Download Free Six Nights On The Acropolis Book in PDF and EPUB Free Download. You can read online Six Nights On The Acropolis and write the review.

Originally presented as the translator's thesis (doctoral)--New York University, New York, N.Y.
Although it is one of the most dynamic and controversial areas of Greek culture, Greek modernism has received little scholarly attention as a literary and cultural phenomenon. A wide variety of competing, often clashing discourses and approaches characterize the study of Greek modernism. In this landmark volume, scholars from three continents provide a framework in which developments in prose, poetry, and drama can be studied together. The contributors seek to redefine the contours of Greek modernism, to reassess its impact on Greek culture, to explore the fringes of the movement. Special attention is paid to the role of the avant-garde in Greece and the emergence of postmodern trends in Greek culture. Greek Modernism and Beyond is valuable reading for students and scholars of Greek and European literature.
While written sources on the history of Greece have been studied extensively, no systematic attempt has been made to examine photography as an important cultural and material process. This is surprising, given that Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. Camera Graeca: Photographs, Narratives, Materialities fills this lacuna. It is the first inter-disciplinary volume to examine critically and in a theorised manner the entanglement of Greece with photography. The book argues that photographs and the photographic process as a whole have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the generation and dissemination of state propaganda. At the same time, it is argued that the photographic field constitutes a site of memory and counter-memory, where various social actors intervene actively and stake their discursive, material, and practical claims. As such, the volume will be of relevance to scholars and photographers, worldwide. The book is divided into four, tightly integrated parts. The first, ’Imag(in)ing Greece’, shows that the consolidation of Greek national identity constituted a material-cum-representational process, the projection of an imagery, although some photographic production sits uneasily within the national canon, and may even undermine it. The second part, ’Photographic narratives, alternative histories’, demonstrates the narrative function of photographs in diary-keeping and in photobooks. It also examines the constitution of spectatorship through the combination of text and image, and the role of photography as a process of materializing counter-hegemonic discourses and practices. The third part, ’Photographic matter-realities’, foregrounds the role of photography in materializing state propaganda, national memory, and war. The final part, ’Photographic ethnographiesâ
Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art.
The collection of essays contains nineteen contributions that aim at locating the Song of Songs in its ancient context as well as addressing problems of interpretation and the reception of this biblical book in later literature. In contrast to previous studies this work devotes considerable attention to parallels from the Greek world without neglecting the Ancient Near East or Egypt. Several contributions deal with the use of the Song in Byzantine, Medieval, German Romantic and modern Greek Literature. Due to the interdisciplinary nature of the collection new perspectives and avenues of approach are opened.
Hellenism is the living culture of the Greek-speaking peoples and has a continuing history of more than 3,500 years. The Encyclopedia of Greece and the Hellenic Tradition contains approximately 900 entries devoted to people, places, periods, events, and themes, examining every aspect of that culture from the Bronze Age to the present day. The focus throughout is on the Greeks themselves, and the continuities within their own cultural tradition. Language and religion are perhaps the most obvious vehicles of continuity; but there have been many others--law, taxation, gardens, music, magic, education, shipping, and countless other elements have all played their part in maintaining this unique culture. Today, Greek arts have blossomed again; Greece has taken its place in the European Union; Greeks control a substantial proportion of the world's merchant marine; and Greek communities in the United States, Australia, and South Africa have carried the Hellenic tradition throughout the world. This is the first reference work to embrace all aspects of that tradition in every period of its existence.
Biografie van de Griekse dichter (1900-1971).
This anthology is a five-year retrospective of poetry readings at A POETS ‘AGORA, a literary association in Athens, Greece. The poets who have read at the event, or have been part of the residency program share with the readers their poems in relation to the theme of the year. These theme-words capture the zeitgeist of Greece; Muted in 2015, Lull in 2016, Graft in 2017, Risk in 2018 and Verge in 2019. The poems are in Greek and English. The international poetry evenings, and the residency, take place in a neoclassical building at the foothills of the Acropolis, graced with frescoes that illustrate this publication. The poets are gathered along criteria of diversity and originality, as they belong to different currents of the rich Greek poetic spectrum. Together they gift readers with an authentic outline of contemporary voices, opening a path for students and researchers, or poetry lovers around the world, to receive a unique perspective on this artform.
"After more than twenty years as a full member of the European Union, Greece has produced a literature with radically different thematic, ideological and linguistic orientations from previous periods, for both domestic and international reasons. Since literature is considered to constitute both the repository of culture and one of its several manifestations, any attempt to assess cultural convergence in a unified Europe necessitates an examination and evaluation of contemporary literary production in individual member states. The present volume - the collective work of academics, literary critics and fiction writers - investigates the dramatically new trends that have emerged in contemporary Greek fiction and places this local literature within an international context."
"How is play constituent in the formation of the Greek modernist novel? Reflecting competition with European and North American models as well as internal antagonism with more established literary genres in Greece, the novel after the 1930s employed playfulness as a means to demonstrate or even perform its novelty. Innovations unexpectedly came from the Greek periphery rather than Athens, and the Greek novel swiftly exchanged a passively understood realism for communicative patterns that actively involve the reader and educate him into bringing scraps of plot into a meaningful synthesis. Featuring key Greek authors such as Yannis Skarimbas, Stratis Tsirkas and Nikos Kachtitsis, this is a comprehensive and innovative study of Greek modernist prose fiction and the first of its kind to appear in English. Eleni Papargyriou is Lecturer in Modern Greek Literature at Kings College London."