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Guy Fawkes Night, 5th November, 1930. Bonfires are blazing, rockets burst. In a country lane, revellers discover a car that has been set on fire. At first, they assume that this is the work of vandals taking the Guy Fawkes spirit a little too far, sitting at the wheel is a body, charred beyond recognition. The initial assumption is that the owner of the car, Mr Harold Musgrave, a successful travelling salesman has taken his own life in a particularly grisly act of self-immolation. The post-mortem, however, reveals that Mr Musgrave was either unconscious or dead before the fire was lit. When Tommy Prosser, a local criminal, is charged with the murder, barrister Arthur Skelton believes him to be innocent, so sets out to ensure justice is served.
A woman's dismembered corpse is discovered in a suitcase, and police quickly identify her husband, Doctor Ibrahim Aziz, as their chief suspect. Incriminating evidence is discovered at his home and his wife was rumoured to be having an affair, giving him clear motive. With his reputation for winning hopeless cases, barrister Arthur Skelton is asked to represent the accused. Though Aziz's guilt does not seem to be in doubt, a question of diplomacy and misplaced larvae soon lead Skelton to suspect there may be more to the victim's death. Aided by his loyal clerk Edgar, Skelton soon finds himself seeking justice for both victim and defendant. But can he uncover the truth before an innocent man is put on trial and condemned to the gallows?
It is November 5th, Guy Fawkes Night, 1930. Bonfires are blazing, rockets burst. In a country lane, revellers discover a car that has been set on fire. At first they assume that this is the work of vandals taking the Guy Fawkes spirit a little too far, then they notice, sitting at the wheel, a body, charred beyond recognition. The initial assumption is that the owner of the car, Mr William Hodge, a successful travelling vacuum cleaner salesman has taken his own life by flooding the car with petrol and lighting a match. The post mortem, however, reveals that Mr Hodge was either unconscious or dead before the fire was lit. When Tommy Blamire, a local bad man, is charged with the murder, barrister Arthur Skelton believes him to be innocent, so sets out to prove as much and ensure justice is served.
It is November 5th, Guy Fawkes Night, 1930. Bonfires are blazing, rockets burst. In a country lane, revellers discover a car that has been set on fire. At first they assume that this is the work of vandals taking the Guy Fawkes spirit a little too far, then they notice, sitting at the wheel, a body, charred beyond recognition. The initial assumption is that the owner of the car, Mr William Hodge, a successful travelling vacuum cleaner salesman has taken his own life by flooding the car with petrol and lighting a match. The post mortem, however, reveals that Mr Hodge was either unconscious or dead before the fire was lit. When Tommy Blamire, a local criminal, is charged with the murder, barrister Arthur Skelton believes him to be innocent, so sets out to prove as much and ensure justice is served.
When Brian de Jongh's two classic Companion Guides, Southern Greece and Mainland Greece, were first published they were greeted with acclaim and immediately established themselves as essential guides. They have now been combined into this single volume, covering the whole of the Greek mainland. This new edition has been thoroughly revised by John Gandon (Brian de Jongh's nephew) and Geoffrey Graham-Bell, taking into account both new archaeological discoveries and recent development. Brian de Jongh combined an expert knowledge of history, archaeology and mythology with a profound understanding of the Greek people and a feeling for the landscape which inspired their myths and monuments: he describes a country that he loved and much of which Pausanias, writing almost two thousand years ago, would still recognise. This book is, more than ever, the most indispensable of all modern guides to Greece.
A Journey through Knowledge: Festschrift in Honour of Hortensia Pârlog is a collection of articles dedicated to one of the best known Romanian university teachers and linguists, both in her home country and well beyond its borders. The heterogenous material (both in terms of the range of issues tackled and in terms of the approaches adopted by the authors) in the three sections of the volume finds itself a common denominator in the idea of “traveling” and “journey”, around which they are organized. In the first section, Traveling across Identities and Emotions, Pia Brînzeu touches upon some identity issues, in dealing with a form of subversion in Coz Shakespeare, by Marin Sorescu; Jaques Ramel argues against the opinion that Shakespeare’s A Midsummer’s Night Dream was written to be performed as an epithalamium during wedding ceremonies; Adolphe Haberer brings to the fore the non-hero features of the main character in Virginia Woolf’s Jacob’s Room; Liliane Louvel writes about the mirror in literary texts, insisting on its potential to send back graphic reflections onto these texts; and Maurizio Gotti discusses definitional criteria, i.e., the principles according to which a term should be defined. In section two, Traveling in Time and Space, Slávka Tomaščíková speaks about the status, functions and characteristics of media narrative discourse during the last decade; Aleksandra Kedzierska follows and characterizes various types of journeys in Dickens’ A Christmas Carol, highlighting their significance for celebration; Alberto Lázaro traces the changes that medieval stories, abundant in sexual references and instances of adultery, have suffered to meet the publication requirements during Franco’s regime in Spain; Stephen Tapscott focuses on the relationship between contemporary American poets’ lyric and previously written works (especially Modernist); while Fernando Galván examines a number of literary texts centering on cities that have been dreamed of or imagined by various writers, to illustrate decay, deconstruction and regeneration. The third section, Traveling between Languages and Cultures, opens with Smiljana Komar’s account of the translation of some frequent English discourse markers into Slovene and continues with Loredana Pungă’s illustration of the issue of loss and gain in translation. Irma Taavitsainen and Päivi Pahta highlight the functions of the English politeness marker please, pliis in Finnish, and investigate whether and how its meanings have changed when it has been adopted into the host language. Lachlan Mackenzie’s contribution rounds off the volume with some suggestions on how recent changes in the English language should be taken into consideration when teachers of English evaluate the linguistic performance of their students.
Ocean of Compassion: A Guide to the Life of Universal Loving provides inspirational guidance for the cultivation of the essential virtues necessary to live a life whose purpose is to overcome our mistaken ways of acting and thinking and become a Buddha for the benefit of all. It explains how to cultivate this motivation, called Bodhichitta in Buddhism, and how to shape universal loving into a truly transformational life through the practice of the virtues of generosity, patience, effort, moral discipline, concentration, and wisdom. Expressed in poetic form, the book can help you change your thoughts, words, and actions so as to live a meaningful life of service to others—one in which you truly love your neighbor as yourself.
The second in Amberley Publishing's wargaming series covers the Dark Ages.
An intriguing visual history of the veneration in European churches and monasteries of bejeweled and decorated skeletons Death has never looked so beautiful. The fully articulated skeleton of a female saint, dressed in an intricate costume of silk brocade and gold lace, withered fingers glittering with colorful rubies, emeralds, and pearls—this is only one of the specially photographed relics featured in Heavenly Bodies. In 1578 news came of the discovery in Rome of a labyrinth of underground tombs, which were thought to hold the remains of thousands of early Christian martyrs. Skeletons of these supposed saints were subsequently sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation. The skeletons, known as “the catacomb saints,” were carefully reassembled, richly dressed in fantastic costumes, wigs, crowns, jewels, and armor, and posed in elaborate displays inside churches and shrines as reminders to the faithful of the heavenly treasures that awaited them after death. Paul Koudounaris gained unprecedented access to religious institutions to reveal these fascinating historical artifacts. Hidden for over a century as Western attitudes toward both the worship of holy relics and death itself changed, some of these ornamented skeletons appear in publication here for the first time.