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Reprint of the original, first published in 1887.
This collection of essays offers a thorough study of the patron-artist relationship through the lens of one of early modern Italy’s most powerful and influential historical families. Contributors present a longitudinal study of the della Rovere family’s ascent into Italian nobility. The della Rovere was a family of popes, cardinals, and powerful dukes who financed some of the world’s best-known and greatest artwork. The essays explore the issue of identity and its maintenance, of carving a permanent spot for a family name in a rapidly changing atmosphere. Although these studies depart from art patronage, they uncover how the popes, cardinals, dukes, and signore of the della Rovere family constituted their identity. Originally a nouveau-riche creation of papal nepotism, the della Rovere first populated the ranks of cardinals under the powerful popes Sixtus IV and Julius II. Within the framework of later papal relations, the family negotiated its position within the economy of Italian nobles.
The theme uniting the essays reprinted here is the attitude of the medieval Church, and in particular the papacy, towards the Jewish population of Western Europe. The studies in the first part of this volume focus on those issues, while those in the second part explore aspects of Jewish society and family life, shaped by the circumstances in which they found themselves.
Health and Architecture offers a uniquely global overview of the healthcare facility in the pre-modern era, engaging in a cross-cultural analysis of the architectural response to medical developments and the formation of specialized hospitals as an independent building typology. Whether constructed as part of Chinese palaces in the 15th century or the religious complexes in 16th century Ottoman Istanbul, the healthcare facility throughout history is a built environment intended to promote healing and caring. The essays in this volume address how the relationships between architectural forms associated with healthcare and other buildings in the pre-modern era, such as bathhouses, almshouses, schools and places of worship, reflect changing attitudes towards healing. They explore the impact of medical advances on the design of hospitals across various times and geographies, and examine the historic construction processes and the stylistic connections between places of care and other building types, and their development in urban context. Deploying new methodological, interdisciplinary and comparative approaches to the analysis of healthcare facilities, Health and Architecture demonstrates how the spaces of healthcare themselves offer some of the most powerful and practical articulations of therapy.
The Protean Ass provides the most comprehensive account (in any language) of the reception of The Golden Ass (or Metamorphoses) of Apuleius, the only work of Latin prose fiction worthy of the name of 'novel' to survive intact from the ancient world. Apuleius' second-century account of the curious young man who is changed into a donkey following an affair with a witch's slave-girl, and undergoes a series of adventures (involving robbery, adultery, buggery, and bestiality) before a divine vision transforms him into a disciple of the goddess Isis, has delighted, perplexed, and inspired readers as diverse as St Augustine, Petrarch, Boccaccio, Sidney, Spenser, Shakespeare, and Milton. Robert H. F. Carver traces readers' responses to the novel from the third to the seventeenth centuries in North Africa, Italy, France, Germany, and England
Investigating the oeuvre of the Italian humanist Francesco Filelfo (1398-1481), this collection is the first to make extensive use of the critical editions of Filelfo’s numerous writings – in particular of his Epistolarium, published in 2016 by Jeroen De Keyser, who also edited this volume. Uncovering a lot of new information not previously mentioned in the literature on Filelfo, twelve specialized scholars draw attention to long-neglected material, shedding new light on Filelfo’s intellectual endeavors and his literary journey between Greek and Latin. This illuminating collection offers historians of ideas as well as literary scholars and Neo-Latinists new inroads into Filelfo’s vast oeuvre, and through it to the world of Quattrocento humanism. Contributors include: Jean-Louis Charlet, Guy Claessens, Jeroen De Keyser, Tom Deneire, Ide François, James Hankins, Noreen Humble, Gary Ianziti, Han Lamers, David Marsh, John Monfasani, and Jan Papy.