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The Chinese I Ching, or Book of Changes, is one of the oldest and strangest of all books, a masterpiece of world literature, a divination manual, and a magnet for the deranged and the obsessive. In Sixty-Four Chance Pieces, novelist and philosopher Will Buckingham puts the I Ching to work, using it to weave together 64 stories of chance and change, each flowing from one of the I Ching's 64 hexagrams. Moving between myth, fable, and travel writing, the collection offers an attempt to make sense of the maddening, changeable book that is the I Ching, with tales of inventors and fox-spirits, ancient poets and nonexistent rulers, kleptomaniac pensioners and infernal bureaucrats. Like the I Ching itself, this new Book of Changes is a puzzle, a conundrum, and a journey of many transformations, where nothing is quite what it seems.
A powerful antidote to our atomised lives, Hello, Stranger delves into humanity's rich history of welcoming (and worrying about) strangers, to show us how being more open might end the loneliness epidemic, solve the migrant crisis and change the world.
The Tanimbar Islands of Indonesia are remote and largely neglected by outsiders. Will Buckingham went there, as an anthropologist in training, with a mission. He hoped to meet three remarkable sculptors: the crippled Matias Fatruan, the buffalo hunter Abraham Amelwatin, and Damianus Masele, who was skilled in black magic, but who abstained out of Christian principle. Part memoir, part travelogue, Stealing with the Eyes is the story of these men, and also of how stumbling into a world of witchcraft, sickness, and fever led Buckingham to question the validity of his anthropological studies, and eventually to abandon them for good. Through his encounters with these remarkable craftsmen—which in relating her also interweaves with Tanimbarese history, myth, and philosophy dating back to ancient times— we are shown the forces at play in all of our lives: the struggle between the powerful and the powerless, the tension between the past and the future, and how to make sense of a world that is in constant flux.
Named one of the best books of 2017 by The New York Times Book Review, The Washington Post, San Francisco Chronicle, and Literary Hub. Winner of the Best Japanese Crime Fiction of the Year Award. One of Vulture's 10 Best Thriller Books of 2017. “Already a bestseller in Japan and the U.K., this cinematic crime novel suffused with fascinating cultural details follows a police department reinvestigating a chilling kidnapping that stumped them 14 years earlier.” —Entertainment Weekly, The Must List THE NIGHTMARE NO PARENT COULD ENDURE. THE CASE NO DETECTIVE COULD SOLVE. THE TWIST NO READER COULD PREDICT. For five days, the parents of a seven-year-old Japanese schoolgirl sat and listened to the demands of their daughter’s kidnapper. They would never learn his identity. And they would never see their daughter alive again. Fourteen years later, the mystery remains unsolved. The police department’s press officer—Yoshinobu Mikami, a former detective who was involved in the original case and who is now himself the father of a missing daughter—is forced to revisit the botched investigation. The stigma of the case known as “Six Four” has never faded; the police’s failure remains a profound source of shame and an unending collective responsibility. Mikami does not aspire to solve the crime. He has worked in the department for his entire career, and while he has his own ambitions and loyalties, he is hoping simply to reach out to the victim’s family and to help finally put the notorious case to rest. But when he spots an anomaly in the files, he uncovers secrets he never could have imagined. He would never have even looked if he’d known what he would find. An award-winning phenomenon in its native Japan—more than a million copies sold, and the winner of the Best Japanese Crime Fiction of the Year award—and already a critically celebrated top-ten bestseller in the U.K., Hideo Yokoyama’s Six Four is an unforgettable novel by a literary master at the top of his form. It is a dark and riveting plunge into a crime, an investigation, and a culture like no other.
As one of the original pioneering composers of the American experimental music movement and a well known scholar of classics, Christian Wolff has long been active as a significant thinker and elegant writer on music. With Occasional Pieces, Wolff brings together a collection of his most notable writings and interviews from 1950 to the present, shining a new light on American music of the second half of the twentieth century. The collection opens with some of his earliest writings on his craft, discussing his own proto-minimalist compositional procedures and the music and ideas that led him to develop these techniques. Organized chronologically to give a sense of the development of Wolff's thinking on music over the course of his career, some of the pieces delve into connections of music-making to social and political issues, and the concept of indeterminacy as it applies to performance, while others offer insights into the work of Wolff's notable contemporaries including John Cage, Morton Feldman, Earle Brown, David Tudor, Frederic Rzewski, Cornelius Cardew , Dieter Schnebel, Pauline Oliveros, and Merce Cunningham. An invaluable resource for historians, composers, listeners and students alike, Occasional Pieces offers a deep dive into Christian Wolff's musical world and brings new light to the history of the American experimental movement.
Richard P. Feynman (1918–1988) was widely recognized as the most creative physicist of the post–World War II period. His career was extraordinarily expansive. From his contributions to the development of the atomic bomb a Los Alamos during World War II to his work in quantum electrodynamics, for which he was awarded the Nobel Prize in 1965, Feynman was celebrated for his brilliant and irreverent approach to physics.It was Feynman's outrageous and scintillating method of teaching that earned him legendary status among students and professors of physics. From 1961–1963, Feynman, at the California Institute of Technology, delivered a series of lectures that revolutionized the teaching of physics around the world. Six Easy Pieces, taken from the famous Lectures on Physics, represents the most accessible material from this series. In these six chapters, Feynman introduces the general reader to the following topics: atoms, basic physics, the relationship of physics to other topics, energy, gravitation, and quantum force. With his dazzling and inimitable wit, Feynman presents each discussion without equations or technical jargon.Readers will remember how—using ice water and rubber—Feynman demonstrated with stunning simplicity to a nationally televised audience the physics of the 1986 Challenger disaster. It is precisely this ability—the clear and direct illustration of complex theories—that made Richard Feynman one of the most distinguished educators in the world. Filled with wonderful examples and clever illustrations, Six Easy Pieces is the ideal introduction to the fundamentals of physics by one of the most admired and accessible scientists of our time.
Wonder has an established link to the history and philosophy of science. However, there is little acknowledgement of the relationship between the visual arts and wonder. This book presents a new perspective on this overlooked connection, allowing a unique insight into the role of wonder in contemporary visual practice. Artists, curators and art theorists give accounts of their approach to wonder through the use of materials, objects and ways of exhibiting. These accounts not only raise issues of a particular relevance to the way in which we encounter our reality today but ask to what extent artists utilize the function of wonder purposely in their work.