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Presumably inspired by Charles Sainte-Beuve's collection of poems, this set of six pieces provides a wonderful introduction to Liszt's melodic invention, mood evocation and harmonic language. The most popular of his shorter works, these pieces are successful when performed individually as well as in various combinations. This edition contains Dr. Hinson's helpful pedal markings and performance suggestions.
A journalist embarks on the adventure of a lifetime—living in a remote cabin in Siberia—in this Thoreau-esque meditation on escaping the chaos of modern life and rediscovering the luxury of solitude. “…wry, exuberant, and a perfect balm for anyone who dreams of running away to the middle of nowhere.” —San Francisco Chronicle No stranger to inhospitable places, journalist Sylvain Tesson exiles himself to a wooden cabin on Siberia’s Lake Baikal—a full day’s hike from any “neighbor”—with his thoughts, his books, a couple of dogs, and many bottles of vodka for company. Writing from February to July, he shares his deep appreciation for the harsh but beautiful land, the resilient men and women who populate it, and the bizarre and tragic history that has given Siberia an almost mythological place in the imagination. Rich with observation, introspection, and the good humor necessary to laugh at his own folly, Tesson’s memoir is about the ultimate freedom of owning your own time. Only in the hands of a gifted storyteller can an experiment in isolation become an exceptional adventure accessible to all. By recording his impressions in the face of silence, his struggles in a hostile environment, his hopes, doubts, and moments of pure joy in communion with nature, Tesson makes a decidedly out-of-the-ordinary experience relatable. The awe and joy are contagious, and one comes away with the comforting knowledge that “as long as there is a cabin deep in the woods, nothing is completely lost.”
From the author of How Proust Can Change Your Life, a delightful, truly consoling work that proves that philosophy can be a supreme source of help for our most painful everyday problems. Perhaps only Alain de Botton could uncover practical wisdom in the writings of some of the greatest thinkers of all time. But uncover he does, and the result is an unexpected book of both solace and humor. Dividing his work into six sections -- each highlighting a different psychic ailment and the appropriate philosopher -- de Botton offers consolation for unpopularity from Socrates, for not having enough money from Epicurus, for frustration from Seneca, for inadequacy from Montaigne, and for a broken heart from Schopenhauer (the darkest of thinkers and yet, paradoxically, the most cheering). Consolation for envy -- and, of course, the final word on consolation -- comes from Nietzsche: "Not everything which makes us feel better is good for us." This wonderfully engaging book will, however, make us feel better in a good way, with equal measures of wit and wisdom.
Three wonderful collections of sonatinas grouped in progressive order of difficulty. Beautifully engraved and accurately edited, this series is a favorite of piano teachers and students. Book 2 Titles: * Sonatina (Aram Khachaturian) * Sonatina in A (Giuseppe Antonio Paganelli) * Sonatina in B-Flat (Domenico Cimarosa) * Sonatina in C (Tobias Haslinger) * Sonatina in C [Op. 163] (Carl Czerny) * Sonatina in E [WQ. 63, Nr. 8] (Carl Philipp Emanuel Bach) * Sonatina in F [Anh. 5, No. 2] (Ludwig van Beethoven) * Sonatina in G (Jiri Antonin Benda) * Sonatina in G (Matthew Camidge)
Johann Gerhard (1582-1637) was one of the leading dogmatic theologians of his time and was the authoritative voice of seventeenth-century Lutheran Orthodoxy. Yet, he also published numerous devotional works and meditations that were meant to be used in the daily lives of ordinary believers. The Handbook of Consolations sought to provide comfort and encouragement not only to those approaching death, but also to those who provided care for the sick and dying. Gerhard himself was no stranger to sickness and death, having lost his infant son and young wife, and faced numerous life-threatening illnesses throughout his life. In this pastoral work, which is the first complete English translation based on Gerhard's original Latin to be published since the seventeenth century, Gerhard brings together his extensive understanding of Scripture, theology, and church history in a practical and easy-to-understand manual that is as relevant and meaningful in the twenty-first century as it was in Gerhard's day.
A half-Chinese orphan whose mother sacrificed everything to give him a better chance is raffled off as a prize at Seattle's 1909 World's Fair, only to land in the ownership of the madam of a notorious brothel where he finds friendship and opportunities, in a story based on true events.
Masterworks of the 19th-century composer include Hungarian Rhapsody No. 2 in C-sharp minor, Consolation No. 3 in D-flat major, Liebestraum No. 3 in A-flat major, La Campanella (Paganini Etude No. 3), and 9 others.
Inspired by Alain de Botton's bestselling Consolations of Philosophy, this volume shows how theology can be of practical value to every believer. The great theologians in the history of the church have always found that theology affords genuine comfort in the face of life's difficulties. InThe Consolations of Theology Brian Rosner and other practical theologians present a compelling blend of biography and theology that profoundly addresses the perennial human problems of anger, obsession, despair, anxiety, disappointment, and pain. Contributors: Gwenfair Walters Adams Robert Banks Peter Bolt Andrew Cameron Richard Gibson Brian Rosner Mark Thompson
For those who don’t believe in an afterlife, the wisdom of the ages offers four great consolations for mortality: that death is benign and good; that mortal life provides its own kind of immortality; that true immortality would be awful; and that we experience the kinds of losses in life that we will eventually face in death. Can any of these consolations honestly reconcile us to our inevitable demise? In this timely book, Andrew Stark tests the psychological truth of these consolations and searches our collective literary, philosophical, and cultural traditions for answers to the question of how we, in the twenty-first century, might accept our mortal condition. Ranging from Epicurus and Heidegger to bucket lists, the flaming out of rock stars, and the retiring of sports jerseys, Stark’s poignant and learned exploration shows how these consolations, taken together, reveal death as a blessing no matter how much we may love life.