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In exquisitely detailed illustrations and engaging words, Stephen Conlin and Peter Harbison bring alive the story of Dublin - its architecture and streetscapes, its government and its people - from Viking times to the present day.
Often imitated but never equalled, the Old Ireland in Colour books are beloved by Irish readers at home and abroad, and in this, the third book of the series, the authors have uncovered yet more photographic gems and breathed new life into them in glorious colour. All of Irish life is here – from evictions in Connemara to the mosgt elegant drawing rooms in Dublin. Famous faces from politics and the arts appear alongside humble labourers and farmers and impish children from all kinjds of backgrounds light up this book’s glorious pages. With endless surprising details to pore over in every picture, and captivating and illuminating text, Old Ireland in Colour 3 is a winning addition to this spectacular series of bestsellng books.
Pirates executed in St Stephen's Green; Mother Bungy's 'sink of sin' in what is now Temple Bar; the Viking thingmote in College Green where human sacrifices took place; hidden holy wells under the city streets: these are just some of the things uncovered by Dubliner Frank Hopkins in this surprising and entertaining book. Famous sons and daughters of the city also make an appearance: John Pius Boland of the famous milling family, who won two Olympic medals for tennis in 1896 playing in street clothes and leather shoes; Jack Langan, the bare-knuckle boxer of Ballybough; Sir William Cameron, the public health specialist who devised a bounty scheme for captured houseflies in 1913; and the Dolocher, the savage eighteenth-century beast in the form of a pig who turned out to be a man.
Art, Ireland and the Irish Diaspora reveals a labyrinth of social and cultural connections that conspired to create and sustain an image of Ireland for the nation and for the Irish diaspora between 1893 and 1939. This era saw an upsurge of interest among patrons and collectors in New York and Chicago in the 'Irishness' of Irish art, which was facilitated by gallery owners, émigrés, philanthropists, and art-world celebrities. Leading Irish art historian, Éimear O'Connor, explores the ongoing tensions between those in Ireland and the expatriate community in the US, split as they were between tradition and modernity, and between public expectation and political rhetoric, as Ireland sought to forge a post-Treaty international identity through its visual artists. Featuring a glittering cast of players including Jack. B. Yeats, George Russell (AE), Lady Gregory, and Seán Keating, and richly illustrated in colour with images from archives on both sides of the Atlantic, Art, Ireland and the Irish Diaspora presents a wealth of new research, and draws together, for the first time, a series of themes that bound the Dublin art scene with that in New York and Chicago through complex networks and contemporary publications at an extraordinary time in Ireland's history.