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"Recounts the patient stories that most influenced Professor Tanya Byron, covering years of training that forced her to confront the harsh realities of the lives of her patients and the demons of her own family's history. Among others, we meet Ray, a violent sociopath desperate to be treated with tenderness and compassion; Mollie, a talented teenager intent on starving herself; and Imogen, a twelve-year-old so haunted by a secret that she's intent on killing herself. Byron brings the reader along as she uncovers the reasons each of these individuals behave the way they do, resulting in a ... psychological mystery that sheds light on mental illness and what its treatment tells us about ourselves"--
Ever since the death of his father, poor Fellworth Dolphin has slaved away as a waiter to support his miserly, cold-hearted mother. When his mother suddenly dies, Fellworth is shocked to discover that she has left him a sizable inheritance. Confused, Fell teams up with Maggie, a plain girl with a similar background, to investigate the source of the riches. But what they find is a closet full of skeletons... Is it really possible Fell's father was involved in a long-ago train robbery? Who's the mysterious woman in the portrait hidden in his mother's wardrobe? As Maggie and Fell poke around the village for answers, they find themselves on a surprise-filled path to danger and adventure, and--just possibly--love. But Fell's sudden good fortune could come to an abrupt end if he doesn't stay one step ahead of a cunning killer... from beloved novelist M.C. Beaton comes this thrilling stand-alone mystery, The Skeleton in the Closet.
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 'An incredible work of scholarship' Sathnam Sanghera Through the story of his own family’s history as slave and plantation owners, Alex Renton looks at how we owe it to the present to understand the legacy of the past. When British Caribbean slavery was abolished across most of the British Empire in 1833, it was not the newly liberated who received compensation, but the tens of thousands of enslavers who were paid millions of pounds in government money. The descendants of some of those slave owners are among the wealthiest and most powerful people in Britain today. Blood Legacy explores what inheritance – political, economic, moral and spiritual – has been passed to the descendants of the slave owners and the descendants of the enslaved. He also asks, crucially, how the former – himself among them – can begin to make reparations for the past.
The mysterious drowning of Ranald Buchanan, an acclaimed Gaelic fisherman-poet, rekindles age-old fears about the Selkie, the seal-man who drags his victims beneath the waves. Inspector McKinnon has to face the possibility of a serial killer on the loose whilst dealing with his old flame Fiona Cullen.
How can a loving God send people to hell? Isn’t it arrogant to believe Jesus is the only way to God? What is up with holy war in the Old Testament? Many of us fear God has some skeletons in the closet. Hell, judgment, and holy war are hot topics for the Christian faith that have a way of igniting fierce debate far and wide. These hard questions leave many wondering whether God is really good and can truly be trusted. The Skeletons in God's Closet confronts our popular caricatures of these difficult topics with the beauty and power of the real thing. Josh Butler reveals that these subjects are consistent with, rather than contradictory to, the goodness of God. He explores Scripture to reveal the plotlines that make sense of these tough topics in light of God’s goodness. From fresh angles, Josh deals powerfully with such difficult passages as: The Lake of Fire Lazarus and the Rich Man The Slaughter of Canaanites in the Old Testament Ultimately, The Skeletons in God's Close uses our toughest questions to provoke paradigm shifts in how we understand our faith as a whole. It pulls the “skeletons out of God’s closet” to reveal they were never really skeletons at all.
This book is an eye opener. It unveils the mystery of ancestral bondage, highlights the problem of recurrent tragedy in succeeding generations and proffers a solution that has been tested and proven. The author shows how the past affects the future; he also reveals how hidden problems in the family linegae go very far in affecting present and future generations. This book will afford you the opportunity of dealing decisively with the skeleton in your grandfather's cupboard. It is vomited by the Holy Ghost to set your destiny free from every ancestral contamination
"Did Phoenician, Chinese and Spanish ships populate pre-Māori New Zealand? Did a tall white people with golden hair settle New Zealand 2,000 years ago?"--Back cover.
The owner of a haunted country inn contends with death, fatherhood, romantic woes, and alcoholism in this humorous and “rattling good ghost story” from a Booker Prize–winning author (The New York Times) Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral. Maurice’s problems are many and increasing: How to deal with his own declining health? How to reach out to a teenage daughter who watches TV all the time? How to get his best friend’s wife in the sack? How to find another drink? (And another.) And then there is always death. The Green Man is a ghost story that hits a live nerve, a very black comedy with an uncannily happy ending: in other words, Kingsley Amis at his best.
Preliminary Material -- The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations /Marie-Luise Kohlke and Christian Gutleben -- The Limits of Neo-Victorian History: Elizabeth Kostova's The Historian and The Swan Thieves /Andrew Smith -- Reclaiming Plots: Albert Wendt's 'Prospecting' and Victoria Nalani Kneubuhl's Ola Nā Iwi as Postcolonial Neo-Victorian Gothic /Cheryl D. Edelson -- Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen /Sebastian Domsch -- A Bodily Metaphorics of Unsettlement: Leora Farber's Dis-Location / Re-Location as Neo-Victorian Gothic /Jeanne Ellis -- Neo-Victorian Gothic and Spectral Sexuality in Colm Tóibín's The Master /Patricia Pulham -- 'Jack the Ripper' as Neo-Victorian Gothic Fiction: Twentieth-Century and Contemporary Sallies into a Late Victorian Case and Myth /Max Duperray -- Chasing the Dragon: Bangtails, Toffs, Jack and Johnny in Neo-Victorian Fiction /Sarah E. Maier -- Neo-Victorian Female Gothic: Fantasies of Self-Abjection /Marie-Luise Kohlke -- Epistemological Rupture and the Gothic Sublime in Slouching Towards Bedlam /Van Leavenworth -- Dead Words and Fatal Secrets: Rediscovering the Sensational Document in Neo-Victorian Gothic /Kym Brindle -- 'Fear is Fun and Fun is Fear': A Reflexion on Humour in Neo-Victorian Gothic /Christian Gutleben -- Contributors -- Index.