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To meditate lifelong at the feet of our lord-Kalki's choice of Thirunavukkarasar's words to end his magnum opus, Sivakami's Vow, is indicative of the shift from romance to reflection, from the mundane to the spiritual. Nine years have passed since Narasimha Varmar has ascended the throne to the Pallava kingdom ... nine years that the dancer Sivakami has spent as a captive of the Chalukya emperor, Pulikesi. In that time, the Pallava emperor has been preparing to wage a bloody war against the Chalukyas-to fulfil his promise to Sivakami and his father. But the duties of a sovereign have driven him to make difficult choices in his personal life. Will friendships and allegiances change on account of this? With the passage of so much time, does Sivakami still yearn for vengeance? And what have the last nine years meant for the Pallava commander-in-chief, Paranjyothi, and the conniving bikshu, Naganandi? As Kalki expertly weaves together various strands of honour, love and friendship in this fourth and final volume of Sivakami's Vow, he takes the reader through a gamut of emotions. It is no surprise that this novel is considered a classic.
“With a seeker’s profound curiosity, a journalist’s keen eye, and a potent combination of honesty, courage, intelligence, and tender-heartedness, Mark Matousek as written a beautiful book that is at once a spiritual autobiography and an exploration of one of the most mystical beings of our time.” —Dani Shapiro, author of Hourglass Mark Matousek was a nonbeliever when he met Mother Meera in 1985. Yet, in her presence, he experienced inexplicable occurrences that forced him to challenge his worldview. Mother Meera, born Kamala Reddy is believed by her thousands of devotees to be an embodiment of the Divine Mother. But who is Mother Meera, really? Now, in this deeply moving and wise book, Matousek takes us as close as possible to this extraordinary woman. Is divine incarnation truly possible, he asks, as most of the world’s religions insist? Speaking to members of her inner circle, working at her school for the poor in India, and interviewing the elusive master herself, Matousek takes the reader on a mysterious quest into the “unseen world” where the divine and human intersect.
Avul Pakir Jainulabdeen Abdul Kalam, The Son Of A Little-Educated Boat-Owner In Rameswaram, Tamil Nadu, Had An Unparalled Career As A Defence Scientist, Culminating In The Highest Civilian Award Of India, The Bharat Ratna. As Chief Of The Country`S Defence Research And Development Programme, Kalam Demonstrated The Great Potential For Dynamism And Innovation That Existed In Seemingly Moribund Research Establishments. This Is The Story Of Kalam`S Rise From Obscurity And His Personal And Professional Struggles, As Well As The Story Of Agni, Prithvi, Akash, Trishul And Nag--Missiles That Have Become Household Names In India And That Have Raised The Nation To The Level Of A Missile Power Of International Reckoning.
War is coming... Peninsular India, fourteenth century. The Pandyan empire is at its peak, its enemies subdued and its people at peace. Having left behind his step-brother Sundar in the race to the throne, Crown Prince Veera Pandyan is set to rule from Madurai, reputed to be the richest city in the subcontinent. But invisible fractures within the kingdom threaten to destroy it, and a new enemy approaches, swifter than anyone can imagine. In Delhi, Sultan Alauddin Khilji’s trusted general, the eunuch Malik Kafur, has trained his eyes on the distant south, fabled for its riches. A slave captured by the Khiljis, Kafur is renowned for his ambition and cunning. None, not even the mighty Mongols, have defeated him – no empire can withstand the trail of destruction he leaves in his wake. And all he wants is to see Madurai on its knees, its wealth pillaged, its temples destroyed. As an ancient city combusts in flames of treachery, bloodlust and revenge, brother will battle brother, ambition will triumph over love, slaves will rise to rule, cities will be razed to dust, and the victor will be immortalized in history...
Historical novel on the life and reign of Rajaraja I, active 985-1014, King of Chola dynasty.
a broken-hearted Kaushik arrives in the small, sleepy town of Valai, leaving his disturbing past behind. And even as Valai proves to be anything but slow and laid-back, with all its scandals and rumour-mongering, Kaushik falls in love again - this time with Vivek. However, the rush of love he feels for this young, innocent village boy is not without it sdilemmas; is it the right thing to do? would Vivek understand if Kaushik tells him the truth about his sexuality? As his love becomes an obsession, life turns into a game of manipulation for Kaushik. Until destiny intervenes and takes him on a course that he neither has any control over nor is able to change. Vivek and I is a powerful novel about sexuality, falling in love and learning to let go.
‘Kalki’ R. Krishnamurthy, one of the pioneering giants of the Tamil press in the tumultuous times of the nationalist movement, was a versatile and prolific writer, inscribing the urgencies of his time in his fiction. This collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day. Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.
It can't be you.. When Colonel Belliappa, Indian Army (Retd), a highly decorated war hero is found dying one night frothing at the mouth in anguish, there is no one else at home. Other than his immediate family. His wife, his daughter and his son. Did he, who killed so many, kill himself to bury something dreadful from his past? Or, was he killed? His death sets the clock back to his life as a career officer in the Indian Army. He fights with great valour in the 1971 war against Pakistan which leaves him physically and psychologically scarred for life. Years later, his aggression and maniacal bravery leads to a secret assignment. He is handpicked to command a crack team of Indian Army snipers as an irregular force to fight intruders and militants in the Kashmir Valley from 1989. Today, he is a partner in a flourishing and successful armaments firm. The Colonel finds himself in a series of conflicts with his family, amongst others. Standing to gain from his death, they plan to kill him for their own reasons, quite unknown to each other. Do Colonel Belliappa and his family pay the ultimate price? For the spiral of vengeance he himself triggered some decades ago.
Based on Narasimhavarman I, King of Kanchi, fl. 630-668.