Download Free Siva Chhatrapati Being A Trans Book in PDF and EPUB Free Download. You can read online Siva Chhatrapati Being A Trans and write the review.

As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
This book traces connections in pre-modern Asia by looking at different worlds across geography, history and society. It examines how regions were connected by people, families, trade and politics as well as how they were maintained and remembered. The volume analyses these intersections of memory and narrative, of people and places and the routes that took people to these places, using a variety of sources. It also studies whether these intersections remain in later and present times, and their larger impact on our understanding of history. The narratives cover several journeys drawn from archaeology, texts and cultural imagination: trade routes, marts, fairs, forts, religious pilgrimages, inscriptions, calligraphy and coinages spanning diverse regions, including India–Tibet–British forays, India–Malay intersections, corporate enterprise in the Indian Ocean, impacts of slave trade in Southeast Asia shaped by the Dutch East India company, movements and migrations around Indo-Iranian borderlands and those in western and southern India. The book will greatly interest scholars and researchers of history and archaeology, cultural studies and literature.
Hindutva and Violence explores the place of history in the political thought of Vinayak Damodar Savarkar (1883–1966), the most controversial Indian political thinker of the twentieth century and a key architect of Hindu nationalism. Examining his central claim that "Hindutva is not a word but a history," the book argues that, for Savarkar, this history was not a total history, a complete history, or a narrative history. Rather, its purpose was to trace key historical events to a powerful source—the font of motivation for "chief actors" of the past who had turned to violence in a permanent war for Hindutva as the founding principle of a Hindu nation. At the center of Savarkar's writings are historical characters who not only participated in ethical warfare against invaders, imperialists, and conquerors in India, but also became Hindus in acts of violence. He argues that the discipline of history provides the only method for interpreting Hindutva. The book also shows how Savarkar developed his conceptualization of history as a way into the meaning of Hindutva. Savarkar wrote extensively, from analyses of the nineteenth century to studies of antiquity, to draw up his histories of Hindus. He also turned to a wide range of works, from the epic tradition to contemporary social theory and world history, as his way of explicating "Hindutva" and "history." By examining Savarkar's key writings on history, historical methodology, and historiography, Vinayak Chaturvedi provides an interpretation of the philosophical underpinnings of Hindutva. Savarkar's interpretation of Hindutva, he demonstrates, requires above all grappling with his idea of history.
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.