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Join poet Denise Thompson-Slaughter as she comes full circle in her poetic life, from the revolutionary 1960s as a teen and young adult to the maturity of a human being in her sixties. Each poem stands alone but also within one of three life phases with many lessons learned and maturity reached. Thompson-Slaughter's poetic excellence shines and allows readers of all ages to appreciate her unique yet universal lessons and thoughts on social, political, and intensely personal topics. All may learn from and appreciate Denise Thompson-Slaughter's style and messages.
A "cozy" mystery set on the beautiful shores of Nova Scotia, Mystery Gifts draws on the colorful culture and people of the southwestern coast of that Canadian province. The cast of characters includes people from different cultures and religions who work together to solve a mystery uncovered by bored U.S. visitors when five days of their vacation are rained out. The backgrounds of the characters contribute to their unique methods, as do the surprising and unusual "gifts" that three wish they didn't have. There is also a touch of magical realism-in the form of seagulls. Mystery Gifts is a compelling murder mystery with some unexpected twists and turns. But it is also so much more. It's a story about human connection and how that connection can help us recognize the unique gifts we all possess. Thompson-Slaughter's debut novella inspires just as much as it entertains. Christine Green, Words on the Verge
A PASSION FOR POETRY Why poetry? Why has this ancient craft existed throughout time, continuing even into our fast-paced age of moderncy and technology? Perhaps two reasons: 1) The human condition still demands we ask who we are, what we are and why we are; and 2) space is limited in this form of writing requiring the poet reduce his thoughts into a quick-read format. Puns, pundits, quotes, poetry and prose capsulate 90% of everything the human race believes to be important and true Poets are avatars who define the nature and meaning of our roles. They reduce the fabric of our existence to the simplest ingredients of mind, soul, bones, sinew and desire. It is the forum that speaks to all, reaches all, touches all, teaches all, questions all, answers all.
So much about the society that is now emerging in the twenty-first century bears an astonishing resemblance to the most prominent features of what we call the classical world - its institutions, its priorities, its entertainment, its physics, its sexual morality, its food, its politics, even its religion. The ways in which we live our rich and varied lives correspond - almost eerily so - to the ways in which the Greeks and Romans lived theirs. Whether we are eating and drinking, bathing or exercising or making love, pondering, admiring or enquiring, our habits of thought and action, our diversions and concentrations recreate theirs. It is as though the 1500 years after the fall of Rome had been time out from traditional ways of being human. This eye-opening book makes us look afresh at who we are and how we got here. Full Circleis not only wonderfully witty and brilliantly astute, but also profound and often disquieting. Ferdinand Mount effortlessly peels back 2000 years of history to show how much we are like the ancients, how in ways both trivial and crucial we arethem and they are us.
A masterful translation of one of the most-loved classics of Japanese literature—part travelogue, part haiku collection, part account of spiritual awakening Bashō (1644–1694)—a great luminary of Asian literature who elevated the haiku to an art form of utter simplicity and intense spiritual beauty—is renowned in the West as the author of Narrow Road to the Interior, a travel diary of linked prose and haiku recounting his journey through the far northern provinces of Japan. This edition, part of the Shambhala Pocket Library series, features a masterful translation of this celebrated work. It also includes an insightful introduction by translator Sam Hamill detailing Bashō’s life and the art of haiku, three other important works by Bashō—Travelogue of Weather-Beaten Bones, The Knapsack Notebook, and Sarashina Travelogue—and two hundred and fifty of his finest haiku, making this the most complete single-volume collection of Bashō’s writings. The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.
Matsuo Basho was the greatest of the Japanese haiku poets, whose genius elevated the haiku to an art form of intense spiritual beauty. This, one of the most revered classics of Japanese literature, is a diary of Basho's journey to the northern interior of Japan.
Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day; nonfiction titles, including the bestseller Necessary Losses; and her collections of humorous poetry in her "decade" series, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. Suddenly Sixty is a funny and touching book that speaks directly to the sixty-ish woman, inviting her to laugh about, sigh over, and come to hopeful terms with the complex issues of this decade of life. Among the poems in this charmingly illustrated collection are those exploring the joys—and strains—of children and grandchildren, and the intimacy of old friends who’ve ‘known each other so long/We knew each other back when we were virgins.” There are poems that tip their hat to mortality, wrestle with a husband’s retirement —“He’s coming with me when I shop at the supermarket/So I won't have to shop alone. I like alone.”— and acknowledge the fact that at this stage of life we’d “give up a night of wild rapture with Denzel Washington for a nice report on my next bone density test.” Offering plenty of laughs, a few tears, and cover-to-cover truths, these are poems for everyone who would “rather say never say die than enough is enough.” Every woman who has reached this decade will—rueful and smiling—find herself in the pages of this book.
When the United States and other powers declined to help fight fascist power at the onset of the Spanish Civil War, forty thousand private citizens from fifty-two countries rallied to join the International Brigade's defense of the Spanish Republic. Born out of the struggle between fascism and democracy and considered the first battle of World War II, the Spanish Civil War holds tremendous ideological significance and has inspired a remarkable range of American poetry. The Wound and the Dream represents the sixty-year tradition of American poetic responses to the Spanish Civil War and provides an overview of progressive American poetry as a whole. Four of the featured poets--Alvah Bessie, William Lindsay Gresham, James Neugass, and Edwin Rolfe--were members of the International Brigade. Their poetry appears alongside lesser-known works by some of the greatest American poets of the twentieth century, including Wallace Stevens, Edna St. Vincent Millay, Randall Jarrell, Langston Hughes, and Philip Levine. Cary Nelson's introduction discusses the collective nature of the poems, puts them in their international context, and provides a sturdy framework for interpreting the Spanish Civil War as a historical conjecture that has dramatically altered the ways we read and write poetry. The book also includes a brief biography of each poet and a glossary of related terms.
Sons of Ezra: British Poets and Ezra Pound is about the impact of Ezra Pound upon British poets writing today. It is the story of a presence, then of a voice and latterly of an idea. When Pound left London in 1920 after a stay of 12 years, his early ascendancy had waned, and during the 1930s his voice sounded more remotely in British ears. The first poet represented here, Edwin Morgan, began to read Pound towards the end of that decade. Pound's subsequent political reputation has meant that students now coming to university, born after his death in 1972, have not opened a book of his poems in the way that several who testify here remember doing with pleasure. There was a revival of British interest in Pound with the publication of the Pisan Cantos, and then in the 1960s and early 1970s, but since then there has been little public opportunity for British poets to reflect on Pound. Michael Alexander and James McGonigal invited British poets to whom Pound has meant something to reflect, and to testify. To the older writers he was a presence, but the youngest contributors were born at the time that Pound fell silent about 1960, and to them he is an historical figure, the greatest poetic influence since Wordsworth, whose ambition seems an example to avoid as much as to follow