history, citing specific acts from the smashing of ancient Sumerian tablets to the looting of libraries in post-war Iraq.
A Universal History of Infamy' was a multi-pronged exhibition that opened across three different art spaces in Los Angeles County, with the support of the Getty Foundation, under Pacific Standard Time: LA/LA. The ?A? in the title announces the shortcomings of any ?universal history? or comprehensive exhibition survey, which is particularly relevant considering the varied interests and experiences of US Latino and Latin American artists. The artists included upend any notion of absoluteness, whether it be in relationship to what defines Latin America, the art associated with it, or the methods of approaching its complex history. In addition to curatorial essays???all different in format and scope???this publication offers a look into the different perspectives, approaches, and scales highlighted at each of the show?s venues: an encyclopedic museum (LACMA), a school (Charles White Elementary School), and an artist residency complex (18th Street Arts Center).00Exhibition: Los Angeles County Museum of Art, Los Angeles, USA (20.08.2017 - 19.02.2018) / Charles White Elementary School, Los Angeles, USA (09.12.2017 - 06.10.2018) / 18th Street Arts Center, Santa Monica, USA (09.09.2017 - 15.12.2017).
A follow-up to Rockport Publishers' best-selling Universal Principles of Design, a new volume will present one hundred principles, fundamental ideas and approaches to making art, that will guide, challenge and inspire any artist to make better, more focused art.Universal Principles of Art serves as a wealth of prompts, hints, insights and roadmaps that will open a world of possibilities and provide invaluable keys to both understanding art works and generating new ones. Respected artist John A. Parks will explore principles that involve both techniques and concepts in art-making, covering everything from the idea of beauty to glazing techniques to geometric ideas in composition to minimalist ideology. Techniques are simple, direct and easily followed by any artist at any level. This incredibly detailed reference book is the standard for artists, historians, educators, professionals and students who seek to broaden and improve their art expertise.
Over two decades this art historical tour de force has consistently proved the classic introduction to humanity's artistic heritage. From our paleolithic past to our digitised present, every continent and culture is covered in an articulate and well-balanced discussion. In this Seventh Edition, the text has been revised to embrace developments in archaeology and art historical research, while the renowned contemporary art historian Michael Archer has greatly expanded the discussion of the past twenty years, providing a new perspective on the latest developments. The insight, elegance and fluency that the authors bring to their text are complemented by 1458 superb illustrations, half of which are now in colour. These images, together with the numerous maps and architectural plans, have been chosen to represent the most significant chronological, regional and individual styles of artistic expression.