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Six staples of the orchestral repertoire reprinted from the authoritative Breitkopf & Härtel edition. Overture to Coriolanus, Op. 62; Leonore Overture, No. 1, Op. 138; Leonore Overture, No. 2, Op. 77; Leonore Overture, No. 3, Op. 72; Overture to Fidelio, Op. 72; Overture to Egmont, Op. 84. Convenient, accurate, affordable.
Over 40 pieces, many difficult to find elsewhere, including harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, 6 Little Preludes, more. Breitkopf & Härtel edition.
All five sonatas for cello and piano, and three sets of variations on themes by Mozart and Handel. Basic works of the chamber music repertoire, reprinted from the authoritative Breitkopf & Hartel edition. "
This single-volume compilation features four popular opera fantasies arranged for violin with piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate violin part: Carmen Fantasy from the Opera by Georges Bizet,Op. 25, transcribed by Jenö Hubay Fantasia on Themes from Gounod's Faust,Op. 20, transcribed by Henri Wieniawski Fantasie from Mozart's The Magic Flute,Op. 54, transcribed by Pablo Sarasate Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst This collection is ideal for practice, performance, teaching, and independent study by students, professional performers, and amateur ensembles.
Volume III of this three-volume set is dominated by one of the eminent theorist's most celebrated studies: the analysis of Beethoven's "Eroica" Symphony. All four movements are discussed in painstaking detail.
Volume II of three-volume set features an essay on Mozart's Symphony No. 40 in G Minor, studies of Bach keyboard and solo cello works, and theoretical writings on sonata form and fugue and Schenkerian theory.
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Powerful harmonies and gripping rhythms characterize Brahms' Fourth Symphony, one of the most original of his symphonic works. This miniature score version is a handy and inexpensive resource for use in the concert hall or classroom.
The enormous popular appeal of Tchaikovsky's orchestral music rests on themes of touching eloquence and emotional power, on endlessly inventive textures, and on a masterful control of sheer symphonic sound surely one of the best in all of the nineteenth-century literature. Then there is a thread that runs through his late work especially in the Fourth, Fifth, and Sixth Symphonies seeming to invite us, his audience, to share in depth the composer's most personal feelings. It is a potent recipe for success, nowhere more evident than in the extraordinarily popular Symphony No. 5, a favorite with concert-goers worldwide ever since its premiere, in St. Petersburg, in 1888. One of the finest examples of symphonic orchestration in the Romantic repertoire, Tchaikovsky's Symphony No. 5 appears here in full score, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high-quality, conveniently sized volume will be the edition of choice for music students and music lovers alike. "
Two popular pieces include the 1860 full orchestra revision of Serenade No. 1 in D Major, Op. 11; and Brahms s 1875 revision of Serenade No. 2 in A Major, Op. 16. Authoritative early editions. Instrumentation. "