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'Skeleton Songs' is a Christian poetry collection on redemption and new beginnings. It draws inspiration from the story of dry bones coming to life in Ezekiel 37. 'Skeleton Songs' speaks of God's restoration and grace with luscious and sensory language. This collection covers themes of life, death, grace, love, and salvation. 'Skeleton Songs is a timely reminder of God's presence in our life.
Children have always disappeared under the right conditions—slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere . . . else. Adventures are always interesting, but they’re not always happy. From the worlds of Wayward Children comes a story of love, of devotion, of bones wrapped in flesh. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A rendition of a traditional African American spiritual.
On this very day in Texas, live three little witches: one is a diamond waiting to be discovered, the other an innocent babe full of life, and the last one, despite her charms, is a ruthless killer.Famka and Ophelia live in the Horseshoe, and all they've ever known is their miserable lives in a rundown trailer park. Milly can't stand another day with her high society parents. The three witches have never flown through the Hallowed Halls, talked to a talking book, or worn Ghost Armor to transform into other people, but then, none of them have been to the Sky Builders' Guild, either.But all that is going to change when a deadly ghost comes looking for the Kitab'i'Mordanee, the book that began all Tuning.Will betrayal unravel their unexpected coven?Will they leave Texas, join the Guild and become great Sky Builders?If you want to find out, then read the first in a southern coming of age series - Dragon and Mr. Sneeze: Witches of the Horseshoe.
The early Chinese text Master Zhuang (Zhuangzi) is well known for its relativistic philosophy and colorful anecdotes. In the work, Zhuang Zhou ca. 300 B.C.E.) dreams that he is a butterfly and wonders, upon awaking, if he in fact dreamed that he was a butterfly or if the butterfly is now dreaming that it is Zhuang Zhou. The text also recounts Master Zhuang's encounter with a skull, which praises the pleasures of death over the toil of living. This anecdote became popular with Chinese poets of the second and third century C.E. and found renewed significance with the founders of Quanzhen Daoism in the twelfth century. The Quanzhen masters transformed the skull into a skeleton and treated the object as a metonym for death and a symbol of the refusal of enlightenment. Later preachers made further revisions, adding Master Zhuang's resurrection of the skeleton, a series of accusations made by the skeleton against the philosopher, and the enlightenment of the magistrate who judges their case. The legend of the skeleton was widely popular throughout the Ming dynasty (1368–1644), and the fiction writer Lu Xun (1881–1936) reimagined it in the modern era. The first book in English to trace the development of the legend and its relationship to centuries of change in Chinese philosophy and culture, The Resurrected Skeleton translates and contextualizes the story's major adaptations and draws parallels with the Muslim legend of Jesus's encounter with a skull and the European tradition of the Dance of Death. Translated works include versions of the legend in the form of popular ballads and plays, together with Lu Xun's short story of the 1930s, underlining the continuity between traditional and modern Chinese culture.
Skeleton is dancing his way to a Halloween party, but as he grooves across town, he keeps stumbling, tumbling, and falling apart.
“Tender, comforting, and complex.” —Kirkus Reviews (starred review) “Drawn with exquisite precision and quiet dashes of humor.” —Publishers Weekly (starred review) “A lovely, ruminative selection.” —School Library Journal (starred review) “A blueprint for mindfulness and gratitude for the homes in which we…live.” —The New York Times Book Review Deborah Freedman’s masterful new picture book is at once an introduction to the pieces of a house, a cozy story to share and explore, and a dreamy meditation on the magic of our homes and our world. Before there was this house, there were stones, and mud, and a colossal oak tree— three hugs around and as high as the blue. What was your home, once? This poetically simple, thought-provoking, and gorgeously illustrated book invites readers to think about where things come from and what nature provides.
It's Halloween night. The city is quiet. The city is still. But as the lights go down, the music comes up - and the guests start to arrive at the hip-hop Halloween ball! And oh, what a party it is. Told in hip-hop rhyming text, L'il Red Riding Hood, Goldilocks, Tom Thumb, and all of their fairy-tale friends come together for a rapping, stomping, shaking Halloween romp. Scoo-bee-doo-bee-doo-wah. Yeah!
What hopes do you have for the future? Who do you long to become? This warm, inspiring book encourages boys to shape a world so much gentler and brighter than before. Playful rhymes and tender illustrations invite them to notice nature, embrace their emotions, and use wise words as their weapons. Whether they’re dynamic dazzlers or marvelous mud sculptors, this book is an opportunity to imagine all the incredible adventures up ahead. A perfect gift for baby showers, graduations, and other celebrations, Songs for Our Sons is a book boys will treasure throughout their lives.
For use in schools and libraries only. Skeleton wakes up with the hiccups. He plays with his friend, Ghost, who suggests several ways Skeleton should try to get rid of them. Finally Ghost has an idea--and he scares those hiccups right out of Skeleton.