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An incredible anthology of 16 short-stories by award winning & critically acclaimed young-adult authors, inspired by all the angst, melodrama, and wonderment of being sixteen. These hilarious, poignant, and touching tales capture all the emotions and milestones of this age ranging from first love to establishing one’s own identity. A perfect read for anyone about to reach this pivotal age, or those who want reminisce about their “sweetest” year. Sarah Dessen’s “Infinity” is about a girl confronting two major milestones: getting her driver’s license and losing her virginity. The Dead Girls in Jacqueline Woodson’s “Nebraska 99” have already decided to “do it” and must now cope with being teenage mothers. And Carolyn Mackler’s “Mona Lisa, Jesus, Chad, and Me” explores whether friendship can survive when partying and prayer clash. Also included is a new Jessica Darling story by Megan McCafferty about the last fifteen minutes Jessica spends—or rather, doesn’t spend—with her best friend, Hope, who is leaving Pineville. Featuring stories by Steve Almond, M. T. Anderson, Julianna Baggott, Cat Bauer, Emma Forrest, Tanuja Desai Hidier, David Levithan, Sarah Mlynowski, Sonya Sones, Zoe Trope, Ned Vizzini, and Joseph Weisberg.
The year Juliet turns sixteen includes everything from her first date to getting kicked off the basketball team, but when her younger sister, Carly, develops an eating disorder, Juliet must rely on her family and her faith for strength.
Sixteen Red takes you deep into the life of an abused child, (sexual molestation, dehumanizing circumstances, mental torment) a troubled teen, (unplanned pregnancy, abortion, failed suicide) and a young man with an insatiable appetite for success and understanding.Sixteen Red was written in the original voice of the author, and offers a glimpse into a world rarely seen or spoken of by the mainstream, from a highly unique and uncensored perspective that you won't soon forget.
The progressive movement is on the march in America and this accessible book points toward a destination. Sixteen for '16 offers a new agenda for the 2016 US election crafted around sixteen core principles that all progressives can believe in, from securing jobs to saving the Earth. Decades of destructive social, economic, and political policies have devastated poor, working, and even middle class American communities. It is now clear to everyone that the emperor has no clothes, that harsh austerity does not bring prosperity, and that the wealthy have no intention to see their wealth trickle down. Each generation is no longer better off than the ones that came before. America now needs jobs, infrastructure, a rededication to public education, universal healthcare, higher taxes on higher incomes, a more secure Social Security, an end to the rule of the bankers, stronger unions, a living minimum wage, better working conditions, an end to the prison state, secure reproductive rights, voter equality, a more moral foreign policy, a more sane environmental policy, and action on global warming. Sixteen for '16 is a manifesto which makes the argument for each of these positions, clearly, concisely, and supported by hard data. As ambitious as these policies are, they represent a beginning, not an end. The progressive agenda laid out in Sixteen for '16 charts a realistic path toward a better tomorrow.
Laurel takes her sisters—Rose, Daisy, and Lily—for granted, and she thinks nothing can go wrong. But when tragedy strikes, it feels like her family is falling apart, and she needs somewhere to turn. Luckily, there’s Jack...
How a train ride to the St. Louis World's Fair in 1904 revolutionized the journalism field for women.
Born in a small railroad city in the far corner of Northern Vermont on a bitter cold January day, Cora and her twin sister were births number twelve and thirteen to an already over populated family that was suffering from poverty, mental, verbal, manipulation and incest abuse. At a very young age Cora learned how to become extremely loyal to disloyalpeople in herlife. Feeling like she was always a shadow behind her twin sister, Cora grew up feeling like she did not exist even though she knew she was very much alive. Even when she had doubt, she knew she was alive by placing her hand on her chest to feel her heart beat just to reassure herself. After years of humilation Cora decides to head into Canada to escape,only to find herself so conditioned to a disloyal and abusivelife that she returns back to Vermont and marries right into the life she struggled so hard to get away from. After thirty years of living with a replica of her father, Cora finally with the help of Alanon and several counselors learns that she has been addicted to addicts her whole entire life. finally breaking free she removes herself from the only life she ever knew. Today Cora still lives in that small railroad city that is once again in ression and isin a shockingly state of prescription drugabuseand is still home to some families who suffer from the same unfortunate fate as she did. Even though she does not feel like a shadow any longer, she struggles every day to stay focused in her own recovery while she fights anexity and heart ache over watching her own sibblings and loved ones who struggle tofight their own addictions and recovery.
This is a comprehensive guide to writing the first draft of a feature length screenplay. While it focuses on the college semester (16 Weeks), it is also completely appropriate for anyone attempting to write a screenplay within a timeline. The text breaks down different approaches to designing a screenplay by providing pragmatic guidelines enhancing your ability to use creativity rather than focusing on rules. It highlights the skills necessary to execute compelling visual language to achieve good story, plot, dialog, dynamic characters, and help you put it all together. Think of this as a companion tool as you write. The language is simplified and yet academic, theoretically sound and yet pragmatic. It also offers additional insight into the history of screenwriting, the re-write process, and the specific skill sets needed for adaptation. This book is easy to understand and provides accounts for context from the author as a professional screenwriter, as well as anecdotes from other professionals (David Mickey Evans – The Sand Lot, and Vince McKewin – Fly Away Home, and Jeb Stuart – Die Hard, The Fugitive, Dana Coen – JAG, NCIS, and Anthony Tambakis — Warrior, Suicide Squad 2).